EKE BBB

https://www.theguardian.com/film/2019/mar/15/blue-note-records-beyond-the-notes-review-sophie-huber-record-label-jazz Guardian review.

Grand Funk Railroad - Grand Funk (Capitol, 1969)

Leo Parker - Rollin’ With Leo (Blue Note, 1969)

Bill Evans Trio - Since We Met (Fantasy, 1974)

Grateful Dead ‎– Aoxomoxoa (Warner Bros. - Seven Arts Records, Inc., 1969)

Sure! He is not from this planet. He is a small alien who came from the outter space to tease Real Madrid for our sins... 😀

Many good Spanish speakers here!

Green On Red - Gas, Food & Lodging (Enigma, 1985)

You all prompted me to...

Suspicious coincidence!

The Clash - Combat Rock (Epic, 1982)

A classic!

Tom Waits - Rain Dogs (Island, 1985)

https://jazzjournal.co.uk/2019/03/09/duke-ellington-heading-for-newport/ Discography (1) Black and Tan Fantasy; Stompin’ at the Savoy; Clarinet Melodrama; Harlem Airshaft; Sophisticated Lady; Theme for Trambean; Satin Doll; (2) Take the ‘A’ Train; (1) Take the ‘A’ Train; La Virgen de la Macarena; Monologue; V.I.P. Boogie; Jam With Sam; The Hawk Talks; Prelude to a Kiss; Things Ain’t What They Used to Be; (1) Day In, Day Out (75.57) (1) Ray Nance, Willie Cook, Clark Terry, Cat Anderson (t); Britt Woodman, Quentin Jackson, John Sanders (tb); Jimmy Hamilton, Russell Procope, Johnny Hodges, Harry Carney (reeds); Ellington (p); Jimmy Woode (b); Sam Woodyard (d). University of Michigan, Ann Arbor, 2 July 1956. (2) add Nance (v). (3) Jimmy Grissom (v) replaces Nance. Doctor Jazz 018

Beethoven ‎– Piano Sonatas Nos. 8, 14 & 23 'Pathétique', 'Moonlight' & 'Appassionata', by Daniel Barenboim (EMI Classics)

Marsalis... this could open Pandora’s box!

Happy b-day, Mr. Coleman! (embarrassingly I was not aware that he is still with us!)

Manic Street Preachers - This is my truth, tell me yours (Epic, 1998)

Garbage - Garbage (Mushroom, 1995)

The Inmates – First Offence (Radar Records, 1979)

Flurin Lonehill has been inactive for several years now. Not too much hope to have them back on business in the near future. As for the relationship between FSR and the Distrijazz emporium (Definitive, Lonehill, Gambit et al), and as far as I know: -Distrijazz is owned and run by Jordi Soley -FSR was started up jointly by Jordi Pujol and Pedro Soley, who is Jordi Soley's brother. To my knowledge, Pedro Soley is no longer linked to FSR. In my view, Jordi Pujol is a tough guy -and I have experienced it personally a couple of times-, but FSR has done a wonderful service for jazz collectors all over the world. Moreover, they have improved quality, packaging and completeness of their releases over time. No strong views soundwise from my side. And I keep my opinion on European PD laws for myself...

First post updated with fresh info.