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Interesting interview with Ozzie Cadena


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http://www.lacitybeat.com/cms/story/detail...165&id=4153

His comments on Kenny Clarke's drumming are acute.

very sadly, Ozzie passed today after a long illness.

:(

I am very sorry to hear this. Ozzie was very friendly to me on a visit years ago to the Lighthouse. At the time he was putting together Sunday jazz sessions - and seemed to be very much the driving force in keeping the Lighthouse alive as far as jazz is concerned. It's only afterwards that I fully realised that he was such a huge contributor to Savoy, Prestige etc and would have loved to have thrown a whole heap of questions his way, although at the time I was aware of his A&R work for 60s Prestige in particular. A great friend to jazz during his A&R years and after, he will definitely be missed. RIP and many thanks.

Edited by sidewinder
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An interesting interview, but very sad news.

It was Ozzie who first had the idea of getting gospel groups and choirs to record at Rudy Van Gelder's; first for Savoy, then for Prestige's TruSound label.

And he made Rhoda Scott's first recordings.

And he ran the Choice label on which he produced those marvellous Early Charles Earland albums, much of which were reissued on Muse.

And in the early seventies, he produced classic Soul Jazz albums:

Houston Person's "Sweet buns & barbecue";

Boogaloo Joe Jones' "Snake rhythm rock" and "Black whip";

Melvin Sparks' "Akilah";

Leon Spencer's "Bad walkin' woman" and "Where I'm comin' from";

Maynard Parker's "Midnight rider";

Rusty Bryant's "Friday night funk for Saturday night brothers";

Funk Inc's "Chicken lickin'" and "Hangin' out"; and

Gene Ammons' "Big bad jug".

I think I've just put together today's playlist.

RIP Ozzie. Thanks for such well-loved music.

MG

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Guest Bill Barton

That's indeed an excellent interview and I'd concur regarding his excellent taste in drummers. Thanks, Larry.

Edited by Bill Barton
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