Guy Berger

I'm not a huge ELP fan, but I really like their debut album and in particular the piece titled "The Three Fates". The last section "Atropos", for piano-bass-drums, is maybe the closest I've heard a rock group approximating a post-bop piano trio. If you heard the piano trio section on a BFT, what would be your guess? Guy

Well, if you watch the Ken Burns documentary that didn't say much about Duke's work post-1960, then you might get the idea. Wait... who was the chief consultant for that documentary again? Guy

Are you including In a Silent Way and Bitches Brew here? I imagine that these were probably more successful with the jazz public than what came later. Guy

Sorry Mike, I guess I slipped up on the term "discography" since it wasn't really a recommendation and we were talking about two specific albums rather than an artist's entire career. But if the moderators want to move this thread, I'm totally cool with it! Guy

I dunno... Jarrett's playing on, say "Bird Flight" (from Dream Weaver) or "Angles (Without Edges)" (from Fort Yawuh) is pretty far outside. I'll agree that Pullen spends more time in that zone. (I'm only familiar with the Pullens/Adam stuff, though.) Guy

This might seem like an odd comparison, or maybe not, but I'd compare Pullen's playing to some of Keith Jarrett's early work. A combination of outside & groove-oriented playing. Guy

This isn't a question about your favorite Wayne Shorter album, but simply about which of his two most popular BNs you prefer. Guy

A great album, I'm glad I picked it up. Guy

The Beatles, A Hard Day's Night Nick Drake, Pink Moon

Congrats dude Guy

There's also a clever bit in Eco's Name of the Rose where Adso is extremely impressed with the Benedictine monastery's collection of relics and William makes a clever comment in response. (I wish I had the book in front of me so I could quote the passage!) Guy

Here's an article on the historicity of Jesus. Guy

Herbie's playing on Tony Williams's Spring is phenomenal. You should also really check out his playing on some of the Miles 1967 boots -- a lot more outside than on record. Guy

I'm extremely tempted to get Basra off the bat, but I think the usual best strategy is to see which RVGs show up on the BMG website over the next few months. Guy

I recently iPod'ed this music... some amazing stuff. Thanks Herbie, we hardly knew you! Guy

And for what it's worth, I guess it's pretty cool to have a critic who gushes about something unapologetically once in a while. I mean, isn't that part of what loving music is all about. I'm not a huge fan of all his writing, but I've always enjoyed his liner notes to Bitches Brew. Very cool. Guy

I started working through the Chico Hamilton mosaic yesterday -- I've had it lying around since Aug '03 but only unwrapped it recently. I've only touched the first disc -- interesting stuff but nothing's really jumped out at me. The live stuff is a bit more exciting than the studio material. "Blue Sands" would make an entertaining blindfold test! Guy

Good news: US boosts tsunami aid to $350M

He's on at least one Mingus album (Mingusx5) and, IIRC, Y Lateef's Live at Pep's. Guy

He said that he was working with Ornette, Haden said Jarrett needed a saxophonist, he auditioned, and "I got hired, I think". He then said something about how Ornette's music was very free while Jarrett's involved a lot more playing of Keith's compositions. To which Haden added, "but Dewey was playing very freely in that band." Dewey also said something about playing percussion and musette. Don't remember what else. Guy

Downloaded it today from easytree. (If the seed came from this board, thanks a lot!) Very interesting to hear the guy talking about music. I'd never seen any videos of the guy playing and that was interesting in itself. The footage of the Lloyd quartet and (especially) the American group were the best parts. The interviews were also illuminating. It was interesting to hear Dewey Redman and Charlie Haden give contradictory opinions on the American group. I thought the Chick Corea segment ("I'm going to have to practice really hard!") was very funny. I wish they'd gotten Charles Lloyd, Paul Motian and someone from the Cellar Door band to contribute. And it sure would have been interesting to have someone from that '65 Blakey band (which didn't get mentioned, unfortunately) offer their opinion of young Keith. Anyway, highly recommended! Guy

Interestingly, there was a recent blindfold test where Bley heard Jarrett's performance of "Prelude to a Kiss", lamented the trashing of the Ellington tune, and upon discovering the performer said "Keith Jarrett? I'm sorry to hear that." Guy

There's an interesting symposium on the Nation from 1982 responding to a "controversial" speech Sontag made. Interesting though the whole thing is a little nutty. Guy

Good call, Marty. I remember hearing a Mingus track from 1959 and thinking the avant-garde altoist was Dolphy, but it was Handy. Guy

isn't all of Fort Yawuh on the Impulse box?? I meant to say that part of the the box will be duplicated.