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Guy Berger

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Everything posted by Guy Berger

  1. Due to the "Fantasy panic" I broke a personal rule about how many CDs I buy in a month and picked up 10 CDs. And I'll probably be buying at least 10-20 more titles next week. I feel pretty guilty about it. I guess I'll just have to cut down on CD purchases as a result. Anyway here's round 1: Jaki Byard: Sunshine of My Soul, Quartet: Live!, Last from Lennie's Woody Shaw: Blackstone Legacy, Song of Songs Steve Lacy: Evidence, Reflections Oliver Nelson: Straight Ahead Cecil Taylor: Lookin' Ahead Lee Konitz: Duets
  2. Jesus, I'm making a list of stuff I want and I'm already up to about 30 titles. If I had to pick only one or two Hawk titles, which ones would fit into both the "very essential" and "likely to vanish" categories?
  3. Since I figure that few of us are going to lay down thousands to acquire a bunch of OJCs, I think this thread will be useful as well. Some stuff that is certain to stay in print: most if not all of the Miles titles most if not all of the of the Trane titles most of the classic Bill Evans stuff on Riverside most if not all of the Monk (Riverside + Prestige) most if not all of the Sonny Rollins most if not all of the Cannonball the two Ornettes on Contemporary oh, and don't forget the Creedence
  4. Arrrgh... I've been putting off an OJC binge because I'm trying to whittle away the backlog, but maybe blowing $200 might not be such a bad idea at this point. Some of my favorite "limited edition OJCs" are The Jaki Byard Experience and Firebirds (Sonny Simmons & Prince Lasha). Also Eric Kloss with the Corea/Holland/DeJohnette rhythm section. I assume more of the Jaki titles are essential? And also Sonny & Prince's The Cry? What about the Eric Kloss In the Land of Giants (with Jaki, Booker and Alan Dawson)? Guy
  5. That little spider marmoset or whatever the hell that tiny thing in the photo is called looks pretty vicious as well. Guy
  6. I enjoyed these two photos: Also don't let your kids ask you what these rhinos are doing
  7. Yes. A very accurate description of this music. I hear Monk and Trane in Smith's music recorded live at Small's. Due to the Trane-ish sound of Smith's organ I can sense a bit of Larry Young. I know Larry Young arrived after Jimmy Smith and John Coltrane. It makes sense that Young would have been affected by both players. I wonder how much influence Coltrane had in 1957? Would it have been enough to make an impression on the style and technique of Jimmy Smith? Or did Smith and Trane develop a sameness of style, so to speak, due to other developments that affected jazz as a whole? Not sure, but Trane played with Jimmy before he joined Miles's group. Guy
  8. Wow, I'm embarrassed for that guy. Guy
  9. Anything that's out of print by Bobby Hutcherson, Andrew Hill, or Jackie McLean. As little currently-available stuff as possible. Any of the currently OOP Chick Corea BNs!!! PLEASE!! Guy
  10. I didn't vote for Pepper Adams, but he has one of the coolest bari riffs ever on Mingus's "Moanin' ". Gary Smulyan had a lot of fun with this when I saw the Mingus Big Band. Guy
  11. interview I think the interview is really illuminating -- Fripp usually doesn't talk about his jazz roots. Guy
  12. I think John Medeski uses a Wurlitzer. Or did. Guy
  13. Interesting. This is a case where I would have definitely preferred to hear an acoustic piano. Guy
  14. Have to vote for Chick. Was just listening to the Nov. 3 '69 "Masqualero", where he takes a five minutes solo -- yowza. Herbie and Joe come in 2nd and 3rd. Guy
  15. Man, I wanna go to Europe. Though I guess a couple of days in Southern California aren't a bad substitute... Guy
  16. Bingo! Guy
  17. I more or less agree with Shrdlu on the '56 vs. '57 distinction, with the caveat that Trane got much better during 1956 (compare his playing on the May and October sessions with Miles's quintet). Still, his playing on Tad Dameron's Mating Call is great, and it's a lot of fun to hear him matching wits with Sonny on "Tenor Madness". Guy
  18. I haven't heard the whole album, but "74 Miles Away" (the tune) is awesome. Cannonball's solo is intense -- maybe invents Gary Bartz's style. Guy
  19. You can hear Ron Carter torturing a cello on McCoy Tyner's Expansions. Guy
  20. Are they ever going to reissue the Joe Farrell album with John McLaughlin, Chick Corea, Dave Holland and Jack DeJohnette? Guy
  21. I really like this one. As a bonus, I think BMG has it -- you might be able to get it for cheap. The version of "What Is This Thing Called Love?" is awesome. And now that Chris mentins it, so is "Chelsea Bridge" -- the only thing that's missing is Ben Webster. Guy
  22. I went to see this tonight... way better than I expected. But given how much The Nation is whining about it, I shouldn't have been surprised. Guy
  23. Yeah, it was pretty ridiculous. But at the same time, it seems like all the ESPN guys are blowing it out of proportion. We'll look back in June and it won't be anything other than a footnote. And as for Crazy Ron, it's all Don Nelson's fault! Guy
  24. A great album. Herbie reminds us why he's one of the finest Rhodes players in jazz. Guy
  25. His contributions to Miles Davis's Dark Magus at Carnegie Hall are really nice, though according to him he had much better performances with that band. Guy
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