EKE BBB

12 Prèludes, Book 1, L117 & Suite Bergamasque, L75

Certainly, not Henry Red Allen. 😀

Beethoven: Complete String Quartets (Borodin Quartet)

https://www.google.es/amp/s/amp.france24.com/en/20190126-oscar-winning-french-composer-michel-legrand-dies-86

Lou Donaldson - The Time Is Right (Blue Note, 1959)

Sure, one of the best... IMHO Probably my favourite tJaMC disc...

Lou Donaldson ‎– Light-Foot (Blue Note, 1958)

Jimmy Smith Trio + Lou Donaldson (Blue Note, 1957)

Not too much Joe Albany output as a leader is available, so this was a very rewarding addition!

Joe Albany - An Evening With (SteepleChase, 1973)

John Coltrane - Coltrane Jazz (Atlantic, 1956-59)

John Coltrane - Plays The Blues (Atlantic, 1960)

John Coltrane - The Believer (Prestige, 1958)

Jon Faddis ‎– Youngblood (Pablo, 1976)

New York Art Quartet (ESP Disk, 1965)

Lou Donaldson With The Three Sounds ‎– LD+3 (Blue Note, 1959)

The Bill Evans Trio ‎– Since We Met (Fantasy, 1974)

Sonny Clark Trio (Blues Mambo) (Time, 1960)

Tommy Flanagan - Thelonica (Enja, 1982)

Miles Davis All Stars ‎– Walkin' (Prestige, 1954)

His truly. This is Vicho (standing, in the center) with Tete and his wife Pilar Morales:

In a nutshell, Perry Robinson's clarinet playing and music approach were simply too modern for the average Spanish jazz critic or aficionado in 1960. Just as an example, Club de Ritmo #167 [March 1960 issue] holds a review of the 3rd Gala Internacional del Jazz at the Teatro Calderón in Barcelona. It was a morning concert starting with Tete Montoliu Y Sus All Stars group, followed by the Barney Wilen Quartet with Kenny Clarke and Oscar Pettiford (though bassist was finally replaced by Paul Rovère). A jam session with Barney Wilen, Tete Montoliu, Kenny Clarke, Paul Rovère, 'Vicho' Vicencio and Perry Robinson closed this concert. This is an excerpt of the aforementioned review by Jorge Vall Escriu (quick and raw translation is mine): "(...) The announced feature was a group led by Barney Wilen and including Kenny Clarke and Oscar Peterson. That was enough to immediately prompt us to reserve our tickets, given the undisputed quality of the latter two musicians, but... (there is always a "but") ...after too much advertisements and publicity, we had to bear with a group led by Spanish pianist Tete Montoliu for the whole first set, and to be sincere, it was way too long. To be noted is the current bad shape of Tete Montoliu, who is becoming an imitator of lowering profile pianists, as is Vicho Vicencio who, despite his nice tone, does not have enough tecnique and strength for the so-called "modern jazz"; on top of that, his numerous mouthpiece clangs didn't go unnoticed. And finally, better not talk about Perry Robinson's clarinet, given that, if you could write one single paragraph on him, it would not be about jazz. He would rather dedicate his time to become a snake charmer (...)". "(...) And as the top of the ice cream, a jam session with TM, Kenny Clarke, Paul Rovère, Barney Wilen, Vicho Vicencio and, to no surprise, Perry Robinson, which resulted in a sort of coffee, milk, sugar and sault... (...)"

Here we go...