EKE BBB

and

https://www.lluiscoloma.com/es/component/k2/557-lluís-coloma-frank-muschalle Lluís Coloma & Frank Muschalle at the Café Central. Two-piano boogie woogie for a rainy Sunday evening.

Nice date, recorded at Jazzzolder Hot House (Leiden, Netherlands). This one was recorded the day before, at the Haarlemse Jazzclub (Haarlem, Netherlands). Same rhythm section, except for Tony Inzalaco on drums instead of Eric Ineke:

Last Meade Lux Lewis recording session, 1962.

The Red Allen? Sammy Price on piano, Benny Moten on bass, and George Reed on drums.

I'm not able to give an opinion, since I do not have a copy of this session.

So would I. Not many issued Kenny Dorham sessions are weak, from my perspective.

From the "new" George Lewis to the "old" George Lewis (both absurdly mixed up in Spotify).

Henry Red Allen day at the office now...

It is a crime that this great later-period Red Allen live (*) recording has never seen a CD reissue. (*) correct me if this is not "the f****in' right order" of the adjectives, never got to know this part of the English grammar...

Ensayo issues of 'Ten To Two Blues' (both LP and CD versions) incorrectly list Slide Hampton's ‘Last Minute Blues’ as Tete Montoliu’s ‘Blues To Line’. This also happens, either as a mistake or as an appropriation, on a different recording from 1973, issued on RTVE Música CD: 63013 — Jazz En España 1 (2005). In fact, this sort of 'appropriation' was quite common in Montoliu's career. I am preparing a short essay on the issue. On the contrary, Enja issues of the abovementioned recording, under the name of 'After Hours', correctly lists the Hampton tune. BTW, 'Last Minute Blues' timing is incorrectly listed in this LP back cover. It is exactly the same as in the Ensayo issue, above eight minutes.