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Lazaro Vega

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Everything posted by Lazaro Vega

  1. http://photos1.blogger.com/blogger/2479/27...lton-352X.1.jpg
  2. I see where the Grand Rapids Jazz Orchestra performance at Founder's Brew Company this Sunday is dedicated to Mel's memory. Blue Lake Public Radio will air a special broadcast commemorating Mel Dalton on Sunday, April 27th from 7 p.m. to 10 p.m. which will include Blue Lake tapes of the 1991 Saxophone Summit (a concert produced by Randy Marsh), the Scott Veenstra-Mel Dalton Quartet in 1991, and last year's "Live From Blue Lake" with trumpeter Sweet Willie Singleton's band featuring Mel. Laz
  3. The first time through Spanish Key, and not realizing the concept, I though they'd found some way to get tremendous presence on Miles's recorded sound from 1969. Listening more carefully and was, humm, never heard Miles do that before. Wallace Roney's impersonation is scary.
  4. (Begin Forwarded Message): I think it's finally time for me to officially announcement the big Braxton project I've been organizing. I am helping to bring Anthony to Pittsburgh in late May. As with most things Braxton, it's grown and grown in scope since its inception. We're staging a mini-festival if you will, under the banner "Braxton Plays Pittsburgh Plays Braxton". There will be four public concerts, a private workshop with Anthony and my high school avant garde ensemble, and a recording session planned with him and myself. The public concerts planned are: May 30: Braxton Septet at the Manchester Craftsman's Guild, 8pm May 31: Syrinx Ensemble with Braxton, National Aviary 10am (+/-) also May 31: The Three Rivers Tri-Centric Orchestra plays Braxton (CAPA Antithesis opening), CAPA High School Theater June 1: Syrinx Ensemble with Braxton, National Aviary 10am A few details: CAPA Antithesis is the aforementioned HS avant garde ensemble I coach; Syrinx Ensemble is an improvising group which specifically works with birds; the Three Rivers Tri-Centric Orchestra (or should I make it the Tri-Rivers-Centric Orchestra? whatever...) will be essentially a pickup ensemble of local talent playing Braxton. So far I have a group of thirteen players, we may go a few higher than that. And as for the Manchester Craftsman's Guild, this is the "jazz palace" of Pittsburgh, an amazingly nice hall with superb acoustics. I have 2/3 of my funding in place, and feel confident that the remaining portion will come through (or I'll have some serious bills to pay). I don't have a website in place yet, but will probably set up a MySpace page before a week has gone by. So if any of you Braxtophiles are in neighboring communities, I think you won't want to pass up the opportunity to catch all of these events. I'll post more information when and if necessary. -Ben
  5. Mel sounded good. He brought up the modern/mainstream side of things with his Joe Henderson inspired moves, but while he aged his playing grew in depth of feeling and personality. His latest recordings were with trumpeter Sweet Willie Singleton, and Sweet Willie's band with Mel played "Live From Blue Lake" last Spring. While forever the freelancer, he was also part of the band New Connections with trombonist John Hair in the 1990's, and added a nice dimension to a jam session Randy put together and Blue Lake Recorded: The Saxophone Summit Live at the Carribean Club in Grand Rapids. Mel was an inspiring figure on the scene. We were fortunate to have him as a "local" musician.
  6. Wednesday, April 16th at 10 p.m. edt Detroit native Robert Hurst performs live on Blue Lake Public Radio with pianist Woody Goss and drummer Quentin Joseph. A respected, recognized composer, bassist, educator and recording artist who's earned four Grammy awards, bassist Robert Hurst recently appeared on record with Chris Botti, Diana Krall, Michael Buble, the San Francisco Jazz Collective, Charles Lloyd and Kenny Garrett. This former member of the Tonight Show Band with Jay Leno broke into the national jazz scene via extensive recording and tours with both Wynton and Branford Marsalis. Today Robert Hurst is Associate Professor of Jazz Bass and Improvisation Studies at the University of Michigan in Ann Arbor. He is also a former Blue Lake camper. Wednesday's live radio concert is underwritten by the Detroit jazz record label Mack Avenue ("The Road to Great Music www.mackavenue.com") with grant support from The Holland Area Arts Council through The Michigan Council for the Arts and Cultural Affairs. Additional support provided by Grand Rapids Magazine, The Muskegon Chronicle, The Weathervane Inn (Montague), and The West Michigan Jazz Society. Please see www.roberthurst.com WBLV FM 90.3, Muskegon and on The Lakeshore WBLU FM 88.9, Grand Rapids Streaming live on the web from www.bluelake.org/radio
  7. Thanks U.S. The Holland Area Arts Council wants to know if their programs have "community impact" and with that in mind if any from the Organissimo community caught last night's broadcast, or will catch the encore broadcast this Saturday morning at 9 a.m., please send us a note to be forwarded to the granting committe: radio@bluelake.org Thanks again for tuning in. Geri was formidable.
  8. Congratulations! From the Ann Arbor News: Geri A. Allen, an associate professor of music (at U of M), received the Guggenheim for a music composition project that celebrates the work of three artists - pianist-composers Herbie Hancock, McCoy Tyner and Cecil Taylor.
  9. Rufus Reid was awarded one as well.
  10. www.gf.org./newfellow.html#US John Simon Guggenheim Memorial Foundation 2008 Fellows ­ United States and Canada · Len Ackland, Associate Professor, School of Journalism and Mass Communication, University of Colorado, Boulder: Nuclear power at a crossroads. · Martha Ackmann, Writer, Leverett, Massachusetts; Senior Lecturer in Gender Studies, Mount Holyoke College: Toni Stone's challenge to baseball and America. · Yacine Ait-Sahalia, Otto Hack 1903 Professor of Finance and Economics, Princeton University: The econometrics of jumps and volatility. · Ken Alder, Professor of History and Milton H. Wilson Professor of the Humanities, Northwestern University: Personal identification from the Renaissance to the genome. · Meena Alexander, Poet, New York City; Distinguished Professor of English, Hunter College and CUNY Graduate Center: Poetry. · Geri A. Allen, Composer, Upper Montclair, New Jersey; Associate Professor of Jazz Piano and Improvisation, University of Michigan: Music composition. · Natalia Almada, Filmmaker, Mexico City and Brooklyn, New York: Filmmaking. · Margaret Lavinia Anderson, Professor of History, University of California, Berkeley: The Armenian Genocide: A German story. · Nancy Evelyn Andrews, Professor of Art and Design, College of the Atlantic: Filmmaking. · Rae Armantrout, Poet, San Diego, California; Professor of Poetry and Poetics, University of California, San Diego: Poetry. · Douglas N. Arnold, Professor of Mathematics, University of Minnesota, Twin Cities: Finite element exterior calculus. · Shimon Attie, Visual Artist, Brooklyn, New York: Video installation. · Dean Bakopoulos, Writer, Mineral Point, Wisconsin; Executive Director and Lillian Greenwood Artist-in-residence, Shake Rag Alley Center for the Arts, Mineral Point: Fiction. · Randy E. Barnett, Carmack Waterhouse Professor of Legal Theory, Georgetown University Law Center: The reconstructed constitution. · Mason Bates, Composer, Oakland, California: Music Composition. · Keith Bearden, Filmmaker, Long Island City, New York: Filmmaking. · Brigitte Miriam Bedos-Rezak, Professor of History, New York University: The imprint and a logic of signs in medieval Europe (1150-1350). · Jeffrey L. Bennetzen, Norman and Doris Giles Professor of Molecular Biology and Functional Genomics, University of Georgia: Genetic diversity and population structure in the parasitic weed Striga and its crop hosts in Mali. · Toni Bentley, Writer, Los Angeles, California: Ida Craddock and the birth of the first American sex manual. · Michael P. Berman, Artist and Photographer, San Lorenzo, New Mexico: Photography. · Harry Bernstein, Writer, Brick, New Jersey: Now in my nineties. · Michael D. Bess, Chancellor's Professor of History, Vanderbilt University: A historian's perspective on human biological enhancement. · Joao Biehl, Associate Professor of Anthropology, Princeton University: Transcendental values and political life in postcolonial Brazil: The Mucker War. · Erika Blumenfeld, Artist, Marfa, Texas: Environment-based installation. · Howard Bodenhorn, Professor of Economics, Clemson University; Research Associate, National Bureau of Economic Research, Cambridge, Massachusetts: The political economy of Jacksonian New York. · Tim Bowling, Poet, Edmonton, Alberta, Canada: Poetry. · Stanley Brandes, Professor of Anthropology, University of California, Berkeley: Pets and their people. · Michael F. Brenson, Independent Scholar, Accord, New York: A biography of David Smith. · Art Bridgman / Myrna Packer, Choreographers, Valley Cottage, New York; Codirectors, Bridgman/Packer Dance: Choreography. · Carlyle Brown, Playwright, Minneapolis, Minnesota: Drama. · Michael Paul Burkard, Poet, Syracuse, New York; Associate Professor of English, MFA Program in Creative Writing, Syracuse University; Instructor, Bennington Writing Seminars, Bennington College: Poetry. · Christopher S. Celenza, Professor, Department of German and Romance Languages, Johns Hopkins University: Humanism and language from Petrarch to Poliziano. · Lan Samantha Chang, Professor of Creative Writing, and Director, The Program in Creative Writing, University of Iowa Writers' Workshop: Fiction. · Meiling Cheng, Associate Professor of Critical Studies and English, and Director of Critical Studies, School of Theatre, University of Southern California: Contemporary time-based art in China. · Dan Chiasson, Poet, Sudbury, Massachusetts; Assistant Professor of English, Wellesley College: Poetry. · Kyong Mee Choi, Composer, Chicago, Illinois; Assistant Professor of Music Composition, Roosevelt University: Music composition. · Paul Clemens, Assistant to the Dean, College of Liberal Arts and Sciences, Wayne State University: Dismantling a Detroit auto plant. · Deborah Cohen, Associate Professor of History, Brown University: Family secrets in Britain, 1840-1990. · Lewis Mitchell Cohen, Director of Renal Palative Care Initiative, Baystate Medical Center, and Professor of Psychiatry, Tufts University School of Medicine: Allegations of murder in the medical community. · Ovidiu Costin, Professor of Mathematics, Ohio State University: Study of singular differential systems using generalized summability techniques. · Bill Daniel, Filmmaker, Braddock, Pennsylvania: Filmmaking. · Sheldon Danziger, H. J. Meyer Distinguished University Professor of Public Policy, Gerald R. Ford School of Public Policy, University of Michigan: Four decades of antipoverty policies. · William deBuys, Professor of Documentary Studies, College of Santa Fe: An environmental history of the North American Southwest. · Alice Domurat Dreger, Associate Professor of Clinical Medical Humanities and Bioethics, Feinberg School of Medicine, Northwestern University: Science and identity politics in the Internet age. · Tony D'Souza, Writer, Sarasota, Florida: Fiction. · Laurent Dubois, Professor of History and Romance Studies, Duke University: A cultural history of the banjo. · Nancy Easterlin, Professor of English, University of New Orleans: What is literature for? · Alexei A. Efros, Assistant Professor of Computer Science and Robotics, Carnegie Mellon University: Inferring geometric, photometric, and semantic scene properties from an image. · Rodney Evans, Filmmaker, Brooklyn, New York: Filmmaking. · Xiaohui Fan, Associate Professor of Astronomy, Steward Observatory, University of Arizona: The end of cosmic dark ages: beyond the redshift seven barrier. · James Farquhar, Associate Professor, Earth System Science Interdisciplinary Center and Department of Geology, University of Maryland: Isotopic investigations of microbial sulfur metabolisms. · Robert Feintuch, Artist, New York City; Senior Lecturer in Art, Bates College: Painting. · Molissa Fenley, Choreographer, New York City; Artistic Director, Molissa Fenley and Dancers; Associate Professor of Dance, Mills College: Choreography. · G. R. F. Ferrari, Professor of Classics, University of California, Berkeley: Fiction and the limits of social meaning. · Leon Fink, UIC Distinguished Professor, Department of History, University of Illinois, Chicago: Regulating labor in the Atlantic world, 1800-2000. · Edward Fowler, Writer, Irvine, California; Professor, School of Humanities, University of California, Irvine: A family memoir. · Mark I. Friedman, Member and Associate Director, Monell Center, Philadelphia: Diet and obesity. · Victor A. Friedman, Andrew Mellon Professor in Slavic Languages and Literatures, University of Chicago: Multilingualism, identities, and the sociolinguistics of the Balkan Linguistic League. · Rachel Fulton, Associate Professor of History, University of Chicago: The Virgin Mary and the art of prayer, 1000-1500. · Joe Fyfe, Painter, Brooklyn, New York; Visiting Assistant Professor, Pratt Institute, Brooklyn: Painting. · David W. Galenson, Professor in Economics and the College, University of Chicago: Conceptual revolutions in twentieth-century art. · Forrest Gander, Poet, Barrington, Rhode Island; Professor of English and Comparative Literature, Brown University: Poetry. · Sergey Gavrilets, Distinguished Professor, Department of Ecology and Evolutionary Biology, University of Tennessee: The social brain hypothesis: coevolution of genes, memes, and social networks. · Phoebe Gloeckner, Artist, Ann Arbor, Michigan; Assistant Professor, University of Michigan School of Art and Design: A graphic narrative. · Laurie R. Godfrey, Professor of Anthropology, University of Massachusetts, Amherst: Reconstructing Madagascar's vanished ecosystems. · Ann Goldstein, Editor and Translator, New York City; Editor, The New Yorker: The complete works of Primo Levi. · Elijah Gowin, Photographer, Kansas City, Missouri; Assistant Professor of Art and Art History, University of Missouri, Kansas City: Photography. · Allan Greer, Professor of History, University of Toronto: The practices of property in colonial North America. · Wendy Griswold, Professor of Sociology, Northwestern University: The Federal Writers' Project and American regionalism. · Edith Grossman, Translator, New York City: The "Soledades" of Luis de Góngora. · Sumit Guha, Professor of History, Rutgers University: Governing Caste: Identity and power in South Asia, 1600-1900. · Achsah Guibbory, Professor of English, and Chair, Department of English, Barnard College: The uses of Judaism in seventeenth-century England. · Barbara Hahn, Distinguished Professor of German, Vanderbilt University: Hannah Arendt's literature. · Roya Hakakian, Writer, Woodbridge, Connecticut: The assassins of the Turquoise Palace. · David M. Halperin, W. H. Auden Collegiate Professor of the History and Theory of Sexuality, University of Michigan, Ann Arbor: How to be gay. · William M. Hamlin, Professor of English, Washington State University: A history of John Florio's Montaigne. · Saar Harari, Choreographer, New York City; Artistic Director, LeeSaar The Company: Choreography. · Donald Harper, Professor, Department of East Asian Languages and Civilizations, University of Chicago: China in the age of manuscripts, fourth century B.C. to tenth century A.D. · Susanna B. Hecht, Professor of Urban Planning, University of California, Los Angeles: Deforestation in the rubber boom of the upper Amazon. · Robin Hemley, Professor of English and Director, Nonfiction Writing Program, University of Iowa: Revisiting one's own youth. · Denise L. Herzing, Research Director, Wild Dolphin Project, Jupiter, Florida; Research Faculty Member, Department of Biological Sciences, Florida Atlantic University: Underwater observations of wild dolphins. · Sue Hettmansperger, Artist, Iowa City, Iowa; Professor of Painting and Drawing, University of Iowa, Iowa City: Painting. · Bob Hicok, Poet, Blacksburg, Virginia; Associate Professor of Creative Writing, Virginia Polytechnic Institute and State University: Poetry. · Martha Himmelfarb, William H. Danforth Professor of Religion, Princeton University: Jewish eschatology and Christian empire. · Danny Hoch, Playwright, Brooklyn, New York: Drama. · Woody Holton, Associate Professor of History, University of Richmond: Abigail Adams, entrepreneur. · Michael E. Hood, Assistant Professor of Biology, Amherst College: Evolutionary ecology of a global disease distribution. · Daniel Horowitz, Mary Huggins Gamble Professor of American Studies, Smith College: Understanding consumer culture, 1951-2001. · Yonggang Huang, Joseph Cummings Professor, R. McCormick School of Engineering and Applied Science, Northwestern University: Atomistic-based continuum theory for nano-structured materials. · Sedrick Ervin Huckaby, Artist, Fort Worth, Texas; Adjunct Professor, University of Texas, Arlington: Painting. · James Hyde, Painter, Brooklyn, New York: Painting. · Torben Iversen, Harold Hitchings Burbank Professor of Political Economy, Department of Government, Harvard University: Democracy, distribution, and the representation of economic interests. · Bahram Javidi, Board of Trustees Distinguished Professor, University of Connecticut: Real-time automated detection and identification of biological microorganisms. · Margo Jefferson, Associate Professor, Eugene Lang College, The New School University; Professor of Professional Practice, Columbia University: Race: composition and improvisation. · Paul Christopher Johnson, Associate Professor, Center for Afroamerican and African Studies, and Department of History, and Director, Doctoral Program in Anthropology and History, University of Michigan, Ann Arbor: "Religion" and the purification of spirits. · Robert Kanigel, Professor of Science Writing, Massachusetts Institute of Technology: On an Irish island. · Sean Keilen, Lecturer in English, Princeton University: Imitation and tradition in Renaissance poetry. · Martin Kersels, Artist, Sierra Madre, California; Codirector and Faculty Member, Program in Art, California Institute of the Arts: Installation art. · Chandrashekhar B. Khare, Professor of Mathematics, University of California, Los Angeles: Motives, Galois representations, and automorphic forms. · Laura L. Kiessling, Hilldale Professor of Chemistry and Biochemistry and Laurens Anderson Professor of Biochemistry, University of Wisconsin: Chemoselective reactions for biology. · Matthew Klam, Writer, Washington, DC; Visiting Associate Professor, Stony Brook University: Fiction. · Anthony Korf, Composer, New York City; Artistic Director, Riverside Symphony, New York City: Music composition. · Elizabeth LeCompte, Theater Artist, New York City; Founding Member and Artistic Director, The Wooster Group: Drama. · Michael Leja, Professor, History of Art Department, University of Pennsylvania: The flood pictures in the mid-nineteenth century. · Simon Leung, Artist, Los Angeles, California; Associate Professor of Studio Art, University of California, Irvine: Post-studio art. · Beth Levin, William H. Bonsall Professor in the Humanities, Stanford University: Crosslinguistic variation in event encoding. · Builder Levy, Photographer, New York City: Photography. · Michael J. Lewis, Faison-Pierson-Stoddard Professor of Art, Williams College: The pietist tradition in town planning. · Pam Lins, Sculptor, Brooklyn, New York; Adjunct Professor, Cooper Union School of Art: Sculpture. · Sam Lipsyte, Writer, New York City; Assistant Professor, School of the Arts, Columbia University: Fiction. · Shawn R. Lockery, Professor and Associate Director, Institute of Neuroscience, University of Oregon: Recordings of neuronal activity and behavior in freely moving animals. · Vyvyane Loh, Writer, Watertown, Massachusetts: Fiction. · Glen M. MacDonald, Professor of Geography, University of California, Los Angeles: Climate warming, epic drought, and society. · Janet Maguire, Composer, Venice, Italy: Music composition. · Anne Makepeace, Filmmaker, Lakeville, Connecticut; Director, Writer, and Producer, Anne Makepeace Productions, Inc: Filmmaking. · Paolo Mancosu, Professor of Philosophy, University of California, Berkeley: The interplay between philosophy of mathematics and mathematical logic. · Fredrik Marsh, Photographer, Columbus, Ohio; Senior Lecturer in Art, Otterbein College: Photography. · Jack Marshall, Writer, El Cerrito, California: Poetry. · Tim Maudlin, Professor II of Philosophy, Rutgers University: New foundations for physical geometry. · Jane Mayer, Writer, Chevy Chase, Maryland; Staff Writer, The New Yorker Magazine: How America lost its way in fighting terrorism. · Judith Mayne, Distinguished Humanities Professor of French, Ohio State University: Continental films and French Occupation cinema. · Anthony McCall, Artist, New York City: Installation art. · Joanne Meyerowitz, Professor of History and American Studies, Yale University: Explaining human difference. · Greg Miller, Photographer, Coventry, Connecticut: Photography. · Don Mitchell, Distinguished Professor, Department of Geography, Maxwell School, Syracuse University; Visiting Scholar, Annenberg School, University of Pennsylvania: Bracero: remaking the California landscape, 1942-1964. · Rebecca Morris, Artist, Los Angeles, California; Associate Professor of Painting, Pasadena City College: Painting. · Samuel Moyn, Professor of History, Columbia University: Human rights between morality and politics. · Ardine Nelson, Photographer, Columbus, Ohio; Associate Professor, Department of Art, Ohio State University: Photography. · John Wallace Nunley, Independent scholar, St. Louis, Missouri: African art and the experience of slavery. · Ruben Ochoa, Artist, Los Angeles, California; Adjunct Professor in Sculpture, University of California, Irvine: Installation art. · Peter Ozsváth, Professor of Mathematics, Columbia University: Heegaard diagrams and holomorphic disks. · Richard Panek, Writer, New York City: At the dawn of the next universe. · Richard H. Pildes, Sudler Family Professor of Constitutional Law, New York University School of Law: Political power, democratic politics, and constitutional theory. · Claire Preston, Fellow and Lecturer in English, Sidney Sussex College, University of Cambridge: English literature and scientific investigation in the seventeenth century. · Richard Primus, Professor of Law, University of Michigan: Constitutional authority in the wake of civil war. · Andrew Stein Raftery, Artist, Providence, Rhode Island; Associate Professor of Printmaking, Rhode Island School of Design: Engraving. · Rufus Reid, Composer, Bassist, and Clinician, Teaneck, New Jersey: Music composition. · Enrico Riley, Artist, Norwich, Vermont; Senior Lecturer and Area Head of Painting and Drawing, Dartmouth College: Painting. · Lance Rips, Professor of Psychology, Northwestern University: Concepts of individuals and their persistence. · Oren D. Rudavsky, Filmmaker, New York City: Filmmaking. · Paul Rudy, Composer, Kansas City, Missouri; Associate Professor and Coordinator of Composition, Conservatory of Music and Dance, University of Missouri, Kansas City: Music composition. · John Gerard Ruggie, Kirkpatrick Professor of International Affairs, Kennedy School of Government, Harvard University: Governing multinationals: the case of human rights. · Ben Russell, Filmmaker, Chicago, Illinois; Visiting Assistant Professor in Moving Image, University of Chicago: Filmmaking. · Nancy Ruttenburg, Professor of Comparative Literature, English, and Slavic Literatures, and Chair, Department of Comparative Literature, New York University: Dostoevsky and the culture of American democracy. · Lisa Sanditz, Artist, Tivoli, New York: Painting. · Sigrid Sandström, Artist, Tivoli, New York; Assistant Professor of Studio Arts, Bard College: Painting. · Philip W. Scher, Associate Professor of Anthropology, University of Oregon: Tourism, the state, and the performance of identity in the neoliberal Caribbean. · Jeffrey Schiff, Artist, Brooklyn, New York; Professor of Art, Wesleyan University: Sculpture. · Laura Elise Schwendinger, Composer, Madison, Wisconsin; Associate Professor of Composition, University of Wisconsin, Madison: Music composition. · Reginald Shepherd, Poet, Pensacola, Florida; Associate Poetry Faculty, Low-Residency MFA Program, Antioch University: Poetry. · Vicky Shick, Choreographer, New York City: Choreography. · Arthur P. Shimamura, Professor of Psychology, University of California, Berkeley: A neurocognitive approach to the psychology of art and aesthetics. · Gary Shiu, Associate Professor of Physics, University of Wisconsin, Madison: Connecting string theory to experiment. · Kathryn Sikkink, Regents Professor and McKnight Distinguished University Professor, University of Minnesota: The origins and effects of human rights trials in the world. · Susan S. Silbey, Leon and Anne Goldberg Professor of Humanities and Professor of Sociology and Anthropology, Massachusetts Institute of Technology: Trust and surveillance in the cultures of science. · Kaja Silverman, Class of 1940 Professor of Rhetoric, Film, and Art History, University of California, Berkeley: The miracle of analogy. · Ruth Lewin Sime, Professor Emeritus, Department of Chemistry, Sacramento City College: A biographical study of Otto Hahn. · Paul Sorrentino, Professor of English, Virginia Polytechnic Institute and State College: The life of Stephen Crane. · Alan M. Stahl, Curator of Numismatics, Princeton University: The nexus of wealth and power in medieval Venice. · Kurt Stallmann, Composer, Houston, Texas; Assistant Professor and Lynette S. Autrey Chair, Shepherd School of Music, Rice University: Music composition. · Alexander Stille, San Paolo Professor of International Journalism, Graduate School of Journalism, Columbia University: Family matters: a memoir. · Katherine V. W. Stone, Professor of Law, University of California, Los Angeles: The remaking of labor relations in the twenty-first century. · Peter Stone, Associate Professor of Computer Sciences, University of Texas, Austin: Ad hoc teams of mobile robots. · Robin Stryker, Professor of Sociology and Affiliated Professor of Law, University of Minnesota, Minneapolis: Social science in government regulation of equal employment opportunity. · Marc A. Suchard, Assistant Professor of Biomathematics, Biostatistics, and Human Genetics: Towards solutions to the fundamental problems in statistical phylogenetics. · David J. Taylor, Photographer, Las Cruces, New Mexico; Associate Professor of Photography, New Mexico State University, Las Cruces: Photography. · Keith Terry, Choreographer, Musician, and Dancer, Oakland, California; Artistic Director, Crosspulse: Choreography. · Christian Tomaszewski, Artist, Brooklyn, New York; Lecturer in the Program in the Visual Arts, Princeton University: Fine arts. · Anton Treuer, Associate Professor of Ojibwe, Bemidji State University: Ojibwe grammar project. · Marc Trujillo, Artist, Sherman Oaks, California; Professor of Drawing and Painting, Santa Monica College: Painting. · Alexander van Oudenaarden, Associate Professor of Physics, Massachusetts Institute of Technology: Stochastic gene expression in development. · Ashutosh Varshney, Professor of Political Science, University of Michigan: Cities and ethnic conflict: a multi-country study. · Mary Kay Vaughan, Professor of History, University of Maryland: Intimate paths to Mexico 1968. · Val Vinokur, Assistant Professor of Comparative Literature, Eugene Lang College, The New School: A translation of Marie Vieux Chauvet's Amour, colère, et folie. · Roger D. Waldinger, Distinguished Professor, Department of Sociology, University of California, Los Angeles: America's new immigrants and their homeland connection. · Nicholas Watson, Professor of English and American Literature and Language, Harvard University: Vernacular theology and the secularization of England, 1050-1550. · Sarah Watts, Professor of History, Wake Forest University: The political satires of Lyonel Feininger. · Andrew Weaver, Professor, School of Earth and Ocean Sciences, University of Victoria, British Columbia, Canada: Biogeochemical feedbacks on polar climate stability. · Jonathan Weiner, Professor, Graduate School of Journalism, Columbia University: A book about science and art. · Barbara (Bobbi) Wolfe, Professor of Economics, Population Health Sciences, and Public Affairs, University of Wisconsin, Madison: Understanding the tie between income and health disparities. · Linda Woodbridge, Josephine Berry Weiss Chair in the Humanities and Professor of English, Pennsylvania State University: English revenge drama. · Donald A. Yates, Writer and Translator, St. Helena, California; Professor Emeritus of Latin American Literature, Michigan State University: Jorge Luis Borges: A life in letters. · Pamela Yates, Filmmaker, New York City; President and Cofounder, Skylight Pictures, Inc: Filmmaking. · Kevin A. Yelvington, Associate Professor of Anthropology, University of South Florida: Melville J. Herskovits and the making of Afro-American anthropology. · Rachel P. Youens, Artist, Brooklyn, New York; Adjunct Lecturer, Parsons School of Design; Adjunct Assistant Professor, LaGuardia Community College, City University of New York: Painting and sculpture. · Jason X.-J. Yuan, Professor of Medicine, University of California, San Diego: Role of ion channels in stem cell proliferation and differentiation. · Bill Zavatsky, Poet, New York City; Teacher of English, Trinity School, New York City: Poetry. · Miguel Zenón, Composer, New York City: Music composition. · Li Zhang, Associate Professor of Anthropology, University of California, Davis: The rise of psychotherapy in post-reform China. · Thad Ziolkowski, Writer, Brooklyn, New York; Associate Professor of English and Humanities, and Director, Writing Program, Pratt Institute: Fiction.
  11. The Detroit jazz record label Mack Avenue invites you to tune in for “Live From Blue Lake,” five live jazz performances from the studios of Blue Lake Public Radio, starting this Thursday, April 10th at 10 p.m. when Detroit jazz great Geri Allen (www.geriallen.com) performs solo on the Boesendorfer Imperial Grand Piano at Blodgett Recital Hall, Blue Lake Fine Arts Camp. Then, on Wednesday, April 16th the four time Grammy award winning bassist who spent 8 years performing with the Tonight Show Band Bob Hurst is heard live at 10 p.m. “Live From Blue Lake” is underwritten by Mack Avenue Records, the road to great music, www.mackavenue.com and is supported by a grant from the Holland Area Arts Council and the Michigan Council for the Arts and Cultural Affairs. Additional support is provided by The Weathervane Inn, Montague; and The West Michigan Jazz Society. As young musicians both Geri Allen and Robert Hurst attended Blue Lake Fine Arts Camp and both are on the music faculty at the University of Michigan in Ann Arbor. We hope you will please join us and please tell any of your friends who might be out of our listening area to join Blue Lake on the Internet for a live web stream of the performances. To tune in: WBLV FM 90.3 for Muskegon and the Lakeshore. WBLU FM 88.9 in Grand Rapids. And streaming live on the World Wide Web from http://bluelake.ncats.net/ . Thanks again Lazaro Vega Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 / WBLU FM 88.9 www.bluelake.org
  12. p.s. in the "second movement" of "Chicken or Beef," the part called "That's Chicken or Beef," they do, don't they, quote liberally from "King of the Road"? Now that was unexpected.
  13. Sam had a good night in Grand Rapids -- her lip stayed fit all night and she sounded very much improved from a year ago. The integration of the horn's multi-level parts with John's drums was played with a freeing confidence, too; another sign of positive growth as a band. Very much enjoyed them in G.R. There weren't too many people at Hugo's loft, but some of the people who were there were the right people, so to speak, and we'll see if the Reptet can hit at the Grand Rapids Art Museum on their next trip through, or perhaps The Intersection, which will put them in front of a larger crowd. You must be very quiet when hunting wabbits.
  14. (Forwarded message) I know at least a few of you enjoyed the Origin CDs of the Seattle Repertory Jazz Orchestra which I recorded in concerts. Last month, I recorded the SRJO in a concert performance of the full "Kansas City Suite" by Benny Carter. Benny Carter wrote the suite for Basie in 1960, and it's ten movements are musical vignettes of life in Kansas City in the 30s when Basie was establishing his style and career as a band leader. It was recorded by the Basie band in 1960 and is currently out of print and unavailable except used from $25 to $70. Writer Doug Ramsey heard about the upcoming broadcast and here is what he said on his blog "Rifftides" - www.artsjournal.com/rifftides/2008/03/listening_tip_kansas_city_suit.html It's a magnum opus by a major jazz composer and I think we got a good recording of it very well played in this live performance by the SRJO. It'll air exclusively on Jazz Northwest on 88.5 KPLU this Sunday at 1 pm PDT in Western Washington; 4 pm EDT, 8 pm GMT, everywhere else at www.kplu.org. If you miss it, there will also be a podcast available from kplu.org after the air date. Jim Wilke Jazz Northwest, KPLU www.kplu.org/wilke
  15. Yes, but they rolled the dice on Grachan Moncur and have an ambitious series with the Mark Master's ensemble (especially the Lee Konitz record).
  16. Dee da dee dee doot doot doot Chicken or Beef? Chicken or Beef? Parts is parts unless you're a swingin' appendage of a Reptet -- then parts are more than parts, they're a carefully coordinated instantaneous mobile of interchanging rhythmic voicings (TUBA!) cued from music school reggae interlopers and harmonic minor Turkish/Persian/Balkan scale swipers hueing towards an altissimo climax of multi voiced confabulation that zens me back to ol' (NEW!) Dutch swing. "Ain't got no cigarettes." Then an indefinate pitched trombone out in "Gwand Wabbits." You choose, but no turkey on the menu. I've been Reptified! The band dosn't have to lay on a rock for an hour in the sun to bring it's body temp up to caterwauling movement: the Reptet is dangerous from the git. Opened my cage.....
  17. Good to be, too! The vacation was nice. Tonight, John Tchicai on the Jazz Retrospective (no Ascension, though) and Yuganaut "Out On Blue Lake" at midnight. LV
  18. Geri drove from Ann Arbor west to Blue Lake yesterday -- a drive that usually takes 2 1/2 hours took 6. She was caught in a terrible snow storm and by the time it descended on her it was six a one half a dozen or the other. Turning back would have been just as bad as going forward. She counted over 20 accidents on I-96 coming across the state. The recording we made late last night, however, is incredible. Solo on the Bosendorfer Imperial Grand with interview segments. Will air on April 10th at 10 p.m. A powerful, creative kick-off to this year's series.
  19. Cool -- thanks aloc for posting that, and pap I'm heading to Florida next week! Yeah, family vacation! Thanks for tuning in. Fred Anderson this Friday if you're around....(tonight is Marian McPartland's 90th b-day program). LV
  20. Jazz From Blue Lake Playlist Thursday, February 21, 2008 Artist—Song Title – Album Title – Record Label 10 p.m. Eastern Time Duke Ellington, Rhapsody In Blue; Complete Reprise: Mosaic. Art Blakey All Stars, Split Kick/Once In Awhile; A Night at Birdland: Blue Note. Jazz Datebook, www.bluelake.org/datebook.html . Pat Metheny Trio, Clavin’s Keys; Day Trip: Nonesuch. Calvin Keys, Blue D; Verticle Clearance: Wide Hive. All Star Celebration, Save Your Love For Me; Cannon Re-Loaded: Concord. Nick Vayenas, Odean; Synesthesia; World Culture Music. Patrick Cornelius, The Woods; Lucid Dream: Patrick Cornelius.com. 11 p.m. Art Blakey All Stars, Quicksilver/Night In Tunisia; Live at Birdland. Charles Mingus Orchestra, Eclipse; Tonight at Noon: Dreyfus. Jazz Datebook, www.bluelake.org/datebook.html Roberta Gambarini/Hank Jones, You Are There; You Are There: EmArcy. Ted Brown, Embraceable You; Shades of Brown: Steeplechase. Keith Jarrett, Five Brothers; My Foolish Heart: ECM. Buddy DeFranco, Joy Spring; Charlie Cat II: Arbors. Chick Corea/Gary Burton, Waltz for Debbie; New Crystal Silence: Concord. 12 a.m.. Giacomo Gates, Up From the Skies; Luminosity. Robert Dick, Pali Gap; Third Stone From the Sun: New World. 3 Ocity, The Wind Cries Mary; 3 Ocity: Capri. World Saxophone Quartet, The Wind Cries Mary; Experience: Justin Time. Miles Davis, Mademoiselle Mabry; Complete In A Silent Way: Sony. Jane Ira Bloom, Ready for Anything; Mental Weather: Artist Share. Cuong Vu, Never, Ever, Ever; Vu-Tet: Artist Share. Jazz Datebook, www.bluelake.org/datebook.html 1 a.m. Art Blakey All Stars, Myrah; A Night At Birdland Vol. 1: Blue Note. Art Blakey All Stars, Weedot/If I Had You; A Night At Birdland Vol. 2: Blue Note. Dizzy Gillespie, Con Alma; Europe 1: RTE. John Coltrane, Moment’s Notice; Blue Trane: Blue Note. Eric Byrd, Baby, It’s Cold Outside; Brother Ray: Foxhaven. Catherine Russell, South To a Warmer Place; Sentimental Streak: World Village Stacey Kent, The Ice Hotel; Breakfast on the Morning Tram: Blue Note. 2 a.m. Pierre Dorge New Jungle Orchestra, Forgotten Highway; Jazz Is Like a Banana: Steeplechase. Gary Versace, For McCoy; Reminiscence: Steeplechase. Miroslav Vitous, Solar Giant; Universal Syncopations: ECM. Steve Lehman, On Meaning; On Meaning: Pi Records. Marty Ehrlich/Myra Melford, Night; Spark: Palmetto. Myra Melford/Mark Dresser/Matt Wilson, Brainfire and Buglight; Big Picture: Cryptogramophone. Art Blakey All Stars, Now’s the Time/Confirmation; A Night At Birdland Vol. 2: Blue Note. Lazaro Vega Jazz Director Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 serving Muskegon and the Lake Michigan shoreline WBLU FM 88.9, Grand Rapids Streaming live from www.bluelake.org.
  21. Jazz From Blue Lake Playlist Wednesday, February 20, 2008 Artist—Song Title – Album Title – Record Label 10 p.m. Eastern Time Duke Ellington, Rhapsody In Blue; Complete Reprise: Mosaic. Wynton Marsalis, Free To Be; The Magic Hour: Blue Note. Wynton Marsalis, Supercapitalism; From the Plantation to the Penitentiary: Blue Note. Jazz Datebook, www.bluelake.org/datebook.html . All Star Celebration, Work Song; Cannon Re-Loaded: Concord. Maceo Parker, Busted; Roots and Grooves: Heads Up. Jeff Watts, Seeds of Blackzilla; Folks Songs: Dark Keys. Chick Corea/Gary Burton, I Loves You Porgy; New Crystal Silence: Concord. Roberta Gambarini/Hank Jones, You Are There; You Are There: EmArcy. Jimmie Amadie, Warm and Gentle Ben; The Gospel As We Know It. 11 p.m. Wynton Marsalis, Black Codes From the Underground; Black Codes..: Columbia. Wynton Marsalis, Knoz-Moe-King; Thinking of You: Columbia. Wynton Marsalis, When It’s Sleepy Time Down South; Standards and Ballads: Sony. Jazz Datebook, www.bluelake.org/datebook.html Matt Brewer, Nardis, Live From Blue Lake 2004 Gonzalo Rubalcaba, Aspiring to Normalcy; Avatar: Blue Note. Nick Vayenas, Odean; Synesthesia: World Culture Music. Ron Blake, Please Be Kind; Shayani: Mack Avenue. 12 a.m. – 3 a.m. Wynton Marsalis, Blood on the Fields; Blood on the Fields: Columbia. 1 a.m. “ 2 a.m. “ Lazaro Vega Jazz Director Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 serving Muskegon and the Lake Michigan shoreline WBLU FM 88.9, Grand Rapids Streaming live from www.bluelake.org.
  22. Jazz From Blue Lake Playlist Tuesday, February 19, 2008 Artist—Song Title – Album Title – Record Label 10 p.m. Eastern Time Duke Ellington, Rhapsody In Blue; Complete Reprise: Mosaic. David Murray, I Don’t Know What I’d Do Without the Lord; David Murray: Justin Time. David Murray Black Saint Quartet, Sacred Ground; Sacred Ground: Justin Time. Nicole Mitchell’s Black Earth Ensemble, February; Black Unstoppable: Delmark. New York Art Quartet, Rosmosis; New York Art Quartet: ESP. Don Cherry, Sun of the East; Mu: BYG. Larry Willis, Ethiopia; The Offering: High Note. The Either Orchestra, Shellela; Ethiopiques: Buddha Musique. 11 p.m. Kahil El’Zabar/David Murray, Dreams; Golden Sea: Sound Aspects. World Saxophone Quartet, Try A Little Tenderness; Rhythm and Blues: Elektra. David Murray Octet, Giant Steps; Octet Plays Trane: Justin Time. Thelonious Monk, Pannonica; Brilliant Corners: Prestige. Diane Reeves, Reflections; A Little Moonlight: Blue Note. SF Jazz Collective, Crepuscule With Nellie; Live 2007: SF Jazz. 12 a.m. David Murray Octet, Ming; Ming: Black Saint. David Murray Quartet, I Want To Talk About You; I Want to Talk About You: Black Saint. John McLean, Ready for the War; Better Angels: Origin. Jane Ira Bloom, Ready for Anything; Mental Weather: Artist Share. Anat Fort, Rehaired; A Long Story: ECM. Gary Versace, For McCoy; Reminiscence: Steeplechase. Alex Sipiagin, Out of the Circle; Out of the Circle: Sunnyside. 1 a.m. David Murray Octet, The Fast Life; Ming: Black Saint. David Murray Black Saint Quartet, The Prophet of Doom; Sacred Ground: Justin Time. Clarinet Summit, Honeysuckle Rose; Clarinet Summit: India Navigation. Alvin Batiste, Skylark; Honors Series: Marsalis Music. Buddy DeFranco, Ill Wind; Charlie Cat II: Arbors. Ken Peplowski/Howard Alden, The Things We Did Last Summer; Pow Wow: Arbors. Keith Jarrett, The Song Is You; My Foolish Heart: ECM. 2 a.m. World Saxophone Quartet, You Don’t Know Me; Breath of Life: Elektra. David Murray, Take the Coltrane; Trio: Black Saint. David Murray, Missionary; David Murray: Justin Time. David Murray, Pushkin Suite #1; Quartet w/Strings: Justin Time. Lazaro Vega Jazz Director Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 serving Muskegon and the Lake Michigan shoreline WBLU FM 88.9, Grand Rapids Streaming live from www.bluelake.org.
  23. Jazz From Blue Lake Playlist Monday, February 18, 2008 Artist—Song Title – Album Title – Record Label 10 p.m. Eastern Time Duke Ellington, Rhapsody In Blue; Complete Reprise; Mosaic. Miles Davis, Shhh/Peaceful; In A Silent Way: Columbia. Bill Frisell/Ron Carter/Paul Motian, Eighty One; Frisell/Carter/Motian: Nonesuch. Joe Beck/John Abercrombie, All Blues; Coincidence: Whaling City. Jack Sheldon, Naima; This Is What I Do: Butterfly. Chick Corea/Gary Burton, Waltz for Debby; New Crystal Silence: Concord. MJF 50th Ann. All Stars, Romance; Live 2007: Monterey Jazz Fest Records. 11 p.m. Joe Zawinul, In A Silent Way; Brown Street: Heads Up. Miles Davis, In A Silent Way/It’s About That Time; In A Silent Way: Columbia. Alex Sipiagin, Wind Dance; Out of the Circle: Sunnyside. Pat Metheny Trio, When We Were Here; Day Trip: Nonesuch. Lazaro Vega Jazz Director Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 serving Muskegon and the Lake Michigan shoreline WBLU FM 88.9, Grand Rapids Streaming live from www.bluelake.org.
  24. Jazz From Blue Lake Sunday, February 17, 2008 Artist—Song Title – Album Title – Record Label 7 p.m. Joe Zawinul, In A Silent Way; Brown Street: Heads Up. Michael Brecker, Anagram; Pilgrimage: Heads Up. Herbie Hancock, The Jungle Line; River: The Joni Letters: Verve. Terence Blanchard, Mantra; A Tale of God’s Will: Blue Note. Turtle Island String Quartet, A Love Supreme; A Love Supreme: Telarc. 8 p.m. Patti Austin, Lady Be Good; Avant Gershwin: Queen Latifa, I’m Gonna Live Until I Die; Travelin’ Light: Verve. Bobby Sanabria, D Train; Big Band Urban Folk Tales: Jazz Heads. Dee Dee Bridgewater, Afro Blue; Red Earth: EmArcy. Gonzalo Rubalcaba, This is It; Avatar: Blue Note. Herbie Hancock, Edith and the King Pin/Court and Spark; River: The Joni Letters: Verve. 9 p.m. Brian Bromberg, Cantaloupe Island; Down Right Up Right: Artistry. Maria Schneider Orchestra, Cerulean Skies; Sky Blue: Artist Share. Kurt Elling, The Waking; Night Moves: Concord. Herbie Hancock, Solitude/Nefertiti; River: The Joni Letters: Verve. Freddie Cole, Music Maestro Please; Music Maestro Please: High Note. Lazaro Vega Jazz Director Blue Lake Public Radio 300 East Crystal Lake Road Twin Lake MI 49457 WBLV FM 90.3 serving Muskegon and the Lake Michigan shoreline WBLU FM 88.9, Grand Rapids Streaming live from www.bluelake.org.
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