Glad to hear you dug the Scott. Do you have ALL THE WAY too? If not... If the Tangerine date was as good as it could be for its time (and I think it is), the add another 30 or so years life experience and you get ALL THE WAY. Of course, in between there was THE SOURCE (or, if you got the nerve , LOST AND FOUND). A freakin' LIFETIME in 3 CDs...
I think my singlemost favorite Horn performance (and there are many indeed) is "Goodbye" from I LOVE YOU, PARIS. She does it as a medley with "New York State Of Mind" (go figure...). But it's SO slow, SO dark, and SO painful right from the git-go, and it's a dark, painful tune anyway. Sinatra's ONLY THE LONELY version is sometimes too heavy for me to handle. But Horn's version... by the time she gets to the final bridge, it's all over for me, and really, it was over about 3 seconds after she began it (oh, those chords she plays to fill in her spaces!). I mean, for anybody else, emotionally climaxing the tune at the level she BEGINS at would be a MAJOR triumph. But THIS lady...
She inspires awe, and not that many people do that these days. God bless Shirley Horn.