Upped for Baby Face's birthday.
I haven't seen this thread before. Pete Fallico has had his site redesigned and the page on Baby Face (and all the other "organ stories") has been removed pending inclusion in a book. I downloaded a copy of the Willette page to my hard disc in 2004, but that was before the update about his death. So now, I can't get the story. Can someone fill me in on it, please?
For me, Baby Face has always been the most unique and mightiest of all Soul Jazz organists. He was the only one who was neither a Davis man nor a Smith man. He had been playing organ in church since 1943! That's not to say that Smith had no effect on his playing. But Smith's approach seems to have been grafted onto a mature Gospel organ approach, informed in the fifties by listening to Professor Herman Stevens, the Poet of the Gospel Organ, and Rev Maceo Woods, whose Vee-Jay recording of "Amazing grace" was a HUGE seller in the mid fifties (without ever being a hit). When you listen to some of Herman Stevens recordings, you can hear, quite clearly, where Baby Face got his ominous, threatening, bass line from and that narrow, penetrating sound in his right hand improvisations.
Baby Face was a one-off.
Here's a story that hasn't been mentioned. Opal Nations, whose work in reissuing Specialty's Gospel catalogue for Fantasy is well known, was a DJ in Memphis in the late '60s. (He was also from my home town, and wrote about this to my mate.) He interviewed Baby Face for his radio programme and Willette apparently told him that Chess wouldn't let him record, although he had a contract with them.
Makes your heart bleed, don't it?
MG