I had the same thought, but decided that Golson's innate "fussiness" (not so much in what he played but how he presented it, the effect of what you have after it's over) would not have worked with Miles. Too "sunny:.
Same thing with Johnny Griffin's ebullience.
Those are the two guys who could be mentioned in the same breath as mid-late 50s Trane in terms of pushing the instrument in that timeframe.
However, if history could be ignored and played with, I'd like to have heard a never-expatriated Don Byas (and all the possible implications thereof) with Miles, instead of Sonny Stitt...but it would have to be with Red Garland, not Wynton Kelly.