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Posted

I've got it. To me, it's not nearly as good as "A new perspective", despite Grant Green, Freddie Roach and Stanley Turrentine. I feel that the instrumental arrangements are too heavily brass-loaded and the vocal arrangements could have been done much more like a proper Gospel choir (they could have used a proper Gospel choir) to much more soulful effect. As it is, the vocals sound too classically oriented for my taste.

MG

Posted

Well. .. I'm not sure I'll chime in with agreement.

I love them both. This one. . .it so strongly reminds me of the great moments of church in my childhood in Philadelphia, all the good bits perhaps, in spirit and mood. And that's enjoyment I hardly get in any other jazz record.

Posted

The notes to "Perspective" mention how Byrd wasn't trying to jump on any commercial bandwagon with some contrived gospel/soul mixture. That's clearly not the case with the follow-up.

Posted

The notes to "Perspective" mention how Byrd wasn't trying to jump on any commercial bandwagon with some contrived gospel/soul mixture. That's clearly not the case with the follow-up.

:tup

This one is a bit kitsch (esp the last track, an ace, pacy gospel choir/solo tuba face-off) but I love it. It's much darker because of the low brass, much brighter because of all the tambourines (these are really rich DP arrangements), and Herbie, Freddie R and Stanley T make up for DB's foursquare soloing. And what a cover - tho what could match that of A New Perspective?

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