Byas and Coleman were very complementary late-swing musicians, and both were in prime form in the 1940s. And in fact this lineup, minus the vibes and alto sax, made some enduring studio sides in 1949, including a stellar performance of What Is This Thing Called Love, so I had high hopes for this CD. But for me, it doesn't quite live up to expectations, partly because the sound engineering doesn't sound professional, and soloists are often off-mike.
I just listened to this CD a second time, and while the sound is not as bad as I remembered, the overall performances remain uneven, and Peiffer's piano playing, which is given three solo features, is not very interesting.