JSngry Posted Thursday at 01:19 AM Author Report Posted Thursday at 01:19 AM The move from ,Columbia to RCA and then back is another story to tell, I would. One thing I read is that when the JSQ moved back to the Columbia family, they were on Epic because the Budapest Quartet was Columbia's "headliner". It was only after that group disbanded the the JSQ moved from Epic to Columbia. It seems odd to me that there that strict of a heirarchy among quartets on a label that had multiple orchestras and conductors (and pianists?) on their roster, but I claim no knowledge of that part of that business. None whatsoever. Quote
JSngry Posted Friday at 02:33 AM Author Report Posted Friday at 02:33 AM Not particularly gripped by this one, but Shubert has never really grabbed me outside of the Lieder. Probably my "problem"... Quote
Chuck Nessa Posted Friday at 03:41 AM Report Posted Friday at 03:41 AM 1 hour ago, JSngry said: Not particularly gripped by this one, but Shubert has never really grabbed me outside of the Lieder. Probably my "problem"... The piano sonatas are more than special for me. Schnabel is my "go to" favorite. Quote
JSngry Posted Friday at 04:12 AM Author Report Posted Friday at 04:12 AM Bookmarked for future listening, thanks! Quote
kh1958 Posted Sunday at 09:03 PM Report Posted Sunday at 09:03 PM On 6/19/2025 at 9:33 PM, JSngry said: Not particularly gripped by this one, but Shubert has never really grabbed me outside of the Lieder. Probably my "problem"... I have this LP, although in a mono version. Quote
JSngry Posted Sunday at 09:51 PM Author Report Posted Sunday at 09:51 PM A classic cover, imo, and a fun listen to boot! 48 minutes ago, kh1958 said: I have this LP, although in a mono version. Their first two RCA albums were mono and have come into the digital realm sounding great in that format. One of my earliest memories of hearing classical music was my first-grase teacher sometimes playing it in class on one of those Stone Age school record players. The music kinda barked itself out of what speaker there was, which made it compelling, if ultimately boring (for a kid). I can imagine hearing that record like that, just barking it's way out of whatever king of speaker was around. It is a not unappealing thought! Quote
JSngry Posted 4 hours ago Author Report Posted 4 hours ago 2 hours ago, JSngry said: Hell yeah. William Schuman might not have been as "consistent" or "immaculate" a composer as Copland, but I find him infinitely more "American" in character. A little slop and a little swing, in his own way. And a good amount of some nice changes too And Elliott Carter...quantum. JSQ is totally in their zone here. Hell yeah for this record. RCA Red Seal indeed! Quote
JSngry Posted 1 hour ago Author Report Posted 1 hour ago Per Wiki: The Second String Quartet by American composer Elliott Carter was completed in 1959. This composition for string quartet was commissioned by the Stanley String Quartet of the University of Michigan, who decided not to play it upon seeing the score, and received its first performance in 1960 by the Juilliard String Quartet. That's wild. Hey dude - write us a quartet. Here's the money. You got the score, right? Cool, let's see what we got here... Uhhhhh....never mind... Quote
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