chewy-chew-chew-bean-benitez

to be fair to everyone, i kind of wish it WAS Teddy Edwards......

oh THATS central park?? its huge....it looks like it balences out all the city skyscrapers almost its such a big park.....do people actually venture all the way into it? isn't it supposed to be really dangerous?

she is pretty hot, hubba hubba

big beat i gotta compare that # to my # beacuse i have the lp w/ the #1 session personel but the #2 date, the one with Hermosa beach, etc....but the erly personel is listed, minus the arranger

why u guys hatin' so much on juice: my philo. is that oj gets 100 free arrests, but on his 101st, well the 01 just is a tad too many...article II of the Constitution states: Any individual involved in the production of more than Two (2) "Naked Gun" movies, is excempt for their first a hundred crimes

DO YOU LIVE IN THE GOODYEAR BLIMP, THAT VIEW IS BREATHTAKING! IS THAT NEW YORK CITY? WHY IF ITS NEW YORK CITY, WAS IT THERE THAT GIANT FIELD: I THOUGHT IT ALL WAS GIANT SKYCRAPERS EVERY INCH OF EVERYWHERE?

Leroy would be good for that date, def. sounds plausible, woudntya say, bertrand?

oh im no fun anymore, he would want to meet early 90's chewy, not post-modern chewy- do u think i could e-mail him? he i think wanted 50 big ones for as copy in 90s money (or was it 500?)....with inflation maybe i could get away for 150....

ooo he had a lil sumthin sumthin with her?

is this really true? there IS no ted effantis? but its really T. Edwards?!? is this true?

you know who that D'impierio guy is? i wish i could re-touch base with him and make him an offer for the, or for a copy of, the Monk tv b'cast w/ mobley and farmer- which supposedly he possesss....

DUH BIG BEST STEVE DIDNTY U SEE MY LAST EMAIL, OF COURSE I KNOW WHO ALL ***THOSE*** GUYS ARE, (excpt bill potts....who he?) anyways omg read my last post.....D.L. was my friend who was an amazing musican and was a pioneering participant in modern jazz. One time he came over to my pad and he was showin me what he was doin on the changes to the tune "Thinking of Home" by Hank Mobley. Another great area jazz guitar player you guys should be hip to is RICHARD DANGEL. His contribution to american music is vastly significant

Don Lanphere was a great tenor saxophonist and a great person and if you guys haven't checked him out yet, you best be doing so, asap. some of you might rememember him from a c. 1949 fats navarro date, the one which produced the songs "Stop", "Go", etc these crown lps are the missing link. I do not know a complete discog for don (anyone????) but i have the 1949 stuff. then the gene roland big band stuff from a few yrs later, which if you guys dont know, is a rehersal tape of an innovative ten piece big band- members of this big band not only included don lanphere, but also a mr. charles "the bird" park appeared in the alto sax section. brings me to my next point we not only owe don for his own saxophone improvisiation solos, but we owe a great debt to what we know about charlie parker from him. don was personally responsible (along w/ people sometimes such as jimmy knepper) for recorded bird in concert. many intregal bird concert dates physically exist to this day on tape thanks to don, im not sure how many of you this board know about this- organnimsmo never has been to "bird-centric" but surely one of yous the bird nut- i just dont know who.....who is the biggest bird collector on organismo...i wonder.....me myself, I know about the twenty minute rendition of "lover come back to me" which is the one of the chief coolest moments in all of charlie parker history. I really hope you guys are hip to this. It sounds amazing. Of course, the Bird holy grail, which i have only heard once, through my telephone handset, via a call to the country in central europe, Slovenia. (very beautiful women there, btw)- anyways, when The Bird, The Mobe, and The Stitt are "trading fours" on the changes to ornothology, it is DEFINITIVE. no other 1 min. 45 seconds ever in Jazz, were like the 1 min. 45 seconds here on this night. If I ever go to Europe, I would make a point to visit my friend so I can hear it again. I'm thinking I'll get over there by at least '12: or whenever it is that Peter Gabriel decides he's ready for the GENESIS REUNION TOUR

i wonder how crown arranged something in chicago- and with woody the man himself, not just a tribute to.... i know that in the days of RPM/modern the biharis did travelling w/ ike turner to the south for research and stuff, so many the idea of a chicago date isnt to far fetched

france is the whorehouse of europe

THATS WHAT IVE BEEN TRYING TO TELL YOU GUYS FOR YEARS..... ALL THESE FLICKS HAVE THE COOLEST JAZZ SOUNDTRACKS. WHO CONTRIBUTED TO THESE, I WILL BE A MYSTERY FOREVER BUT IT IS A VERY INTERESTED JAZZ RELEATED RESERACH TOPIC, NO DOUBT

so if i understand correct dons on BOTH the dates, is that correct? i never knew he had an asso. w/ woody herman like that well hell, at least i didnt buy the WRONG ONE in VEIN....looking fwd to hearing three new mid-period don solos. i apparicate your guys help w/ this.

whos on the brihght orange one?

so r u saying the one i got does NOT have don lanphere?>>>>>???? shit

one of the best things bird ever recorded was a 20 min. version of 'lover come back to me' with a front line of bird and tony scott at cafe society afternoon sunday set i believe, but ive seen discprebatnces on the guitar player who he is in discogrphies but im pretty sure its my main man mundell lowe

i could post pictures, but, um, i could post pictures theres no nudity, theres definetly nooooo nudity. but there are rulers. lots and lots of rulers

i doubt one of you guys knows anything about what im talkin about- id be hard pressed to find one of you who has ever heard of what im talking about here, id be impressed

lol haven't you guys seen any of producer Doris Wishman's movies? this trick works every time. My reccomendation, "another day, another man" starring the incomprable Darlene Bennett. when it comes to sexy movies, she is about as undergound, as, like Joe Albany is to jazz piano.

I remember fondly a concert at the Village Vanguard. I had the synthesizer on the stage, a trio waiting to perform, an audience waiting for us to begin, and I was on the floor looking up under the synthesizer with a pocket flashlight and a screwdriver and the house mike, asking the audience to please bear with us. Max Gordon told me three things: get out, stay out and don’t come back. I haven't played the Vanguard since.

yea ive always wondered about that, maybe we should ask over on the steve hoffmann board- It must of been some art school-type marketing decision- its ok i guess but some of them do get nausiating