Lazaro Vega Posted June 22, 2016 Report Posted June 22, 2016 Yes, her singing sounds like pillow talk, yet on closer listening she's improvising, with mood, time, emotion, and is closely involved in the arrangements. From her first "hit" session with Clifford Brown, to the exciting unpredictable music recorded with Dick Katz, last night's Jazz From Blue Lake featured the music of Helen Merrill. If you missed it, here's another chance to listen. Helen Merrill : www.bluelake.org/ondemand (image by K. Abe). Quote
AllenLowe Posted June 22, 2016 Report Posted June 22, 2016 (edited) I love Helen Merrill and I have a theory of why, at least to me, she sounds better on her '50s sessions than later. Given the timbre of her voice, she needs to be mic'd with a condenser microphone, which was most commonly used in the 1950s; my experience is that later engineers tend to always use ribbon mics; the effect, with a whispy voice like hers, is to deaden the sound of the voice (ribbons have a softening effect) and cause a loss of presence. Condensers, on the other hand, have high gain and just a generally fuller presence. This is why, to me, she sounds much better on the Clifford Brown sessions than, say, the Gil Evans re-do of Where Flamingos Fly. just my opinion. Edited June 22, 2016 by AllenLowe Quote
medjuck Posted June 22, 2016 Report Posted June 22, 2016 She sat in with the Gil Evans Project last month at The Jazz Standard. Quote
Chuck Nessa Posted June 22, 2016 Report Posted June 22, 2016 When I moved from Boston to Chicago in 1975, Don DeMichael asked me to join a newly reconstituted Jazz Institute board and I did. Helen was a Chicago resident at the time and was a member of the board. Quote
corto maltese Posted June 23, 2016 Report Posted June 23, 2016 Much as I love her early sessions, I find myself returing more often to some of her later recordings. Jelena Ana Milcetic, her "Croatian" record, is a particular favourite. Not a conventional vocal jazz album by any means and her singing voice may have lost all traces of "pillow talk" by that point, but it's hauntingly beautiful and very moving. Quote
soulpope Posted June 24, 2016 Report Posted June 24, 2016 21 hours ago, corto maltese said: Much as I love her early sessions, I find myself returing more often to some of her later recordings. Jelena Ana Milcetic, her "Croatian" record, is a particular favourite. Not a conventional vocal jazz album by any means and her singing voice may have lost all traces of "pillow talk" by that point, but it's hauntingly beautiful and very moving. Not bad either .... Quote
JSngry Posted June 24, 2016 Report Posted June 24, 2016 There's a "Willow Weep For Me" on this one where Helen Merrill & Wayne Shorter are magical, individually and collectively. Quote
Lazaro Vega Posted June 24, 2016 Author Report Posted June 24, 2016 She replied to this post on Facebook, writing, " yes, night thoughts from beauty of true love to the ugliness of cruelty, l " And that's it. Wanting more! Quote
ghost of miles Posted June 24, 2016 Report Posted June 24, 2016 Just heard her first-ever recording this morning on a used Earl Hines CD that I picked up in Manchester ("A Cigarette For Company," with the Hines Sextet in 1952). Quote
Lazaro Vega Posted June 29, 2016 Author Report Posted June 29, 2016 And "A Whirl In A Whirl" from that one. Xanadu lp here. Quote
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