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Teasing the Korean

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Everything posted by Teasing the Korean

  1. It was a bad period for Chick. Early 80s, kind of meandering pseudo-fusion.
  2. Thanks for the detail. The Telly album pictured earlier in the thread is a real favorite of mine. It has that decadent, delerious, 70s Euro quality that I love.
  3. Thanks for the detail, Larry. Surprised to hear that about the Fresh Sounds label. I have a stereo pressing of Mundell Lowe's "TV Action Jazz" from Fresh Sounds that is superb. When did they get their act together?
  4. Chuck, did you mic and mix the piano better than that one guy who recorded a lot of jazz albums?
  5. Everybody has Blue Note albums. If I'm trying to impress someone, I pull out my Italian giallo soundtracks or bossa nova LPs.
  6. I have some stuff with Shorty Rogers. I may have some other stuff where he's a sideman but I don't recall what off the top of my head. What do you suggest by him as either a leader or sideman?
  7. Shorty Rogers - Wherever the Five Winds Blow - RCA Spain (mono). Liner notes by a meteorologist!
  8. Here's the tally thus far: Marcello saw TELLY FUCKIN' SAVALAS LIVE! Whereas the rest of you saw a pack of losers live. So, MARCELLO WINS (thus far). HAPPY NEW YEAR!
  9. Chick Corea About 100 times more embarrassing than Telly Savalas.
  10. Nothing to be ashamed about. If the concert was even one tenth as great as that album, it was worth it.
  11. Phil Sr. did the Mercury date and had the Phil Moore Four. That's Phil Jr. with Curtis Amy, to the best of my knowledge. So they're father and son?
  12. Is the pianist Phil Moore who played with Curtis Amy the same Phil Moore as the arranger (who recorded "New York Sweet" for Mercury)?
  13. In fairness, the cost of the sessions can vary greatly, depending on the number of musicians, number of hours, etc. The manufacturing aspect is the cheapest part of the process. Curiously, most CDs have list prices in the same range, despite the range of costs involved. A record that someone records at home is obviously much cheaper to produce, although the list price will typically be the same.
  14. Very interesting. I had no idea! Thank God Jacques Loussier and the Swingle Singers committed these compositions to wax before they were lost forever!
  15. Robert Drasnin - Voodoo II
  16. So aside from the four studio albums, what's out there, and is any of it worthwhile?
  17. Yes, but will you stay? I for one have enjoyed your contributions to this board.
  18. Walter Wanderley - When It Was Done - CTI/A&M One of his best. It sounds like an MPS album.
  19. Thanks. But did the original stereo LPs have the same dodgy bass placement as these? Again, I have most of these in mono. It's surprising to me that by the mid-60s Columbia wasn't centering the bass, as they did with previous Miles LPs, Brubeck, etc.
  20. The Sound of Ipanema - Carlos Lyra and Paul Winter - Columbia 2 eye stereo
  21. Does anyone know the deal with the mixes on this set?
  22. chewy, I will give you that date if you promise to wear a French maid outfit and fish nets in the video.
  23. I am often entertained by Clementine's rants, but I find some of her opinions perplexing, also.
  24. I now have the the Miles 65-68 box set. Not only do I have this music on CD for the first time, but it's also the first time I've heard some of it in stereo. My LPs of ESP and Miles Smiles are mono. Listening to tracks from these albums on CD, I'm kind of surprised to hear the bass panned all the way to one side on some tracks. While I realize that there were no shortage of lame-ass stereo mixes in the 50s and 60s, this is kind of a surprise, especially considering the late recording/release dates. Is this how these were mixed on the stereo LPs?
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