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Zappa Plays Zappa


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Official dates are up now:

Oct 18 Denver, Colorado Paramount Theatre To Be Announced

Oct 19 Kansas City, Missouri Ameristar Casino To Be Announced

Oct 20 Minneapolis, Minnesota Orpheum Theatre To Be Announced

Oct 22 Cleveland, Ohio Canton Palace Theatre To Be Announced

Oct 23 Buffalo, New York University of Buffalo To Be Announced

Oct 24 Montreal, Quebec Metropolis To Be Announced

Oct 28 Atlantic City, New Jersey Borgata To Be Announced

Oct 29 Wallingford, Connecticut Chevrolet Theatre To Be Announced

Oct 30 Washington, DC Warner Theatre To Be Announced

Oct 31 New York, New York Theater at Madison Square Garden On Sale 6/14 @ 9am

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Oct 19 Kansas City, Missouri Ameristar Casino To Be Announced

Fuck, I hate it when bands play at the Casinos in this town. Thankfully most of them don't (or at least very few of the bands I'm interested in). The ticket prices are always higher for casino dates, and the performance space is generic as all getout. icon8.gif

I saw Joe Henderson (trio) like 10 years ago at a Casino here in KC (on a triple bill with Charlie Haden's Quartet West, and Robert Altman's "Kansas City" big band group.

Did I mention, I really hate going to shows at Casinos -- cuz I do. Casino shows suck (well, not the show itself - but everything but the show itself does). I'm not saying the Casinos don't deserve the right to exist - but I'd rather not get any closer to them than I really have to.

Why couldn't the Zappa show play the Uptown, or maybe the Madrid (though the Madrid might be a bit small).

If their aim is get younger people out to hear some Zappa - playing a casino is definitely NOT the way to do it. :tdown

Edited by Rooster_Ties
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If their aim is get younger people out to hear some Zappa - playing a casino is definitely NOT the way to do it. :tdown

Not to mention charging $90 a pop.

Shit, is THAT what they're charging for tickets for this tour??? :o -- for domestic dates (meaning here in the U.S.)???

$90!!! Damn, I might be inclined to pay that -- but that's an awful fuckin' steep ticket price to be chargin' for a "ghost band"-type tour. I would have expected MUCH more like $40. Hell, Project/Object with Brock and Willis (both!!) was only like $15 or $20 tops, if I remember right.

And come to think of it -- depending on Any Way The Wind Blows... $90 might very well price me out of the market. :( $50 would be a little pricy, but I'd go in a heartbeat at $50. $60, well, that's pricier still, but sure - I'd go. I never would have guessed $90. There better be a shit-load of real Zappa alum in the band at that price. If I'm reading right, they ain't all that much better than Project/Object (with their real Zappa alums too -- and real good ones at that). And with the Ticket Bastard charges, your really talkin' about $100 tickets almost.

Yeah, I'll probably go anyway when push comes to shove - but $90 is a lot. <_<

Edited by Rooster_Ties
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Tickets for this Saturday's Chicago gig at the Auditorium Theatre are $90. Bozzio, Vai, Brock, and other special guests are advertised on the bill. A little too steep for me. Not sure if this is the standard going price for the tour or not?

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By DAVID ZIMBALIST. NY Sun

June 14, 2006

"This is a surreal experience!" That's no understatement, coming from

a man named Dweezil.

Frank Zappa's 36-year-old son was clearly touched as he surveyed his

extended New York family at the Beacon Theatre on Monday night. It was

a reunion more than 10 years in the making, and well deserving of the

standing ovation.

The journey for artists who wish to follow in their fathers' footsteps

can be harrowing. Despite his death from prostate cancer in 1993 at

52, Frank Zappa produced a catalog of more than 60 albums, with styles

ranging from 1950s doo-wop and rock 'n' roll to big-band jazz and

contemporary classical music. Dweezil Zappa had to refine his guitar

playing for years in order to do this tour, trading in his Eddie Van

Halen licks and re-connecting with his father's far-reaching and

sometimes overburdening legacy.

Backed by an enthusiastic eightpiece ensemble fronted by the

saxophonist and vocalist Napoleon Murphy Brocke - a member of Zappa's

band from 1973 to 1976 - Dweezil tore through some classics from his

father's seminal 1960s albums, "Freak Out!" and "We're Only in It for

the Money." Zappa archivist and drummer Joe Travers was the engine

behind an extremely tight and well-rehearsed ensemble, having just

come off the European leg of the tour. The lyrics to "Hungry Freaks,"

"Daddy," and "Trouble Every Day" never sounded more contemporary, and

Brocke's mugging and dancing were the perfect accompaniment.

Dweezil then moved on to some of his father's more challenging

material from the 1970s. The band reproduced nearly the entire "Roxy

and Elsewhere" album from 1974 with noteperfect execution. The

complex, Stravinsky-like meter changes and odd note groupings of

"Echidnas Arf (Of You)" flowed almost as effortlessly as in the

original version. But it was during Dweezil's guitar solos,

particularly in "Inca Roads," that the son most successfully infused

his own voice into that of his father's, making it an evening of

interpretation and exploration rather than mere reproduction.

The audience, comprised of teenage fans and veteran Zappa admirers

alike, came prepared for anything. Young and old belted out the lyrics

with abandon. And people literally jumped at the chance to participate

in a reggae version of the instrumental "King Kong": Dweezil con

ducted both the audience and the band in much the same way his father

did, using hand signals and gestures as cues.

The highlight of the evening came when guest drummer Terry Bozzio and

guitarist Steve Vai, both Zappa alumni, took the stage to help perform

"The Black Page," parts I and II. Originally written as a drum solo

much in the style of Zappa's favorite composer, Edgard Varese

(specifically the piece "Ionization"), "The Black Page" Part I is a

virtuosic study for percussionist and audience alike. The fact that

Zappa set this incredibly complex piece to a disco beat and wrote a

melody for it in Part II highlights the two questions he wrestled with

throughout much of his career: Should art be entertaining, and, more

important, can entertainment be art?

In Zappa's universe, the answer to both is a resounding "yes." Songs

like "Don't Eat the Yellow Snow" or "St. Alphonso's Pancake Breakfast"

might appeal more to serious music fans were their titles more

conservative. But they wouldn't be half as fun.

Dweezil will continue to follow in his father's footsteps when he

resurrects the ultimate Zappa tradition: a Halloween concert at the

theater in Madison Square Garden. In the words of Suzy Creamcheese,

Frank's ubergroupie: "Wowie Zowie!"

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Zappa plays Zappa

Düsseldorf

Philipshalle

21 May 2006

Set list:

Disc 1 (74:18)

set 1

01 - Intro

02 - Help I'm a rock

03 - Hungry freaks daddy

04 - Let's make the water turn black

05 - Florentine Pogen

06 - The Pygmy twylyte

07 - The idiot bastard son

08 - Cheepnis

09 - Dweezil talking

10 - King Kong

11 - Don’t You Eat that Yellow Snow

12 - St. Alphonzo's Pancake Breakfast

13 - Father Oblivion

14 - Dweezil talking

15 - Inca roads

16 - Imaginary diseases

Disc 2 (64:39)

set 2

01 - Bozzio intro

02 - I'm so cute

03 - Tryin’ To Grow A Chin

04 - City of Tiny Lites

05 - Punky’s Whips

06 - Black Page story

07 - The Black Page drumsolo

08 - The Black Page #2

09 - Peaches en regalia

10 - Montana

11 - Village of the Sun

12 - Echidna’s Arf

13 - Zomby Woof

Disc 3 (44:01)

01 - Dweezil talking

02 - Sofa #2

03 - Applause

04 - Camarillo Brillo

05 - The Orange County Lumber Truck

06 - More Trouble Every Day

07 - A Token of His Extreme

08 - Applause

09 - Stayin' alive

10 - Cosmic Debris

Line-up:

Dweezil Zappa - Stereo Gibson

Napoleon Murphy Brock - flute, alto saxophone and vocal

Pete Griffin - bass

Jamie Kime - guitar

Joe Travers - drums

Aaron Arntz - keyboards

Sheila Gonzales - keyboards, sax and vocal

Billy Hulting - percussion and marimba

special guests:

Napoleon Murphy Brock

Steve Vai

Terry Bozzio

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Dweezil then moved on to some of his father's more challenging

material from the 1970s. The band reproduced nearly the entire "Roxy

and Elsewhere" album from 1974 with noteperfect execution. The

complex, Stravinsky-like meter changes and odd note groupings of

"Echidnas Arf (Of You)" flowed almost as effortlessly as in the

original version. But it was during Dweezil's guitar solos,

particularly in "Inca Roads," that the son most successfully infused

his own voice into that of his father's, making it an evening of

interpretation and exploration rather than mere reproduction.

Wow, that's sounds like a good list of tunes! David, where did you get that set/recording list?

The concert is tonight here in Toronto. It is $70 dollars, so we got a little lucky, sort of :huh:. That is still greater than my threshhold for this kind of concert. At lunch, I will see if I can get lucky with same-day tickets at a ticket kiosk. Otherwise I''ll comfort myself with the reviews and the bootlegs.

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  • 1 month later...

Gonna be $60 here in KC. I'm tempted, but I still think that's pretty pricy. But when push comes to shove, an extra $10 or $15 more than I think it's really worth ain't gonna stop me.

Anybody else from KC wanna go?? Joe?? Paul??

PERFORMANCE INFO

Thu, Oct 19

Doors at 7:00 PM

Shows starts at 8:00 PM

Ameristar Casino

Kansas City, MO

Ages 21+ Only

$60.00 per person

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