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Rabshakeh

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Everything posted by Rabshakeh

  1. I don't really know either of them. What are some good records either side of the transformations? I am also fascinated by those changes but more by now overwhelming those zeitgeist shifts must have been between 1965 and 1980. We are all by now getting bored of the talk of the "vibe shift" by now, but imagine if the Kamasi Washington was suddenly playing back to playing jazz school bebop. Kriegel I know. And a very good shout. Great record. Amazing to see all those names and then hear them playing in that style.
  2. Oh cool. Thanks. A nice looking resource. Edit: Just looked closer, and this is basically exactly it. Not European but currently listening to the Quebecois band Sloche's J'Un Oeil, which is very close to the mold.
  3. Now this is very much it. Bonus points all round. I'll be the hippest kid on Instagram. Jazz Q Praha is one of the few Czech jazz rock groups that I know of, from their album Watchtower and also a split that they did with Modry Efekt.
  4. I'm down one of my periodic rabbit holes. This time it is that particular style of European jazz rock and fusion music that flourished in the 1970s: lots of bands coming out of various hyper-local regional scenes, influenced by electric Miles and Mahavishnu Orchestra, and often with strong overlap with the more adventurous art rock scenes (like Canterbury, Krautrock, RIO, Zeuhl, Zappa, etc), often lasting for only one album. I don't think that we have a discussion on this topic (I had assumed that I had started one, but apparently I haven't, or if I have I can't locate it). The biggest names in the genre seem to be the British ones, particularly Nucleus, Brian Auger, Colosseum, Bruford, Brand X and Soft Machine. But there are hundreds, from largeish bands like the German Embryo, Czech Modry Efekt or French groups like Gong (post-Aellen), Cortex and Magma (pre-MDK), to one-off records by bands like the Algerian/French Rahmann. It's a fascinating genre. A lot of it does sound really quite similar. But there's a fun heavily electric sound to it that has never really been replicated. Any recommendations or thoughts welcome. (Obviously, this being the era of the internet, there are bonus points to be had if the band or album recommended is Czech or from the former Yugoslavia.)
  5. Christopher Hollyday – Christopher Hollyday
  6. Barry Guy - Irvin's Comet
  7. Rodrigo Amado and Chris Corsano - No Place To Fall
  8. Big Bill Broonzy - Last Session Part 2
  9. That's where I heard about this one. It is streamable. A very nice record. Similar to e.g. News from the Shed, it is from before the point at which Butcher's concept had coalesced and his playing is different to how it would become. I really enjoy that. Nice to hear him from that early stage. I love to see Butcher and feel spoilt by how often he plays in Hackney.
  10. Chris Burn and John Butcher – Fonetiks
  11. Ha! That was my guess too. Seems like a rock town.
  12. Are there any good second hand record shops in Dublin? I'll be there this weekend.
  13. Actually, I see that I have him on some Sheik Cola and Captain John Handy records, all of which I really like, so interested to follow up this thread.
  14. I quite like their records but I wish Jeter Thompson would have chilled out a bit. Ramsey Lewis knew not to play too many notes.
  15. I am a hater. In my opinion she cannot write. All gush and superlatives (which makes the topic of this article ironic). I don't think she listens to the music at all. Sorry to be negative.
  16. My late father in law was a big trad fan. My wife has happy childhood memories of various former regional trad scenesters occasionally passing through her home in the 1980s, and having a knees up (no one substantial though). I inherited his record collection when he died, including lots by these older regional amateur bandleaders. That said, I am pretty ignorant about the stuff, and it is hard to find out information about the revivalist styles. Ken Colyer I obviously know, and also Rimington but I think only after he had moved to the US. Cuff Billet and Barry Martyn are new names to me, so any records that you'd recommend would be welcome.
  17. Lester Bowie – The Great Pretender
  18. Porter Wagoner – The Cold Hard Facts Of Life Carlos Paredes – Guitarra Portuguesa Cameron Winter – Heavy Metal Exuma – Exuma
  19. Looks interesting. Acker Bilk isn't someone I necessarily associate with "authentic" New Orleans jazz. Having said that there is a vinyl collection of his earlier sides called My Early Days that I really rate. Not not not George Lewis stuff but it is spirited and energetic early trad. Are you based in the UK? I'm always looking for shops with decent trad selections.
  20. Giuliano Sorgini – Zoo Folle
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