just reading the article now - another problem is that he does not mention that Armstrong's ability to record clearly had as much to do with the development of the elctrical process as anything else - and he does not distinguish between acoustic/vs electric recording - also he does not mention the banjo, which recorded well acoustically and so was frequently used -
I like the Quine stuff, but if I had a choice I would get the two "live" albums released on Mercury - still mediocre sound, but better sonics than the Quine - I agree about Reed - his early stuff is so important and unique, but his later output is embarrassing -
Just as an intersting side note, there is a Howling Wolf recording from Memphis for whom the pianist is listed as "undentified," but I'm willing to bet it's Newborne - there's a bebop intro, and then - right into the down home blues (I'll have to dig it out and give you title info) -
yes, depending on how he did it, it may be very easy to edit out his voice - I would wonder, however, who owns the rights to this as it was an unaccepted demo - may have to be cleared with all VU members who are on it -
...and they are:
Solo Piano
There Will be Some Changs Made -
Nate - email me - I'd be happy to make some CDR dubs of these - Jaki was really a great guy but suffered from severe depression late in life late due to his wife's death from cancer -
Jaki was drinking too much in those days, sad to say - there are two early solo albums on Prestige that have never been reissued but that are among the glories of the age. Will report back with exact titles -
don't know if this has already been addressed, but since the format change the search function, for me, is a problem - I often try to locate my own posts to see if there's been a response - and the search fnction misses and/or skips many. Is this just me?
glad somebody mentioned Jaki Byard - but you gotta get the Prestige LPS, which have not been reissued on CD - they are the absolute height of solo piano. The best of the last 50 years.