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Chase - re-issued again on CD


Tjazz

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Oh, you know, I'm as promiscuous a musical whore as anybody, and as catholic in my tastes as a nun's &^$%#, but this, I dunno...

To take it all at once might be an act of musical pornography better left to those who come by it naturally, if you know what I mean.

But I could be wrong!

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Might consider updating my LPs with this.

My uncle (father's brother) was their agent ("Ides of March" too).

Bill Chase seemed like a friendly fellow.

Strange coincidence:

The opening song to their first LP

was called "Open Up Wide."

The last song on their final album,

before the plane crash, was called "Close Up Tight."

Edited by rostasi
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What crash?

Am I right to assume (based on the sound bites I found) it's a bit Chicago meets Blood, Sweat and Tears kind of music?

http://www.dartanyan.com/BillChase/august9.html

The first (hit) album's more of a Maynard-on-steroids meets Wayne Cochran.

Sort of.

Actually fun for me in small doses, and truthfully, the last album was a real breaking away, only 1 or 2 pop songs, the rest extended instrumental compositions, albeit of the, to my tastes, ponderous type.

Edited by JSngry
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"Get It On" reached #1 on the charts, IIRC. HUGE hit, although the vilely revisionist toadies of "oldies radios" would rather you not know that...

I have the first album and always liked it. But then I also like the first seven Chicago albums, the first five Blood, Sweat, and Tears albums, both Ides of March ("Vehicle") albums, Sons of Champlin, etc.

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I saw Chase when I was in high school, not too long before the plane crash. The last recording (Pure Music) was a favorite and I think they were heading in a very interesting direction. It was a great group to see live, with an element of excitement that didn't always exist on the recordings.

Several band members are still around and active- trumpet players Jim Oatts (brother of saxophonist Dick), who lives in Des Moines and Jay Sollenberger, who lives in KC.

I'm glad these sides have come out on CD, it's fun to revisit the music.

A sad end to several promising careers, though.

Edited by Free For All
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Before I had listened to jazz, I saw Chase live in a small high school gymnasium. Bill Chase opened with an extended unaccompanied solo on "Open Up Wide". I thought, hey, this isn't on the record, he's playing too long!

I also remember the guitarist, first name Angel, playing a solo in which he played as many notes as fast as possible and then in mid-solo, threw his guitar back over his head. It landed several feet behind him.

I picked up a used vinyl copy of the first Chase album a few years ago and was surprised at how unlistenable it was. I find early Chicago and BS&T much more appealing today.

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How in the hell did this become a hit in the first place?

Horn Band Mania! A brief moment in the evolution of American Popular Music, lasting roughly from when BS&T hit big thru about the time Elton John hit big.

Plenty of WTF sounds to be had, as well as some really good ones as well. But always, ALWAYS, mutton chops & at least one pair of white pants.

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How in the hell did this become a hit in the first place?

Horn Band Mania! A brief moment in the evolution of American Popular Music, lasting roughly from when BS&T hit big thru about the time Elton John hit big.

Brought to us by Al Kooper, 'Child is Father To The Man' is the first (and one of the best) I remember in the genre.

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Chase's "Get It On" did not sound all that unusual on AM radio when it was released, as I recall. It was a time when just about anything could become a hit. Pop radio was not segmented like it is today. Soul classics and rock and roll songs, bubble gum and light pop, country crossover and even an occasional jazz song, were all mixed together on the charts played by every radio station in the U.S.

I think that Chase gained some benefit there from the hit singles of Blood Sweat & Tears and Chicago in the two years or so before.

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That's odd- there are a couple spots where the sound and video are different- like around 2:03, you hear the trumpets but both trumpet players have their horns off their chops. It just seemed odd for a"live" recording.

One thing about all these 70s horn bands- they provided a lot of music for the basketball/marching/pep bands. Hearing these groups was what first got me interested in music. I remember playing in a high school group where we transcribed and performed a bunch of Chicago, BS&T etc. Big fun. The algebra teacher played bass, so we called the group "Aftermath". :rolleyes:

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That's odd- there are a couple spots where the sound and video are different- like around 2:03, you hear the trumpets but both trumpet players have their horns off their chops. It just seemed odd for a"live" recording.

I might be off on this, but the distinctive timbral "fingerprint" of the original recording's horn section sound seems highly evident here, to the point that I suspect that tracks are being used. This impression is furthered by the timbral difference in the horns at the very end, that "collective blowing" thing over the last chord. That horn section suddenly sounds nothing like the one that's been playing in terms of presence, miking, and, yes, timbre.

Maybe it's all the sample-heavy music I've been listening to lately, but things like the horn section "sound" from an old record, not so much the sound of the section itself, but the sound of the record of that section, have become highly distinctive to me, and I do think that these guys are using "tapes" ("tapes" since there's probably no oxide coated mylar anywhere in sight...).

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