Bright Moments Posted February 15, 2008 Report Posted February 15, 2008 (edited) I just heard his SMOKIN' rendition of caravan with Brubeck on piano and i am BLOWN AWAY!!!!!!! Edited February 23, 2008 by Bright Moments Quote
Guest Bill Barton Posted February 15, 2008 Report Posted February 15, 2008 He's a very talented musician. The man has technique to burn... I heard him live a few times when I still lived in the northeast. He's well-respected as a clinician and teacher too. Personally, he never really reached me on a deeper, visceral level either live or on record, but that may just be me. Quote
Jim Alfredson Posted February 15, 2008 Report Posted February 15, 2008 Check out the records with Adam Nussbaum on drums and Dan Wall on organ. Quote
Bright Moments Posted February 15, 2008 Author Report Posted February 15, 2008 Check out the records with Adam Nussbaum on drums and Dan Wall on organ. i will! thanks!! Quote
Dan Gould Posted February 15, 2008 Report Posted February 15, 2008 I tried a few Gonz CDs way back when and could not connect with him. Felt like just another Coltrane acolyte, and with an unappealing sound on his sax. I think Bill's comment about technique to burn nails it. He's like Jimmy Bruno - all technique, not a lot of soul or feeling. YMMV, of course. Quote
JSngry Posted February 15, 2008 Report Posted February 15, 2008 (edited) He was with Miles for a quick minute. Bootlegs survive. The guy caught my ear w/Brubeck back in the day. An individual slant on a generic bag, I thought then (and now). I think he's a better, warmer player than a lot of his recordings might suggest. Word has it that he's actually a somewhat introverted (some might say "quirky") but beautiful individual who's uncomfortable "playing the game", and that his BN sides were produced with the label's "direction" in terms of content, production (including post-production in terms of eq-ing his tone, which to me verges on - or actually is - evil). I've heard a few "private tapes" that tend to confirm all this. Seeing him in person might be the way to go to get a fuller picture, or not (as per Bill). Edited February 15, 2008 by JSngry Quote
marcello Posted February 15, 2008 Report Posted February 15, 2008 This one shows not only a more "individualist" approach, but is a fine tenor saxophone document of recent times. You saxophonists may want to see this series of short lectures: JB teaches Quote
Robert J Posted February 15, 2008 Report Posted February 15, 2008 Marcello - you are correct, he's also a great educator. I've been working through Vols 1 & 2 for a bit now. http://www.jerrybergonzi.com/books.htm Quote
7/4 Posted February 15, 2008 Report Posted February 15, 2008 This one shows not only a more "individualist" approach, but is a fine tenor saxophone document of recent times. Cool video, I think I saw that a couple of weeks ago. An excellent, rare chance to check out Mick Goodrick too. I'd like to check out Tenorist, Abercrombie's on that one. Bergonzi sounds great to me, I'd probably get into his other CDs. Quote
Guest Bill Barton Posted February 15, 2008 Report Posted February 15, 2008 That Tenorist CD on Savant is on Ken Dryden's 2007 Top Ten list. I'd be interested in his take on Bergonzi. Ken? Quote
DTMX Posted February 16, 2008 Report Posted February 16, 2008 Jerry Bergonzi? I just heard his SMOKIN' rendition of caravan with Brubeck on piano and i am BLOWN AWAY!!!!!!! A friend of mine had taken some lessons from Bergonzi some years back and was the one who introduced me to Bergonzi's music. That version of Caravan from Brubeck's Down Home recording is pretty bad-assed. Quote
Bright Moments Posted February 16, 2008 Author Report Posted February 16, 2008 Jerry Bergonzi? I just heard his SMOKIN' rendition of caravan with Brubeck on piano and i am BLOWN AWAY!!!!!!! A friend of mine had taken some lessons from Bergonzi some years back and was the one who introduced me to Bergonzi's music. That version of Caravan from Brubeck's Down Home recording is pretty bad-assed. INDEED!!! Quote
Ken Dryden Posted February 16, 2008 Report Posted February 16, 2008 I first heard Jerry Bergonzi with the Dave Brubeck Quartet when they performed in Atlanta in the late 1970s. I've long enjoyed his work and think he is more than a Coltrane disciple, particularly his recordings in recent years. Also worth checking out are: Fast Company (Blue Jackel) Standard Gonz (Blue Note) Peek a Boo (Evidence) Vertical Reality (Musidisc) On Again (Ram) Jerry On Red (Red) Lineage (Red) Most of these discs are likely to be out of print. Quote
7/4 Posted February 23, 2008 Report Posted February 23, 2008 Maybe you could change the title of the thread to Jerry Bergonzi? New album with him on it. Quote
Bright Moments Posted February 23, 2008 Author Report Posted February 23, 2008 Maybe you could change the title of the thread to Jerry Bergonzi? New album with him on it. anything for you david! Quote
WorldB3 Posted February 23, 2008 Report Posted February 23, 2008 (edited) This one shows not only a more "individualist" approach, but is a fine tenor saxophone document of recent times. I just put this on before I come over to the computer. Good record. Might have to check out the new one with Abercrombie coming up. Edited February 23, 2008 by WorldB3 Quote
7/4 Posted February 23, 2008 Report Posted February 23, 2008 Maybe you could change the title of the thread to Jerry Bergonzi? New album with him on it. anything for you david! Thanks! Quote
Guest bluenote82 Posted February 24, 2008 Report Posted February 24, 2008 (edited) This one shows not only a more "individualist" approach, but is a fine tenor saxophone document of recent times. You saxophonists may want to see this series of short lectures: JB teaches I'm not really into Bergonzi's playing, but I dig the way Mick Goodrick played on that video. Mick's a great guitarist, very underrated. Edited February 24, 2008 by bluenote82 Quote
six string Posted February 24, 2008 Report Posted February 24, 2008 I was introduced to JB through Joey Calderazzo's Bluenote debut. I bought Standard Gonz and Lineage which I still have but I haven't played them in ages. I haven't played any of Joey's music in a while either. Technique is a tricky thing, isn't it? You can have it in spades but it doesn't guarantee it will come across well to the audience. Quote
Christiern Posted February 24, 2008 Report Posted February 24, 2008 Sometimes, to hear a performer is to understand why that experience was not had earlier. Quote
Bright Moments Posted October 5, 2008 Author Report Posted October 5, 2008 nice write-up on gonz in the september 2008 jazztimes - "undue ovation" Quote
BillF Posted October 5, 2008 Report Posted October 5, 2008 I have an audio tape of a live broadcast by a Jerry Bergonzi quartet on BBC Radio 3's Jazz Line-Up a few months ago. I hadn't heard him before and was very impressed. He - and the trio, too - seemed deeply influenced by Coltrane from the Crescent period. The trio all had Italian names, so I wonder if he was touring in Europe with an Italian group. Talking of present-day Coltrane-influenced tenors, has anyone heard the L.A.-resident Brit, Benn Clatworthy? Quote
ValerieB Posted October 5, 2008 Report Posted October 5, 2008 i was under the impression that he didn't leave the boston area that frequently! am i thinking of the same person? Quote
Daniel A Posted October 6, 2008 Report Posted October 6, 2008 I heard this story many years ago about Michael Brecker being asked what it was like to be the greatest tenor player in the world. His answer was "I don't know - ask Jerry Bergonzi." Quote
BillF Posted November 28, 2009 Report Posted November 28, 2009 i was under the impression that he didn't leave the boston area that frequently! am i thinking of the same person? Well, I'm going to see him at The Band on the Wall here in Manchester on Thursday. Quote
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