Late

Brändli did really good work with this set. Adrian Rollini in particular benefits from this new remaster. John R.T. Davies this is not, but it's still a valid approach.

For those familiar with the 1969 tour, what are your favorite gigs? This band was on FIRE.

Okay, Hank's solo on "All of You" from Friday night is pretty tight as well. I've been listening most closely to Miles this whole time, and now I think I may have to revise my assessment of Hank's contribution. Nevertheless, I think this might be an undervalued period in Miles' discography. (Still want to hear him, circa 1961, with Wes!)

Correction: Mobley's hitting for "Well, You Needn't." A swingin' solo.

Ordered. The sound samples broke me down + the preorder discount. I'm especially excited about the Fletcher Henderson tracks in improved sound and all together.

Were it not for The Heat Warps, I would've missed out on so much. I wonder if Werner is dipping his toe in there. I'm becoming a convert to Brändli's work.

I've spent a lot of time with the Blackhawk recordings this summer, spinning all four discs I don't even know how many times. The whole live date (two nights) has really grown on me. The highlight (for me) is Miles. His solos are incisive and often surprising—top form for what he was doing in 1961. Like most here, I love Mobley, but I don't think he's hitting on all cylinders here. There's absolutely nothing "wrong" with his solos, they're just not as focused or inspired as they were elsewhere. Listen to the Carnegie Hall concert, as an example—he's hitting on ALL cylinders there; excellent Hank. Also (back to The Blackhawk), notice that when Miles finishes his solo and Hank steps up to the microphone, Jimmy Cobb ups the volume (this happens more than once) as if to spur Hank on. I really like these live recordings. I do often fantasize about a frontline with Miles and Wes Montgomery—especially for this 1961 gig. I think Wes may have provided the fire that Miles needed.

Looks like Savoy stuff. Fats And Blue Note stuff. If Werner is gonna run a bootleg label, I wish he'd get more bootlegy—meaning, stuff that's harder to source.

Same. I'd still be tempted by a CD issue though. Nice cover too.

Thoughts on Mobley's contribution to the Davis Blackhawk recordings?

Henry Grimes, Marzette Watts, and Fats Navarro forthcoming.

The Rotterdam concert on this 2-disc set sounds amazing (for a bootleg). Shorter is at the apex of free. review

Squidco

Listening to Disc 2 of this set tonight. The (non-LP) tracks that haven't been remastered to death sound REALLY good. I will go on record stating that I now think this is the definitive (sonic) version of this live session. Everything is so present. Kevin Gray nailed it.