A Lark Ascending Posted October 6, 2016 Report Posted October 6, 2016 (edited) The Bach was perfect to listen to whilst the evening descended. Excellent notes from Hewitt herself to guide you through this collection of shorter pieces. The following morning: Th'arp off latter. Edited October 7, 2016 by A Lark Ascending Quote
A Lark Ascending Posted October 7, 2016 Report Posted October 7, 2016 (edited) Disc 1 of the first. Nancarrow is relatively new to me - starts with pieces that sound like upended boogie-woogie, in places rather Latin and then onto later more abstract things. You're inclined to think this music was an inspiration for free jazz piano but it only seems to have become widely know after that was well established. Exciting, original stuff.  No. 8 Edited October 8, 2016 by A Lark Ascending Quote
alankin Posted October 8, 2016 Report Posted October 8, 2016 (edited) Wolfgang Amadeus Mozart  – Symphony No.32 in G major K 318 – Symphony No.35 in D major K 385 "Haffner" – Symphony No.39 in E flat major K 543 English Chamber Orchestra – Jeffrey Tate (EMI Classics)   Edited October 8, 2016 by alankin Quote
alankin Posted October 8, 2016 Report Posted October 8, 2016 (edited) Now playing: Yuquijiro Yocoh – Variations on Sakura Stephen Dodgson – Fantasy-divisions for Guitar Manuel Ponce – Sonatina meridional Heitor Villa-Lobos – Chôros No.1 for Guitar Antonio Lauro – Vals Criollo Jorge Gomez Crespo – Norteña Vicente Emilio Sojo – 5 Venezuelan Melodies (Transc.: Alirio Diaz) AgustÃn Barrios Mangoré – Danza Paraguaya No.1 — John Williams — Music from England, Japan, Brazil, Venezuela, Argentina and Mexico (Columbia Master Works / Sony Classical) Edited October 8, 2016 by alankin Quote
soulpope Posted October 8, 2016 Report Posted October 8, 2016 Earlier today : Indispensable .... Quote
A Lark Ascending Posted October 9, 2016 Report Posted October 9, 2016 (edited) Disc 2 of the first. Way too complex to take in on one listen (or, I suspect, on several dozen listens) but the music has an immediately thrilling effect. The Johnston is equally compelling, utterly in its own world. Must get the discs of the other quartets.  One of my favourite Mozarts - and one of the pieces that turned Mozart from someone I listened to every now and then because I thought I ought to to someone I genuinely enjoyed. 'Amadeus' was to blame! 4 has never been a favourite (1/5/7/8/9 are my frequent fliers) but yesterday afternoon this really clicked. This morning, more Mozart:  Edited October 9, 2016 by A Lark Ascending Quote
A Lark Ascending Posted October 10, 2016 Report Posted October 10, 2016 Whilst painting a ceiling (Adam's hand is proving especially tricky): The glorious Quintet off the latter. I love those Brahms serenades. Always make me want to buy lederhosen and go and hunt boar. SQ5 off Spotify. Don't know Rochberg at all. But there's a nice short article in the new Gramophone recommending American string quartets and this one gets a thumbs up. Quite late 19thC in feel initially though later you enter a world not unlike Schoenberg or Berg at their less severe. Early days but worth following up. Quote
alankin Posted October 10, 2016 Report Posted October 10, 2016 (edited) Ludwig van Beethoven – Sonata for Piano No.19 in G minor Op.49/1 – Sonata for Piano No.21 in C major Op.53 "Waldstein" – Sonata for Piano No.23 in F minor Op.57 "Appassionata" – Sonata for Piano No.25 in G major Op.79 – Sonata for Piano No.26 in E flat major Op.81a "Les Adieux"Eric Heidsieck (piano) (EMI Music France) Edited October 10, 2016 by alankin Quote
mikeweil Posted October 10, 2016 Report Posted October 10, 2016 Excellent virtuoso playing on two fabulous sounding copies of 16th century Italian harpsichords. Mostly rarely heard composers, but fantastic music. The title was translated incorrectly, it should be "Late 16th century Venetian harpsichord", not 'last" ... Quote
Larry Kart Posted October 10, 2016 Report Posted October 10, 2016 1 hour ago, mikeweil said: Excellent virtuoso playing on two fabulous sounding copies of 16th century Italian harpsichords. Mostly rarely heard composers, but fantastic music. The title was translated incorrectly, it should be "Late 16th century Venetian harpsichord", not 'last" ... Aymes' Frescobaldi is excellent IIRC. Quote
mikeweil Posted October 10, 2016 Report Posted October 10, 2016 (edited) Agreed, I have them all. They are my first recommendation whenever someone asks me for a Frescobaldi keyboard recording. Edited October 10, 2016 by mikeweil Quote
Peter Friedman Posted October 10, 2016 Report Posted October 10, 2016 Mozart String Quartet K.421 Schubert - Symphony No.3 Quote
A Lark Ascending Posted October 10, 2016 Report Posted October 10, 2016 No 1 of the Brahms. No 6. Sounds like Beethoven in the last movement! And a nice variation on Pachelbel's greatest hit in the third. Quote
soulpope Posted October 10, 2016 Report Posted October 10, 2016 2 hours ago, Peter Friedman said: Schubert - Symphony No.3 Excellent .... Quote
alankin Posted October 10, 2016 Report Posted October 10, 2016 (edited) Dmitri Shostakovich – Symphony No.2 in B flat major Op.14 "To October" —  WDR Sinfonieorchester & Rundfunkchor  – Rudolf Barshai (Brilliant Classics)  Edited October 10, 2016 by alankin Quote
soulpope Posted October 10, 2016 Report Posted October 10, 2016 1 hour ago, alankin said: Dmitri Shostakovich – Symphony No.2 in B flat major Op.14 "To October" —  WDR Sinfonieorchester & Rundfunkchor  – Rudolf Barshai (Brilliant Classics)  !! Quote
alankin Posted October 10, 2016 Report Posted October 10, 2016 Now playing: C.P.E. Bach – Sinfonia in C major, Wq. 182/3 (H659) – Harpsichord Concerto in C minor, Wq. 43/4 (H474) — Andreas Staier (harpsichord) – Sinfonia in A major, Wq. 182/4 (H660) – Oboe Concerto in E flat major, Wq. 165 (H468) — Hans-Peter Westermann (oboe) – Hamburg Symphony in B minor, Wq. 182/5 (H661) Freiburger Barockorchester – Thomas Hengelbrock (deutsche harmonia mundi)  Quote
OliverM Posted October 11, 2016 Report Posted October 11, 2016 Those Webern and Boulez pieces are new to me, fantastic! Quote
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