And not by Duke - Norman Simmons' version on his album "In private" is one I find a particular knockout. He says in the sleeve note that he always thought pling the tune fast was wrong; he aways imagines a string of camels plodding slowly through the sand. So he plays it slowly, with Lisle Atkinson behind him giving up the "A love supreme" riff. I think that's THE masterpie version of the tune.
MG
I find this kind of discussion bothering. This implies jazz is a repertoire music, not an improvisational/performance music. The value of a piece like Caravan ultimately rests on the performances resulting and these performances are "apples and oranges". This type of comparison plays into the worst aspects (IMO) of jazz academia as it exists today.
Duke, Mingus and Roach made a fine performance based on Caravan, as have many others. This individual performance is what matters, not other performances.
Do we downplay Bird's "Out of Nowhere" because some consider Tristano's version superior? Ridiculous!
What is the best blues in b flat? Idiotic!
Well of course, you're right.
MG