Very much looking forward to the Roscoe Mitchell. And if Chuck has fine tuned the sound on the Von Freeman, I'll be buying it for the third time. That may seem nuts, but I have to help support the cats who are still doing it - both Von and Chuck.
Perhaps there will be a serendipitous event like Ernest Hemingway's trunk with some early writings turning up in the basement of the Ritz Hotel in Paris many years after he had left it there in storage. That helped lead to the writing of A Moveable Feast.
We can only hope that Herbie Nichols' lost Bethlehem recordings will turn up someday.
Johnny Olson hosted a radio show in NYC in the early 50s. Our family was in the audience and he invited my mom onstage and did a short interview with her. Hadn't thought about that in years. Thanks for bringing back a memory.
Don't know if this makes sense, but much of the time - though not always - I feel that musicians comunicate to me best when they seem to be playing for themselves rather than playing for me or the rest of the audience.
I'm sure that musicians have their own feelings about this.
Teddy Wilson: Three Little Words (Black and Blue)
Some of the most joyous and energetic later Teddy Wilson that I've heard. And Milt Hinton's bass playing is a wonder (as usual).