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More Like Nation Time


Pete C

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I saw Joe McPhee last night as part of a Steve Lacy tribute, and watching him I was reminded how much I like his album Nation Time and its mix of all-out energy blowing with a funky rhythmic and ensemble texture, and maybe a backbeat, that differs from the freer context players like McPhee would more often appear in. What else fits into this little hybrid subgenre? Maybe some of Pharoah Sanders, maybe late Ayler on Impulse, some of Shepp on Impulse, Evan Parker's playing with Moholo or Brotherhood of Breath. Also, that rhythmic quality comes across in many dates featuring Steve Reid on drums (with Charles Tyler & Arthur Blythe). Other ideas?

http://www.youtube.com/watch?v=YR8Isg0-Shw

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Luther Thomas - Funky Donkey - (Creative Consciousness)

Kind of reminds me of an Afro-rock LP in some ways, at least on the title track, and presages some of James White's work with the Contortions in Downtown NY a few years later. Guitarist Marvin Horne is awesome.

The Solidarity Unit - Red, Black & Green - (Universal Justice)

a little freer than Nation Time, but still the right vibe, especially the stuff with guitarist Richard Martin.

Steve Reid - pretty much all of the Mustevic LPs reissued by Universal Sound, but I bet you'd really dig the Master Brotherhood stuff.

Hans Dulfer & Ritmo-Natural - Candy Clouds, El Saxofon, The Morning After The Third - (Catfish/EMI)

Series of great Afro-Latin Dutch free jazz LPs put out in the early 1970s and reissued on a Hans Dulfer box on EMI. You get a lot of dross with the box, but the early stuff is priceless.

Robin Kenyatta - The Free State Band - (America)

Byard Lancaster - Funny Funky Rib Grib - (Palm)

Related vibe across these two, both including Lafayette Afro-Rock band members Keino Speller (RIP) and Francois Nyombo.

Emergency - Homage to Peace - (America)

Okay, a little more free, but definitely an important cross-national document of early 1970s Afro-free-spiritual jazz, featuring a plugged-in and wily Boulou Ferre!

Edited by clifford_thornton
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How was the Lacy tribute? I'd have loved to see that.

Fun, but nothing for the ages. Giardullo & McPhee were excellent, but the surprise "winner" was Roberto Ottaviano.

Colin, I'll be in Lafayette in a bit for the Festival Internationale. PM me if you'd like to try to hook up.

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Ha! I kind of figured Clifford would be all over this. I started this thread several years back: Free Funk ...and there may still be something useful in there.

A LOT of Byard Lancaster's music could fall into this category.

Speaking to the South African connection, plenty of Dudu Pukwana's music could fit this mold. Diamond Express/Ubagile comes to mind:

http://www.youtube.com/watch?v=0H_n34woDRA&feature=related

-and in terms of Pukwana's UK cohorts, the music of Gary Windo and early Soft Machine could fit the bill (although it's all decidedly more rock than funk in groove). Similarly rockish, but with kind of a modal/jazz bent that often shifts into very free textures, is any music that features the Tippett/Miller/Moholo rhythm section. This came to mind immediately:

http://www.youtube.com/watch?v=CsmVYiB8keo

And then there's the music of Trevor Watts & Amalgam--very jazzy in character but borrowing heavily, in a rhythmic sense, from US soul jazz, various kinds of African musics, and Ornettish free funk. I don't think any two Amalgam albums sound quite the same, but there's plenty of very vital inside/outside soloing in every iteration.

At the same time, I always heard Nation Time as sort of a funky exercise in post-Coltrane modal jazz. I think anything with the Buster Williams/Billy Hart rhythm section (notwithstanding Mwandishi, which is really its own thing), as well as work by a number of Coltrane epigones (Azar Lawrence, Nathan Davis, Carlos Garnett), might edge you closer in that direction.

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Ha! I kind of figured Clifford would be all over this. I started this thread several years back: Free Funk ...and there may still be something useful in there.

A LOT of Byard Lancaster's music could fall into this category.

Good point on Dudu. Unfortunately, there are quite a few clinkers in Byard's catalog. I'd even say his Vortex leader-debut is pretty lame. Live at Macalester is great but not really "funky" in the Nation Time sense of things. I think he had more sympathetic groups with the Palm recordings (that trio Us w/ Sylvain Marc & Steve McCall is hot) and some of the stuff with Doug Hammond is all right.

Oh, and I almost forgot Byron Morris & Unity. Blow Thru Your Mind is awesome, and with Jay Clayton in full-on Reich mode it gets pretty uniquely intense. Byron & Gerald: Unity also has Lancaster and Eric Gravatt, much more on a rugged free-jazz trip and kind of meandering, but still interesting.

You might find some things you like on the Aboriginal Music Society box on Eremite (I think it's great), but it's an inve$tment.

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(both originally on Jef Gilson's Palm label, I think - definitely the Lancaster which I have here, not sure about the fantastic Singer/Gilson disc)

Then there's also a Kippie Moeketsi (with Singer on one track) titled "Blue Stompin'" (as-shams), and a Singer done in Johannesburg:

HALSinger.jpg

Hal Singer - Soweto to Harlem (AsShams/The Sun, 1976)

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How was the Lacy tribute? I'd have loved to see that.

Fun, but nothing for the ages. Giardullo & McPhee were excellent, but the surprise "winner" was Roberto Ottaviano.

Colin, I'll be in Lafayette in a bit for the Festival Internationale. PM me if you'd like to try to hook up.

Will do! I actually haven't yet been to FI, but I do want to check it out.

On the McPhee tip, I've been meaning to pick this up, it looks great.

cvsdcd006.jpg

Some of the hippest jazz ever played at Vassar College – and previously-unreleased work from avant legend Joe McPhee, recorded right around the same time as his classic Nation Time record! One CD features a smoking performance by McPhee on tenor – working with a group that also includes Byron Morris on alto sax – really stretching out on a mixture of original tunes and some surprisingly free takes on standards – familiar songs blown openly, almost with a Coltrane Quartet sort of approach! But the other CD is even more amazing – and even more obscure – as it features a group with vibist Ernie Bostic, alto saxophonist Otis Greene, and Hammond player Herbie Leaman – all musicians we really don't know at all – but who sound wonderful together! The mix of organ and vibes is completely sublime – and tracks are very long and airy, with a haunting feel that's unlike anything we've ever heard before. The Bostic group plays "Flowers For Mattie B", "Bag's Groove", and "Resolution" – and McPhee's combo takes on "Green Dolphin Street", "Spring Street", "Muntu", "Maybell's Blues", "Softly As In A Morning Sunrise", and "Stella By Starlight".
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(both originally on Jef Gilson's Palm label, I think - definitely the Lancaster which I have here, not sure about the fantastic Singer/Gilson disc)

The Singer/Gilson LP was on Le Chant Du Monde, the Lancaster was on Palm/Vendemiaire.

The Ernie Bostic material on that McPhee set is particularly good, by the way.

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