Earlier today:
I love Jean Martinon's way with Debussy. His approach strikes me as perfectly balanced, both in terms of coolness and color. Others conductors may make this music sound more voluptuous, but the danger there is that it can also feel overheated. Martinon holds back ever so slightly; he just lets it happen -- so the music feels completely natural and unforced, like the wind on your face by the seaside. This subtle sense of restraint also strikes me as being quintessentially French, perfect for Debussy . . . and Roussel and Saint-Saëns and the rest.
I was just streaming it via YT. Pretty good stuff.
Three of the four cuts are by Intra -- so his voice is more dominant; it feels like Mulligan is a sideman on the date.
Intra is shown on the back of the album:
From a purely musical point of view, it probably should've been the other way around -- with Intra on the front & Mulligan on the back.
What do you think of that one, Rab? I've never heard it.
It's from his "semi-retired" period, right? Before he hooked up with Michel Petrucciani and re-launched his career.
Yes, please. I'd appreciate your recommendations on the Spanish Civil War very much. ... Another period that I'd like to dig more deeply into: The Islamic al-Andalus and the Christian Reconquest (8th–15th centuries).
I'm a Hemingway fan, so I've read that one a few times. For Whom the Bell Tolls as well.
Now spinning:
Dick Hyman with the New York Jazz Repertory Company - Satchmo Remembered: The Music of Louis Armstrong at Carnegie Hall (Atlantic, 1975)
featuring Joe Newman, Ray Nance, Ruby Braff & others on trumpet (or cornet)