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king ubu
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Posts posted by king ubu
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Missed this the first time around, but it's making a re-appearance end of Nov.:
http://www.cdjapan.co.jp/product/VICJ-70051
Guess I better order NOW!
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9 hours ago, Д.Д. said:
Oh wow, Randy Peterson, have not heard about him for a long time. What a drummer! His playing on Mat Maneri's trio discs on Leo is fantastic.
He played a wonderful duo set with Mat Maneri at Willisau 2016 (I was there).
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Fan of Kris Davis, but not of Ches Smith here ... but I think the new Formanek is pretty strong, nonetheless.
Regarding Günter Baby Sommer, lotsa love for him, but that duo with German tv beau Till Brönner really strikes me as weird. Brönner is a fine trumpet player (when he was very young, Johnny Griffin gave him a gig or two), but he also sat in the jury of one of those talent casting shows and is more of a poster boy it seems, than a musician dedicated to anything. It does seem (liner notes? someone mentioned something elsewhere) that Sommer is quoted as having enjoyed the encounter very much -- well, as said, Brönner can play. Still, I'm most likely not going to get that disc.
Seems German Intakt subscribers got the Brönner/Sommer, me in Switzerland, I got the Aeby trio disc, which is, I think, the first meh disc of the subscription ... it's for people who like The Bad Plus and E.S.T. and the like, I guess, it's fine for what it is, but it's just not for me, I'm afraid.
The Vandermark I've not bought yet either, there's just too much stuff coming out all the time ....
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First spin over the weekend, enjoyed it a lot ... they also have a new Don Byron/Aruan Ortiz duo album out, gotta get it as well!
"they" being Intakt, the logo is barely visible (top right corner, in white)
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so is mine ... pre-order at amazon.fr, together with the Shaw (best price in Europe, at least when I checked last week)
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I can relate to better albums/better player very well indeed. And to "ways of saying"/"things to say" as well.
Favourite album, pressured to name one (that is, one besides "Somethin' Else", of course
) would probably be "Nippon Soul" or "Cannonball in Europe", both with the sextet w/Lateef, which is easily my favourite band of his (though the earlier quintet with Timmons and then Feldman comes close). However, the in-the-pocket groove of the mid/late 60s band and then Cannon's very, very good playing on top ... it took me a while to get to the point ("Live in Japan" was one early exception, "Mercy Mercy Mercy" never did as much for me back then) ... is an alltogether satisfying experience.
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But BGO has such foogly layout ... quite a threshold for me (except for stuff hardly possible to get in other forms ... Carr/Rendell, Graham Collier ... most recently Arthur Blythe).
I've got - and love - the Mosaic, guess I will stick with that.
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8 hours ago, JSngry said:
Yes to Radio Nights as well as Live! & Money In The Pocket. The former is with Charles Lloyd, the latter with Herbie Lewis(!!!!).
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-8623368-1465351862-5126.jpeg.jpg)
...
Haven't really explored "Radio Nights", but the other two, yeah
(though Lloyd - respect and all - somehow always seems like the lightweight version of "deep" to me ... which is an art of its own I guess but not one I'm all that keen on, so far).
Also, I've loooong have had a weak spot for this:
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12 minutes ago, Dan Gould said:
I don't think John's supposition is accurate. I think this is a new project by Zev and Cory Weeds to put out some of Zev's finds especially the Left Bank tapes he got. Maybe future Penthouse tapes will be here and not issued by Resonance?
But what about Real Gone Jazz? We all know it's a new joint venture by those 2 guys already.
They're the 77 albums on 0.3 CDs label, lousy design, sometimes it seems mp3 pressed onto CD, lacking info ... thou cannot get cheaper than that, would be an epic fall from the (partly self-proclaimed) parnassian heights of Resonance.
(Edited for lousy typing on lousy remains of phone.)
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51 minutes ago, felser said:
Reel to Real is just a rebranding of the EU Real Gone Jazz label, from what I can tell.
So the holiness almighty of Resonance/Elemental goes euro pd pee pee now? Or is there nothing you can really tell? Real Gone Jazz (not the same as Dustygroove related Real Gone Music, just in case) would definitely not bother about any substantial booklets (though I agree having the design team of Resonance isn't worth all that much, the design is merely okay at its best).
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On that feast of capit'lizm they call Black Friarday:
https://recordstoreday.com/SpecialRelease/10461
I guess/hope CD will follow somewhat later?
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5 hours ago, JSngry said:
Unrealistic Expectations.
Popular these days I'm afraid ...
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So same "Other Aspects" (silly addition, reducing the really new material to 70 min) or other "Other Aspects"? Why is 1962 part of the title (edit: not of title but of info on rsd site, see link above; disk union says 1964 instead, which is prob. wrong - or it was 1964 actually, and the info on the BN CD is off?) - 'cause of previously released Aspects?
I'm already not that enthused about this release, that is for sure. And Resonance should cut their hyperbole, big time!
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Excellent disc indeed!
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-12184923-1530005173-9671.jpeg.jpg)
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Hm, seems if they left off the bonus track (they could hsve added one more to the first Dexter disc, after all, ix it's thag good), that Haig portion would have fit in .... too bad!
Either, good news ... has me wonder if Elemental is a 2-musician-reissue-label though
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On 4.10.2018 at 0:42 AM, Rooster_Ties said:
Track listing and timings seem to be visible (in English) towards the bottom of this page:
Up to 32+ minutes per side ... high quality vinyl?
Details:
https://recordstoreday.com/SpecialRelease/10435
I'll gladly wait for the CD.
The ca. 155-160 minutes playing time, so neatly matching two CDs (I know that could go into 170 min by now) has me wondering though if we really get *the* comprehensive package here ...
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His br'er's nut? Not sure I need to know that
Other than that fantastic news!
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So 15 or 16 new Art Ensemble albums? Now *that* would be a feast!
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On 3.10.2018 at 11:18 PM, paul secor said:
It does to me.
Certainly to me as well, but that's the ethical/moral point of view. I was wondering about the legal one.
And different question: at least with European labels (which Gearbox is, yes?): doing the right thing would include more than a deal with the Monk family ... sidemen/heirs, composers etc. Even if it's all PD. My guess would be when doing it "right" in Europe that would normt extend beyond "deal w/Monk family" usually (and even that isn't usual of course). Either way, slippery slopes galore ... which was what led me to wonder about the purely legal perspective in the first place (not saying "legal" is "right", but I think I have said that already).
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Saw this in a store today, here in Udine (rather: the corpse of what must have been a fine store once) ... and wondered: so this hasn't been around previously? No previous boot or PD (as this is I guess) release?
(Ah, Monk family nodded approval ... from a purely legal point of view - which isn't one we ozght to take all that often, but knowing it may help): does that make a difference?)
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5 hours ago, mikeweil said:
It all depends how much you like Jamal and this unique trio's playing concept.
In any case, you'd need this CD to complement the above:
:format(jpeg):mode_rgb():quality(40)/discogs-images/R-2544240-1302936619.jpeg.jpg)
No track duplications, and this IMO contains the superior selection. When they compiled Cross Country Tour they simply continued where Ahmad's Blues left off.
I'm looking forward to my copy of the Mosaic box set.
"Ahmad's Blues" (though I've passed it on by now, same for "Cross Country Tour") is definitely still one of the most played discs of ny life! Glad to have the Mosaic, but for many years that disc gave me the Jamal fix whenever I needed it ... tremendous stuff!
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Thanks @Ken Dryden! I'm not long enough in the game to know such details (started buying Mosaics about 20 years ago, when I found out about them by reading a review of the Tristano/Konitz/Marsh, which was the first I got). So while I did get some older ones (including the Stuff Smith
), I had no one around to tell me how this all worked (most of what I have learnt about the record business I have learnt from you good guys here).
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Can't post a review after one listen ... but I enjoyed it a lot. The orchestral textures and stuff are intervowen with the quartet, this is not your typical "with strings" date - but then with Shorter that would have been a bad surprise anyway.
The quartet date (less tahn 80 minutes spread over two discs, no clue why) is fantastic, but that's no surprise after the other albums by that group (of which I think "Without a Net" may be the best so far).
The graphic novel is, well ... quite nice to look at, but the plot is a bit on the silly side, but then it's a superhero story, so what else to expect ...
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10 hours ago, Ken Dryden said:
I think the standard period of time was a minimum of three years, though I believe it varied from one set to the next. Mosaic had to estimate how long it would take to sell 5000 or 7500 units.
Yes, but other Verve sets such as the Kid Ory were around longer I think? Those, the Ory and Stmih, came before the times when in Europe Universal would sell their own share of the edition - not numbered and with a different catalogue number on the spines, but they said part of the total edition of 5000 or 7500 or whatever it was, too ... that was done for Farlow, Q, Eldridge I think, Nelson, Dizzy and several others ... with that collaboration in place, maybe license periods got a bit longer? I'm just saying that in my 20+ years of buying Mosaic, a set released 2-3 years ago was considered "new" until quite recently (I lagged behind for a long time, buying previously issued boxes and often delaying the acquistion of new ones until the hit the "running low" list ... I did change that eventually, but I missed out on the Dinah and Poppa sets, but have been helped out with both
)
December 5 Japanese reissues from Universal-related labels
in Re-issues
Posted
Well, obiously Kirk's "Rip, Rig and Panic". His "Beautiful Edith" is quite wonderful, too.
And Blakey's "Buttercorn Lady" is pretty strong, so is "Soul Fingers" ... and I guess "'S Make It" as well, probably, but I kinda hoped for some extended John Gilmore solos, which you don't really get, it'a confectioned Limelight production.
The Golson and Jazztet material is strong - "Free" and "Plays John Lewis" would be my top favourites, but anything they did on Argo ...
The Sims/Cohn are both strong, "Al & Zoot" possibly my favourite album of theirs.
The Costa "Guys and Dolls" is very good as well.
The Gryce is nice.
So are the Herb Ellis and Mulligan CJB
And Johnny Griffin "Night Lady", is mighty good, too!
Speaking Europe, the Vander is nice (not essential I guess), and the Tubby Hayes is friggin' great!
Might go for some of the Stitts (the one with Sims I've got in a previous Japanese edition, it's fun), the Bley, the Williamson, the John Young, the MJT Daddy'O, the Pim Jacobs ... or not, don't really know yet.
There was this edition, in a series that was mostly compilations, but eventually they did some full reissues (a Don Ellis, the Griffin, a pair of Freddie Hubbard albums, some European stuff by Ingfried Hoffmann: