I received Jazz for Moderns, thanks to a member here who sold it to me at a very reasonable price.
I have now listened to it, I believe, 5 times.
I have been doing other things while listening, so I have not given it my undivided, but I think I have formed a general impression of it.
I very much like the album, although individual tracks and melodies thus far have not really distinguished themselves. Everything feels like it is more or less of the whole, which for me is an extremely positive thing, as I tend to love albums that create their own consistent universe.
The phrase I would use to generally describe this album is "Bullwinkle Moderne," and I use this phrase in more than one sense.
First, some of the harmonies and extremes in pitch remind me of The Great Frank Comstock's Bullwinkle bumpers.
Second, the music sometimes feels like the aural equivalent of minimalist moderne Bullwinkle backdrops, in particular some of the backgrounds used in "Fractured Fairy Tales."
So, I am very happy with this purchase, and it lives up to its title and album cover. As we all know, the music would not be anywhere near this good if the title and cover art were boring. Album cover art is, after all, the reason we love music to begin with.
I will soon post my reviews of Tatro's aforementioned scores for The Invaders.