Jump to content

Sonny Stitt Mosaic


wesbed

Recommended Posts

Does anybody have this Sonny CD?

B00004SNQW.01.LZZZZZZZ.jpg

I purchased the New York Jazz CD last week and just opened it this week. The sound is crisp and includes lots of quick, bluesy, and soulful playing by Stitt. How does the New York Jazz CD compare to the Mosaic box? :huh:

I've been interested in the Stitt Mosaic for several months but I never puchase it due to the cost of the box.

Edited by wesbed
Link to comment
Share on other sites

Jimmy Jones, who appears on this cd also appears in a lot of the music in the Mosaic box, which I highly recommend and love. Not all of it is like Lon says. There are some interesting sessions with Johnny Richards and Quincy Jones. Even if you're not a Stitt fanatic now, if you get the box, you will be.

Link to comment
Share on other sites

Just to clarify, what I said was "Many sessions within the Mosaic are not too different than this Verve cd." That means that I was pointing out that there were also different sessions in the box. So in fact, rather than "Not all of it is as Lon says" I maintain that it IS as I say! :blink:

Link to comment
Share on other sites

Just to clarify, what I said was "Many sessions within the Mosaic are not too different than this Verve cd." That means that I was pointing out that there were also different sessions in the box. So in fact, rather than "Not all of it is as Lon says" I maintain that it IS as I say! :blink:

Didn't mean to mangle your words. You are correct. There are many wonderful sessions of all kinds on this set.

Link to comment
Share on other sites

Not all of it is like Lon says.  There are some interesting sessions with Johnny Richards and Quincy Jones.  Even if you're not a Stitt fanatic now, if you get the box, you will be.

I understand and appreciate that Mosaic attempts to provide the complete sessions per a given box set. Of course, I want all the sessions I can get my hands on. Sometimes, however, the 'interesting' sessions are good and sometimes the 'interesting' sessions are, well... not quite as good.

I like core Stitt very much. How good/bad/interesting are the 'interesting' sessions in the Stitt box? :huh:

Edited by wesbed
Link to comment
Share on other sites

I was pleasantly surprised with the Stitt Mosaic. I got it for a good price or I probably would have waited until it was threatened with extinction. Prior to my exposure to the Mosaic, my overall impression of Stitt was something less than sunny. I thought he wielded a good, workmanlike, lunch pail alto, but not much more. The Mosaic has completely changed those initial impressions. This set is filled with top-of-the-line, no-questions-asked hard bop. Count me among those who was attracted to the set by the sometime presence of Jimmy Jones, who I think is a vastly underrated player. I don't think anyone who counts themselves among the fans of this music, could possibly be disappointed with this collection.

Up over and out.

Edited by Dave James
Link to comment
Share on other sites

  • 1 year later...

I have the above mentioned album and the more recent Personal Appearance both are very enjoyable and both helped put the Mosaic on my wish list. But 9 discs....whew....

I think JJ Johnson and Johnny Hodges might find their way to me before the Stitt. Of course all that could change if something else hits the endangered species list. ;)

Edited by mgraham333
Link to comment
Share on other sites

I lean toward getting the Stitt set myself.. but here's my dilemma... The larger Mosaic boxes seem to have much more variation in them than the smaller sets.. (e.g., albums that could have been left out and were of questionable quality...)

For example... I have the...

Sarah Vaughn set (8CD's)... several of those records could have been left out... (even Mosaic in their liner notes admits that some of the material is not great...

"Not every track will be to every taste – Roulette was a label built on hits and chased them with material that ranged from cotton candy to near-legit.")

To me they could have left out at least 2 or 3 CD's worth of material and had a MUCH more consistent set of excellent material...

Similar complaint on the Complete Roulette Live Count Basie (8CD's).... How many versions of "One O'Clock Jump" can I hear??? (I know this is as much Basie's repetition of his repetoire as anything else...) However, Mosaic could have been more selective...

Yet on the opposite side... The Blue Note Elvin Jones Sessions (8CD's) I find absolutely marvelous... I wouldn't delete one track!!!!!!!!!!

So my experience is that Mosaic's smaller sets (4-5 even 6Cd's) tend to have a more consistent high quality with few "questionable" tracks included, whereas the 8 or 9 CD sets are hit or miss in that category...

Which all brings me to say - that this is why I've hestitated on the 9CD Stitt set...

Your thoughts??? (Particularly about this issue of their larger vs. smaller sets...)

I may just beg my wife to buy it for me....

thanks for the feedback.

Link to comment
Share on other sites

It is possible that you may be right. However, Mosaic's approach is complete and that's what they adhere to. Also, while not everything may be of interest to you or me, it may be of interest to others, especially researchers and teachers. Since this is probably the only time when the original Roulette masters may be available, it was a good idea to include everything in one issue.

Link to comment
Share on other sites

My experience with Mosaic sets is that certain items may not be of interest at all times. As soon as I label certain material as being of no interest to me, however, I discover something new about jazz and said material becomes very much of interest. It never fails.

Link to comment
Share on other sites

My experience with Mosaic sets is that certain items may not be of interest at all times. As soon as I label certain material as being of no interest to me, however, I discover something new about jazz and said material becomes very much of interest. It never fails.

I know the feeling. About the time that I write something off as non-essential (to me). Someone posts a rave about certain material and it gets me thinking...maybe I need to check it out after all.

Link to comment
Share on other sites

matt -

surely you've been listening long enough to understand the inherent cyclical nature of our fickle ears. what we're jonesing for and hopped-up on today we may find boring as white bread tomorrow. but i think what's really telling is what happens the day-after-tomorrow when we're going the disatance with our respective collections when we take a break from frenzied collecting and cool out long enough to really focus on what we have. are we happy with what we have? do we seasonally return to what we have to listen anew to something that's been on the shelf for 5 or 10 years?

with that having been said, this is just where i find the crowning glory of a mosaic box set to be. to me, these are document monuments for the ages. my mosaics are pieces that i may or may not be so high on initially, but eventually i can't think of any i have that i don't in one way or another find something to treasure more with each passing year.

with this stitt package, i can't think of a set that a listener would be more prone to grow into and treasure for seasons to come.

lastly, the thing of beauty about any mosiac set is that it's a sound financial investment. how often have you seen an out of print set sell for less than its initial cost? i dare say rarely.

anyhow, sorry to ramble but it seems the things i find most rewarding in my own collection are the things that i've had to grow into and rediscover over the years.

can one really have too much sonny stitt or roy eldridge or johnny hodges or donald bryd/pepper adams? these are the time proven stalwarts of the genre...

peace,

-e-

Link to comment
Share on other sites

E:

Yeah, I think you nailed it - especially about the Mosaics. There have been some that were really easy to jump right into, Mobley, Fuller, Mitchell but others took a little while like the Elvin Jones. But you're absolutely right - each time I break it out there's more and more that I find appealing. The large sets are like that. There's so much to discover. Most of my listening occurs at work - with the music taking a back seat - even at home sometimes I'm doing other stuff. But on occasion I'll really sit down, focus and LISTEN to the music. It's then that things really starty to stand out and I begin to appreciate just how amazing it all is.

I'd love to grab the Hodges, JJ, and the Stitt. Based on what others here have said I think I'd enjoy them. It's not that I need to be told what to like - it just helps to have a guide to make it through the jazz wilderness.

I've learned a lot here and I hope that I can pass along that to others.

Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...