For my sins Benny Green was one of my intros to jazz. He had a very good long-running BBC radio show on the Great American Songbook and latterly a jazz show on Jazz FM. Even at the time I found him a bit prejudiced in his tastes, but he was an engaging broadcaster and could be funny as well. My preference for mainstream jazz and swing stems from his shows I expect.
I can see why someone just wanting jazz notes would be annoyed by his writing. He was a man of many interests (cricket, P.G. Wodehouse, stage musicals, George Bernard Shaw...) and would crowbar in references wherever possible. As he was a working-class Londoner with a strong Cockney accent I suspected he felt the need to prove his intelligence against the usual prejudices.
BTW he wrote the original notes for Kind of Blue (!) and actually had a tune of his recorded by Miles (!!): So Near, So Far on Seven Steps to Heaven.
My favourite liner note writers: Dan Morgenstern, Loren Schoenberg and Bob Blumenthal. I've learnt so much from their lucid, knowledgable writings.
I thought I'd seen "So Near, So Far" credited to the British drummer Tony Crombie, but I may be wrong. Anyway, it was obviously Victor Feldman who carried this British jazz message so far.