I felt bad saying that too, since I'm a fan in other ways. I think he'd be a powerful film maker if he didn't try to do everything. It reminds me of seeing Isaac Bashevis Singer on a talk show disowning Barbra Streisand's Yentl b/c she insisted on doing everything, including direction. Collaboration is important, especially when you're so close to the material you can't see obvious flaws (or strengths) that a partner could easily point out.
I though Get on The Bus really good, though, with very believeable and well-formed characters. One of his best, maybe.
That's a good point, but in this age of the auteur, probably not a popular point to hold. Great auteurs have great strengths, but often great weaknesses too. The nature of the beast. Anyway, in this respect, Spike reminds me of Woody Allen, who might also benefit from some artistic partnerships. Interesting to view Woody and Spike together. Very divergent films (indeed, one might say Woody goes to great lengths to expunge blacks from his films), but quite similar as film makers.