andybleaden

yeh ...either that or call em out in the street 'n snot em!

Oh dear Clunky Don't hold your breath ( it might be dangerous LOL!) I mean it with the insurance people. They will give you the mess around of mess arounds. Ray Charles did not know diddly about Mess Around until he dealt with insurance companies ....I declare !!! Hold tight.Do give up against them as they will be trying to go slower and slower until you settle for less

Yup got the first on cd and used to have it on lp too.....not outstanding but worth buying! As for the second which was recorded as the Herbie Hancock Quintet I think but released under Byrds name, I ain't seen it nor heard it but the tracks ( most if not all) are also on Royal Flush which was recorded three months later and that is worth a listen

Anybody heard this yet or was it discussed already ....sorry if repeated etc etc

More later but just found this . I picked up a few of George Braith cds from CD baby a while back but did not know about this. Now I am really happy! See here http://cdbaby.com/cd/jpatton Hammond organ B3 Jazz played by the John Patton in the style of Jimmy Smith Organ Jazz in group featuring George Braith on reeds, Eddie Diehl and Marvin Horne on guitar, Ben Dixon on Drums and Chime and Jasmin Braith on Vocals 1 Narration 2 Funky Mama 3 America 4 Foot Prints 5 Sweet Pea 6 Tea for Two 7 Lift Up Your Voice 8 My One and Only Love 9 Vamp 10 For All We Know 11 Narration In October of 2001, John Patton and George Braith played a gig at the Continental Club, owned by jazz connoisseur, Steve Wortheimer, in Austin, Texas. A couple of local musicians, including old friend Martin Banks on trumpet, filled out the rest of the band. The young drummer hired sounded great during rehearsal, but came down with a bad case of nerves on the bandstand. George brought a recorder to the gig, but an inattentive sound engineer let the levels run too hot, leaving the sound quality good, but not great. But hey,…, things don’t always work out like you’d hope, especially on a two-night stand in Texas with an unfamiliar band. There would always be a next time … another chance to get things “right.” Then Big John Patton died. Nobody had planned on that. Now those admittedly flawed tapes became invaluable. These are the last recordings of John Patton, one of the greatest jazz organists the world will ever know. They are also the final chapter in a lifelong collaboration with George Braith. Their first recorded meeting, BLUE JOHN, was produced for Blue Note in 1963. It was at the beginning of a golden era for jazz organ. John went on to cement his legendary status, playing with almost every name horn player of the era, from Sonny Stitt to Clifford Jordan. Likewise, George recorded three Blue Note albums of his own with the great organist Billy Gardner, not to mention associations with Larry Young and Freddie Roach among others. However, there was always something special between John and George. They knew it, and when you heard them play together, you knew it too. On this CD George has pulled together some music from the last gig. He has also included some private recordings that he and John made just after September 11, prior to flying to Austin. George has augmented those tapes with additional musicians. Now, to the music. Paul Ray, a DJ for KUT Radio in Austin, and a long time soul-jazz enthusiast, introduces the band. You can hear the anticipation of the crowd as John hits a few telling notes on the B-3, and George warms up the Braithophone FUNKY MAMA. John first recorded this on Lou Donaldon’s “The Natural Soul.” It was a big hit at the time, and John played it throughout his career. You can hear Patton call to the drummer, “just you and me” as he brings it in. Nobody could lay a groove down like John, especially when it came down to something as funky and down-home as this, his signature piece. Pay special attention to the way John develops his solo. Patton played the way he talked, never a word wasted, but with meaning and plenty of color. America. This was the song the John and George opened up with here in Austin. And let me tell you, it was one of the most spiritual moments, I’ve ever witnessed. The world was still reeling from the events of September 11 and the aftermath. We were no different here in Texas. To see these two legendary jazz musicians from New York City stand tall and play “America” was beautiful and comforting. I remember a phone conversation with John as he described to me the smoke billowing out of lower Manhattan. The version heard here was recorded at John’s house not long afterwards. FOOTE PRINTS. I was standing outside the club when I heard John’s bass figure introducing “Footprints” peel through the walls. I ran inside to see John, head bent down over the B-3, hypnotizing the crowd. Take note of George’s beautiful tenor work here. His tone is reminiscent of the late Tina Brooks, one of Braith’s early heroes from the neighborhood in the Bronx where he grew up. SWEET PEA. A truncated version here, used mainly as a breaksong and a chance for the band introductions by emcee, Paul Ray. A Patton original, this song only surfaced in the early nineties as a bonus cut on the reissues of “Accent On the Blues.” Tea for Two. Check out John’s unbelievable steady swing on this one. Remember, the drummer was overdubbed later! George chose John’s long-time buddy, Ben Dixon who can be heard on many albums with John. They spent the early ‘60’s together with the Loyd Price Big Band and Lou Donaldson’s aggregation. Chime and Jasmin Braith, Excellence Recording artists, known as the Braith Singers, appear in the second chorus of “America” to add a vocal, verbal flavor to this emotional ballad. For authentic color, Braith added some musicians who occasionally played with John through the years. One of these musicians, Eddie Diehl, a fine guitarist from New York city enjoyed contributing to John’s “Funky Mama.” Ed, can also be heard playing guitar with George and John on one of George’s Prestige Albums, #7515 “Laughin’ Soul”. Drummer Ben Dixon is also heard on this Prestige Album. -- Mike Flanagan

im ok too. just recovering from taking flying lessons from my bike.really winded myself and damaged my shoulder. now I am restless,bored and sat at home til I can get back out cycling again...other than that...I am cool!lots of music to listen too

got mine through yesterday and its lovely and delightful to hear em a little cleaner than my old records......lovely to hear Inner Glow mastered up nicely ....as for art work ...not the best yet ...bit muddy in my opinion ....but those marimbas!

nope- or at least I do not think so anyway. I was given it so do not know the source

I used to have a whole vhs of this concert a while back (er when I used to have VHS) it was a good gig IMHO

Hear waht you are saying about Jan Garberek and yet got a couple of DVD tv shows from this last year which are really really good. Not fussed mself with In Praise of Dreams but liked him on Manu's LP myself. As for the 'smooth jazz'label ....puulllease! Have you actually heard some of the stuff you are talking about? Some of it is at the limits of what I can tolerate in terms of improvisation......and then there is all the folk traditions....once again too big a mix to lable as this or that...worth a listen..for instance I have got Tonu Kalijuste on at the mo- Estonian Folkie stuff...really NOT smooth jazz trust me

I used to have the VHS before my player packed up and now I only have a dvd so I sold the video. If you can get it try as it was quite nice to see. Worth a revisit I feel to include some of the new material available on the web via you tube to show artists from the various period from older TV shows.... Andy

do not worry I love 'im

got mine on order and cannot wait as I had the lps and then cd'd them and need an audio upgrade

the bad thing is people have started to wear them again...awful . A little like when they try reselling bell bottom trousers ...yuk! Get the message they were awful! I had a tank top actually when I was a kid that was knitted with a nice large telephone design ...I was of course mortally bullied for it and spent years in therapy afterwards so that whole thing is just a bit feaky to see on you tube again...should act as like a warning

I bet you still wear tank tops like Phil Collins used to ...ugh ...and to think they are getting a comeback over here. Frightful. You go and listen to the cassette and drift slowly off to sleep as its way way past your bedtime I expect If you cannot sleep you need to listen to more ECM records matey.Night night

This one

Dated as in the video not the song but come to think of it...yeh the song as well...What you need a timeless record like Robin Kenyatta's Girl from Martinique...there is a timeless beauty from your mate at ECM!

at least the USA i see is still holding its cultural end up somewhere I see. I remember that...of course you will remember that Phil Collins from the UK was responsible for that matey ....you being such a genesis fan and all.....here is dated and rather out of sync video to go with your cassette thingie http://www.youtube.com/watch?v=58cP8ktZ3Lk

A little nordic perhaps for your tastes? And as for cassettes...can you still buy them...wow Got some old ecm tapes if you want HAHAHAHA

nah ha made you look

Manfried Eicher produced that!

See where you live in France its looks cold but up here in the grim north those pictures look kind of tropical and warm from where I am sat (brr!)

Well now we all started being agreeable I might start being awkward! Only joking. What gets me is the diversity of what is on offer from the New Music to New World type of stuff.Mind boggling and very interesting if you have the time but even I do not like some of em. Mind there are a few Blue Notes and Prestige records that did that too! If in doubt try it out

andybleaden - veteran groover never 'eard of 'im as for the bbc radio 3 streaming thing...do not tell everybody....they all might listen! I wish they would podcast it as its waaaaay beyond my sleepy time some nights.would love to catch all of em. As for verity VS fiona there is always a debate between me and my mate as to why they have to do extremes of one ultra nordic ECM freak VS afternoon tea is Marakesh ...never a little of both. They do do some lovely folk stuff too...sometimes even "english"...Love it too bits actually ....got me back into ecm stuff when realised how much of it I had or had heard elsewhere. It was them who got me into Yann Tiersen...(non ECM artist who did Amelie soundtrack)