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Joe

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Everything posted by Joe

  1. Not that I am aware. Unless Laswell ever used the nom-de-date Roy G. Biv...
  2. The clock is about to run out on this. Any additional comments or speculations are most welcome!
  3. Joe

    RVG - RIP

    I hate 2016.
  4. What's the title of that Milt Jackson record? "Ain't but a few of us left"? I wished I could follow Bobby wherever he's going now. And you know that, in his own way, he's still going. Instead, I'll just stay here and express thanks for all the music.
  5. Joe

    Connie Crothers RIP

    Dang. Another adventurer lost. May she find rest now.
  6. Close indeed! Just take a couple of steps to the left (or downtown?), label-wise...
  7. Bingo.
  8. Wow, bullseyes on a couple of these. I think you've got the decade pinned down on 12. Not a name player "slumming," though. What if I told you all that there's a link between the pianists on 3 and 7? No overdubs on 5. 14: yeah, bass is the reason that track is here at all. Not to say the piano is completely without interest, but...
  9. No Von, no Hill. The players here are more obscure, but we're not talking private press or anything. I'll also say there's a link between 4 and 14.
  10. Bandleader and arranger are the same individual, but the composer is someone else again. Though, to the best of my knowledge, this a composition never recorded by that composer, themselves a soloist and bandleader of some note. In fact, the more research I do, the more curious and curiouser the history behind this particular tune becomes.
  11. You may have heard the clarinet player on 1 on tenor; he records more frequently on sax (at least I think so). There are a few tricksters in this band besides. I think the leader / composer / arranger on 13 might come as a surprise... did for me!
  12. Maybe next time.... too many cooks, you know?
  13. The tenor soloist on rack 13 has now been identified. And, yes, major Chicago implications on track 4. As to other impressions and such: this BFT is not confined to North American players.
  14. I know, I know... too much to choose from this year. But I am thinking specifically of terrible events in arts and culture.
  15. Oh, you detectives... Track 12: think "current events," or at least, "terrible stuff that happened in 2016."
  16. Afraid to say I've not tested this page on an Andriod device. However, any browser able to handle HTML5 should be capable of making the audio player embedded on this page work.
  17. A different contrafact, but it may be based on the same chord changes. 13: follow the Kentonite connections... 14: the pianist is not as well known as AJ for their bandleading, but this one comes from an LP issued under their name
  18. Thanks Hot Ptah. A Coltrane influence is DEFINITELY in play with track 15. Good ears on 5, 8 and 11. The key to 2 might be in recognizing the tune / composition. I'd not thought about the bass aspect of this, but, you're right, I did choose a few of these tracks based (pun intended) on who was manning "the doghouse." Best, J
  19. You can also access the BFT here: http://slowstudies.net/bft149/. The individual tracks should play within your web browser.
  20. On! I can confirm that track 1 does NOT feature Buddy DeFranco.
  21. !!!
  22. Ruth Boaz Jesse
  23. Richard Hell Louis Cyphre Minnie Castavet
  24. Hi all. Some advance note on next month's BFT: content will be available via my Bandcamp site, https://slowstudies.bandcamp.com/. If you are interested in participating in BFT 149, please PM me here and I will provide instructions on how to access the audio files. Bandcamp supports both streaming and downloads. Thanks, and looking forward to 31 days of hot opinions, wild guesses, and whatever else these 15 tracks inspire. 08/04/16: STREAMING BACKUP OPTION: http://slowstudies.net/bft149/
  25. Just beginning to dig into this release, and it is pretty fascinating. It features no Ellington or Strayhorn compositions, BUT, as the liner notes make clear, two of the the Praker originals here were commissioned by Ellington about the time of Strayhorn's death (and were apparently accorded a very favorable reception) but never recorded. Colorful, tightly arranged but somehow freewheeling and rhythmically complex music that I'm guessing the Duke of The Afro-Eurasian Eclipse would have appreciated.
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