Some thoughts:
Ricky Ford does yeoman's work as the main soloist - this is probably my favorite of all the recordings I've heard him on - though even when Blake lays out, there's no doubt that this is a Ran Blake album. The sound and the feel of the record is all his.
The title track is a moving tone poem with dark tinges.
I found Ricky Ford's playing on the two short (less than one minute each) versions of the Sephardic theme "Una Matica de Ruda" very moving.
The bassist (Ed Felson) and the drummer (Jon Hazilla) play very well, though they're subservient to Blake's vision. I wondered what it might have sounded like if Blake played with a more aggressive rhythm team. Pure speculation (probably unnecessary) on my part, but still I found myself wondering.
My favorite track is "Dark" - Ellingtonian, with a fine solo by Ford (channeling Johnny Hodges channeled by Ben Webster, to my ears) leading into a beautiful short Blake solo with some tinges of Ellington and Monk but, in the end, all Ran Blake.
Ran Blake seems (and perhaps only seems) to mine a relatively narrow stretch of musical ground, but somehow creates a wider (and certainly deeper) vista from that.
Thanks to Jim for choosing this record. I truly enjoyed the time I spent listening to it today and, for me, that's the best part of the Album of the Week.