king ubu

I wouldn't be surprised to have some moments of embarrassiert once you reveal who we hear here Alas I didn't have enough time to really participate here, apologies!

Good catch! Afraid I never heard him So it's all meta releases? Pretty impressive! So gar I mostly knew - and have cherished for a long time - Elina Duni's two albums on the label, but nothing else at all, I think.

Hm, so not Harald Haerter on #8 then (he's a mere 9 or 10 years younger than Doran) ... I'm pretty much lost there, I'm afraid

Whoah, just stumbled over this, not being active here any more regularly. That's quite a story Allen - great to hear that you keep pulling through and are back to playing again. Crossing my fingers for whatever is still coming up and hoping for a good recovery!

What's funny, too, is that the Arbenz brothers' (Michael on piano, Florian on drums) later outfit VEIN (trio w/Thomas Lähns on bass) actually also made a couple of albums with Dave Liebman (and I was sent two of those as well, but only gave the one with Maupin a spin so far - received the package on Monday).

Huh, Bennie M.? Gave the compilation a first listen and enjoyed it as a whole ... thanks for inviting me over Seriously now, this is hilarious, if just because of the timing! I bought the CD from F. Arbenz and just received it a few days ago - about the same time I finally dl-ed your BFT! (I hope placing a link is ok!). Started buying some of Arbenz' recent/new productions during the pandemic and eventually asked him what old(er) ones he still had, so he dug up one of this for me - beautiful package, edition of 500, numbered ... and a great piano player, too! Kairos is what they call this, right? Now I'd love to pin down the twin-singers on #4 but my first thoughts proved wrong (I think), but I didn't find the time to really search yet.

Got a second copy in the meantime, and it's ok. Gave it a first listen as well in the meantime, and it's pretty good, but hardly any surprises (not that I expected any).

Thanks all! I needn't even return it (which means ... I'll dump it or can pass it on) - probably a consequence of the recent news coverage that these returns are all dumped anyway. Guess I'll try my luck again then, but from a less evil source

@felser Is your booklet correct, too -- not missing pages 3/4 (and their counterpart at the end of the booklet)?

Ok, thanks. It's always foreign shipping and a hassle to get reimbursed for my shipping costs... should really stop buying there. Would be interesting to hear from someone in Europe, maybe?

Anyone got the CD already? EMI quality control was acquired by Universal (or soaked up by Zev F. – the recent Evan's has some minor mistakes, too), my copies' booklet jumps from back of front cover (prob. p.2 but it's not numbered) to p.5 (thus in the back I don't get a track list etc.). Should I even try the hassle of a return with Mr. Space Penetrators empire?

https://www.sowetanlive.co.za/news/south-africa/2021-11-14-jazz-master-barney-rachabane-has-died/ Sad news, I like his playing wherever I've been able to catch it!

My understanding is that piano/bass are overdubbed already, but the strings aren't there yet. Alas "Coltrane Reference" doesn't get very specific on it, but I understand it supports my assumption (which is also coherent with the info given on the record sleeve).

Got "Jupiter Variation" ... for the (former) "Expression" bonus track, and for the earlier version of "Peace on Earth". I understand we already hear Haden and and Alice overdubbed instead of Garrison and Tyner on this version, but no strings yet. Gave the disc a spin already but didn't pay attention to any mastering details. I can look it up by the weekend only, as I'm on holiday until Friday. Would really love to see any comprehensive release of the February/March 1967 sessions some day ... maybe Ravi will find some tapes eventually, who knows ...

Taking some time off and finally making my way through all of this ... I was in Wels for the final three nights, and what I heard there is amongst the very best concerts I've experienced so far. Glad to report that almost all of the Wels material is included (not "Bemsha Swing" and "Unforgettable", alas). I put together the playlists of all the sets, fixed some mistakes in the sources (a attributed title here, a switch of sequence there), spotted the mistakes in the booklet (tracks assigned to wrong dates) and marked the tracks that had been shortened. https://www.dropbox.com/s/wqa4rebqnbo46of/AnthonyBraxton-Quartet-Standards2020.pdf?dl=0 So, the tracks shortened are (chronologically, as performed; dates and CD/Track nos. in brackets): - Do Not Forsake Me, O My Darlin' (Theme from "High Noon") (Jan 15 / 4-5) - Take Ten (Jan 15 / 3-2) - Minority (Jan 21 / 1-1) - Too Marvelous for Words (Jan 23 / 2-2) - I'm So Glad We Had This Time Together (Jan 23 / 2-4) - Jinkrisha (Jan 25 / 8-1) - I'll Never Smile Again (Jan 25 / 13-1) Wrong dates (the ones in brackets here, I've added CD numbers to quickly find them; check the PDF above for correct sequence) are given for the following titles: "Desafinado", "Why Shouldn't I" (both Jan 17, CD 1); "Invitation" (Jan 19, CD 3); , "Out of Nowhere" (Jan 21, CD 1), "Lullaby in Rhythm", "Impressions", "The 59th Street Bridge Song", "Prelude to a Kiss" (all Jan 21, CD 5). As the AUD versions obviously have applause, I didn't bother to pin the exact amount of music cut for each of the tunes. That "Marvelous" has a cut somewhere in the released part I'd not previously noticed - I think it's the only such edit present, the others seem to just quickly fade at some point (sometimes noticeable, sometimes barely so). That they chose to not include any applause ... well, not sure what to make of it, but it certainly does not spoil the listening experience for me). Either way, while my initial impression has been confirmed that the band grew considerably, got into much freer stylings and grew pretty tight with its leader during those nine nights, and still considering the final nights in Wels the high point here, I love all of what's on this box (okay, maybe not "Who's Afraid of the Big Band Wolf", but that's a minor quibble). I'm not sure it had to be rearranged as it was, also not sure the cuts were necessary (the biggest one was performed on "Too Marvelous for Words", which lasted nearly a quarter of an hour but got cut to 6:30 minutes - what's interesting there is that a portion of Braxton's own solo was cut, too - the bits from around the 6 minute mark only happen around 8:30/9 minutes in the uncut version). -- (And yeah, all well here, just too busy elsewhere to drop by here regularly )