That's essentially where I'm at with OP. I love his playing, and often refer to him when asked for an example of someone who plays with a great sense of time and swing. I appreciate hearing a tight trio playing well-constructed arrangements.
I'm often in the mood to listen to OP- his recordings always elevate my mood. Sometimes I'd rather listen to Monk. Or Bill Evans. Or Tatum.......etc.
IMHO with OP there is a "sameness" to many of his performances. I might compare him to Stitt..........a great player who returns to a familiar repertoire and plays familiar licks and phrases. Not a lot of harmonic exploration, but a great sense of melodic construction. I've made the same comment about Carl Fontana, who I love. My intent is not to diminish any of these artists' talents or importance. Being able to play at that level requires a LOT of hard work. If you need more, look to other artists. I find a lot to like about OP, however!