Teasing the Korean

If it meets your criteria, I recommend Gunther Schuller's Quartet for Double Basses. I have it on a Turnabout LP (TV-S 34412), where it comprises Side 2.

My love for Ginastera and modern sculpture collided on this LP.

Actually, it's +11. 😀

I include both "Lady Friend" and "Triad" on my 13-track Notorious. It works better in that context, IMO. I'll find that playlist too. Notorious Side 1: 1. Artificial Energy 2. Tribal Gathering 3. Triad 4. Natural Harmony 5. Draft Morning 6. Wasn’t Born to Follow 7. Get to You Side 2: 1. Lady Friend 2. Change is Now 3. Old John Robertson 4. Dolphins Smile 5. Goin’ Back 6. Space Odyssey This playlist has a more-or-less lyrical sequence going from experience to transition to innocence.

Here are my playlists for 5D & YtY integrating the Gene Clark album. I've tweaked these some, and I may still, but these are the latest versions: Eight Miles High Is Yours Is Mine Wild Mountain Thyme Mr. Spaceman The Day Walk (Never Before) What's Happening?!?! Tried So Hard Eight Miles High Hey Joe (Where You Gonna Go) I Found You John Riley Think I'm Gonna Feel Better Why [single version] Fifth Dimension 5D (Fifth Dimension) Needing Someone It Happens Each Day The Girl With No Name The Same One I Know My Rider (I Know You Rider) I See You Elevator Operator Psychodrama City Couldn't Believe Her Keep on Pushin' My Back Pages Younger than Yesterday So You Want To Be A Rock 'N' Roll Star Have You Seen Her Face C.T.A. 102 She's the Kind of Girl Time Between Everybody's Been Burned Echoes Thoughts And Words Mind Gardens So You Say You Lost Your Baby Renaissance Fair One in a Hundred For Turn Turn Turn, I add "She Don't Care About Time" to side 1 (at the end), and replace "Oh Susannah" with "It's All Over Now Baby Blue." I also use the superior alternate arrangement of "Times" instead of the LP version.

I have included "The Day Walk" on my 5D playlists, as it was considered for inclusion and fits there better than on Turn Turn Turn. But I recently got the mono CD of Gene Clark & the Gosdin Brothers - the stereo is lame - and I have integrated these tracks into 5D and Younger than Yesterday, along with adding "The Day Walk" and the two 1970 Byrds tracks on Roadmaster. I primarily mess with 5D , as it needs all the help it can get. For Y&T, I delete the needless Dylan track and "Why," and add the two Roadmaster tracks and one other. So I end up with three Byrds albums, where we had two. Did you ever see my playlist for Notorious in which I add the two Crosby tunes and work out a mildly revised sequence?

Thank you!

I just picked up a cheap CD of Tito Rodriguez Live at Birdland, on Polydor. The LP has eluded me. Recommended.

Thanks for the detail!

This show was great, thank you! @Stonewall15 sent me the link. Does anyone know the audio sources that were used for the LPs represent the surviving shows, or could some of the audio be from lost shows? Are these available for viewing anyplace?

I stopped drinking a year ago, and shed a ton of weight. Not drinking also made it easier to watch what I eat. I’ve been veg since the mid-1980s, and I work out - walking, yoga, push-ups, and crunches. I weigh less now (155 lb) in my 60s than I have at any time since at least my early 40s if not 30s. I’m not on any meds, other than vitamins.

Here you go. You may have to click on the image to see it better. Dankworth connects each of the Zodiac signs to one of the 12 keys. Each of the LP's 12 tracks represents one of the signs. The featured soloist on each track is of the sign being portrayed.

I have Zodiac on LP. I'll provide details when I get home.

I have a three-CD set of all of her Scepter singles, A&B sides. It is around 95% Bacharach. Beyond the hits, you get a number of amazing B-sides that you may not have heard. This set is mostly mono, and the mono mixes of the early tracks are so much better than the thin stereo versions we've heard all these decades. I don't see anything about mono/stereo content on this box set. If the early albums are presented in mono, I may spring for this, but if it is all-stereo or mostly stereo, I'm not so sure. I have many of these on LP as it is.

After Hours: Middle East is indeed a fantastic album. But the real reason I love Sonny Lester is those Groove Merchant albums, which are quickly and routinely snapped up by all the crate diggers I know.

Russ Garcia's Hollywood Hills home, designed in 1962 by John Lautner.

Do we know what Gil Mellé was up to between roughly 1958 and 1966? Was he studying composition and orchestration? His jazz/graphic design era runs roughly from 1953 to 1957. His film/TV career, along with the release of Tome VI, begins in 1967. Do we know what he was doing in the interim?

STARSHIP INVASIONS - Original Score From The Motion Picture by Gil Mellé https://buysoundtrax.myshopify.com/products/starship-invasions-original-score-from-the-motion-picture-by-gil-melle CD Includes Digital Booklet and Presentation Pack Dragon’s Domain Records presents STARSHIP INVASIONS, featuring the premiere release of the score on compact disc, composed by Gil Mellé (NIGHT GALLERY, THE ANDROMEDA STRAIN, THE DELIBERATE STRANGER) for the 1977 science fiction film written and directed by Ed Hunt, starring Robert Vaughn (THE MAN FROM U.N.C.L.E., THE MAGNIFICENT SEVEN, BULLITT, HUSTLE), Christopher Lee (THE WICKER MAN, THE THREE MUSKETEERS, THE LORD OF THE RINGS, HORROR OF DRACULA), Daniel Pilon, Tiiu Leek, Helen Shaver, Henry Ramer and Victoria Johnson. STARSHIP INVASIONS is a Canadian science-fiction film written, directed and produced by Ed Hunt, it was originally titled WAR OF THE ALIENS, then ALIEN ENCOUNTER to avoid confusion with other similar-themed movies released that same year (and eventually again retitled as PROJECT GENOCIDE for home video). Hunt based many of the spacecraft and costume designs on actual alien encounter cases. Released in 1977, the plot revolves around The Legion Of The Winged Serpent, a rogue alien group lead by Captain Rameses (Lee). The Legion must colonize the Earth before their home planet, Alpha, is destroyed by a supernova. Rameses plans to use a device that broadcasts a signal causing humans to commit mass suicide. Opposing them is The Intergalactic League Of Races, an alliance of advanced aliens from Zeta Reticuli who have been observing humans from a secret underwater base. Pretending to be fellow members upholding The Galactic Treaty, which prohibits human contact, Rameses and his crew attack their base and sabotage most of the League’s Earthbound saucers. One surviving League ship contacts Professor Allan Duncan (Vaughn) for help. Duncan is a world-renowned ufologist. The score composed by Gil Mellé stands out for its innovative use of synthesizers combined with jazz elements, creating a unique sound for a genre movie. Notably, many sequences have minimal dialogue, as the alien characters communicate telepathically, which benefited Mellé in his composition. For nearly five decades, composer Gil Mellé innovated in mixing electronic and orchestral music when he wasn’t playing the nuances of modern jazz or enjoying his collection of unique microscopes at home. Mellé had made a mark in the world of jazz as an outstanding baritone saxophonist and composer who was also noted as a painter. In film and television, his music has been extraordinarily notable, if not well preserved, on records and CDs. His TV-movie music in the early ’70s included a trio of high-profile films for television: MY SWEET CHARLIE, THAT CERTAIN SUMMER, and FRANKENSTEIN: THE TRUE STORY. His most well-known film score was THE ANDROMEDA STRAIN, but as an innovator in the use of electronic music in movies of the 1970s and ’80s, Mellé contributed to a many science fiction, fantasy, and horror television and feature film scores, including NIGHT GALLERY (theme and episodes), THE SIX MILLION DOLLAR MAN (original TV-movie), A COLD NIGHT’S DEATH, THE QUESTOR TAPES, KOLCHAK: THE NIGHT STALKER, WORLD WAR III, and many others. Mellé’s efforts preceded almost everyone else’s experiments in electronic film music and resulted in the first true electronic film score for the TV movie PERILOUS VOYAGE. Dragon’s Domain Records presents STARSHIP INVASIONS, featuring the premiere release of music composed by Gil Mellé for this project on compact disc. The music has been newly mastered by James Nelson at Digital Outland and the liner notes have been written by author G.B. Kemner. STARSHIP INVASIONS is a limited edition release of 500 units. STARSHIP INVASIONS is expected to begin shipping the week of March 24th, 2025. 01. Main Title (2:25) 02. Abduction Of The Farmer (3:46) 03. Abduction Of The Family (3:27) 04. Suicides / Underwater Alien Base (5:08) 05. Rameses Seizes Control (8:01) 06. Allan’s Close Encounter (3:45) 07. Data Control Center (2:47) 08. New Allies Pursued Past The Moon (5:37) 09. Suicide Epidemic (2:46) 10. Outer Space War (4:24) 11. Betty’s Suicide Attempt (2:58) 12. Android Durbel Destroys Rameses’ Fleet (5:21) 13. Resolution and End Titles (4:59) 14. Alternate Cue Suite (2:22) Time: 58:21

We saw them at Birdland this past June. They played The Afro-Cuban Jazz Suite.

https://www.stereogum.com/2293122/100-year-old-sun-ra-arkestra-leader-marshall-allen-announces-debut-solo-album/music/

Freedom Now-We Insist, accompanied by live TV coverage on mute.

I think the entire first season and the second season through the solving of the Laura Palmer murder are fantastic, the best thing he ever did, along with Blue Velvet. The post-Laura Palmer episodes of season two had little David Lynch involvement.

The angriest - or Sangreyest - dog in the world!