I still look at Monday as the high bar for this whole direction. Not that she invented it, just that she showed.....a LOT of possibilities.
They called her "Acid Jazz" then, but....really?
I'm also thinking about other people, such as United Future Organization, Kyoto Jazz Massive (at times), 4Hero (at times), JazzaNova, etc, And some of the people who did their remixes. None of them really broke through in America, but the did (sometimes) feature quite good African-American female(often) vocalists. Drummers have (thankfully) evolved to the point where they can do it live with or without additional technology.
So (once again) we've gotten a marketing term that creates a limited picture of what has really happened. And, dare I say, a little bit of racial pigeonholing that maybe works at cross-purposes to what might benefit the artists involved.