GA Russell

That's great Roberto! I'm happy for you!

I looked her up on Wikipedia yesterday. She's in her 70s now. ***** Your local station might have been showing Video Village reruns, but the show was off the daytime air by 1962. You sure it wasn't As The World Turns? Jim, I know it was CBS because I know it was Cronkite. I cannot say for sure what I was watching, but neither my mother nor I had any interest in soap operas, so I can't imagine that I was watching As the World Turns. I have to think it was a game show. And my recollection is that it was 10:30 or 11:30 in the morning, central time.

Monty Hall has died at 96. RIP. https://www.cbsnews.com/news/monty-hall-dead-lets-make-a-deal-host-latest/ The day JFK was killed, I was home from school sick. I was watching TV when Walter Cronkite interrupted with the news that Kennedy had been shot. He had not yet been told that Kennedy was dead. I believe, but I am not positive, that the show that I was watching was a Monty Hall game show called Video Village.

And the Richmond Tigers have won their first premiership in 37 years! Richmond 16.12.108 Adelaide 8.12.60 Congratulations Richmond Tigers!

Richmond dominated the third quarter as well, and after three the score is Richmond 11.8.74 Adelaide 5.10.40 Adelaide has scored only one goal since the first quarter, so to pull this one out they will have to wake up and score some goals no matter what Richmond does.

At halftime, it's Richmond 6.4.40 Adelaide 4.7.31 Adelaide didn't do much in the second quarter. Richmond scored all four of the quarter's goals. The rain has been coming down, and the ball has become noticeably slippery.

The first quarter is now over. Adelaide 4.2.26 Richmond 2.3.15 If you go to the radio link I posted 21 minutes ago, I have had good luck listening to the "National Indigenous" network.

I'm not finding any free web radio. The TV stream costs US$22. The best I can find is this live blog. https://www.foxsports.com.au/afl/live-afl-grand-final-2017-adelaide-crows-v-richmond/news-story/afa2e49e84fc4e58060d824f1d15882f ***** This might be good too. http://www.theage.com.au/afl/afl-news/afl-grand-final-day-2017-richmond-tigers-vs-adelaide-crows-live-massive-crowds-descend-on-the-mcg-20170929-gyrsxj.html ***** I've got the radio! http://www.afl.com.au/match-centre/2017/27/adel-v-rich.liveradio

more Week 15 picks http://www.rodpedersen.com/2017/09/week-15-cfl-picks-2017.html https://www.cfl.ca/2017/09/27/weekly-predictor-can-bombers-widen-gap/ https://www.cfl.ca/2017/09/28/cfl-ca-writers-make-week-15-picks/ http://thegruelingtruth.net/podcast/cfl-weekly-pickem-showweek-15-wrobert-drummond/

This year's game will be tomorrow night, 9:30 pm pacific. That is to say 2:30 Saturday afternoon in Australia. The teams will be the Adelaide Crows vs. the Richmond Tigers. http://www.theage.com.au/afl/afl-news/2017-afl-grand-final-ins-and-outs-for-the-final-game-of-the-season-20170928-gyqxbs.html http://www.theage.com.au/afl/afl-news I think this is the list of streaming sites. http://www.afl.com.au/tv-radio/broadcastguide I think that this is the final standings, showing my Hawthorn Hawks 12th at 10 11 1 1.

Thanks David! ECM Stefano Battaglia Pelagos Stefano Battaglia: piano and prepared piano U.S. Release date: October 20, 2017 ECM 2570-71 2-CD: B0027263-02 UPC: 6025 576 8963 1 To date, Stefano Battaglia’s ECM discography has taken the listener to many different places. The Italian pianist has reinterpreted art songs of Alec Wilder on In The Morning, set a dedication to Pina Bausch amid improvised duets on Pastorale, created new structures in the moment with Dominique Pifarély on Raccolto, drawn inspiration from mythical and legendary locations on The River of Anyder and Songways as well as from diverse way stations in the biography of a great Italian polymath on Re: Pasolini. Cultural and other influences flow into his music from very many directions. Pelagos, Battaglia’s new double album of solo piano – recorded at the Fazioli Concert Hall in Sacile, Italy, last year – can be heard as an extended meditation on themes of exile and migration. “Reality sometimes suggests or implies improvisations and even repertoires,” he notes. Titles of individual pieces provide some directional clues and cues to the matter at hand. Apart from the Arabic traditional song “Lamma Bada Yatathanna”, a tune with historical roots in Moorish Andalusia, which is heard in two variations, all the music here is by Battaglia. “Pelagos”, “Halap”, “Exilium”, “Migration Mantra”, and “Ufratu” are compositions by the pianist. All other pieces were spontaneously improvised, though Battaglia’s feeling for form makes also the extemporaneous pieces seem robust. The album derives from two sources: a live concert and a “closed doors” session at the Faziola Hall earlier the same day. The tracks “Destino”, “Migralia”, Processional”, “Halap”, “Life”, “Hora Mundi”, “Exilium”, “Migration Mantra”, “Heron”, and the version of “Lamma Bada Yatathanna” heard on CD 1 are all drawn from the concert performance. Stefano Battaglia plays both piano and prepared piano here, sometimes simultaneously, exploring a remarkable range of sound colors in melodic and texturally-inventive pieces. Some, of almost hypnotic allure, seem to have an associative frame of reference spanning the distance between ritual music, traditional song, contemporary composition, and modal jazz, although Battaglia himself is wary of style definitions. As he once said, “For years I have tended to simplify, to aspire to a ‘de-idiomisation’ of the musical universe, and particularly to imagine music as a universal metalanguage, a place which is genuinely without boundaries, not just in words but in fact.” In the original notes for the Sacile concert, given within the context of a Piano Jazz 2016 festival, Battaglia spoke of the conceptual themes running through his program. These included “songs and dances of the suffering countries of the Mediterranean and Balkan areas”, and the practice of improvisation as a means of embracing the unknown, as “a manifesto for those who, like me, see it as a path of revelation, through all of its mysteries.” *** Born in Milan in 1965, Stefano Battaglia originally trained as a classical pianist. He first attracted attention on the European festival scene, playing mainly baroque and 20th century music, before making the transition to music that incorporated improvisation, inspired initially by Paul Bley and Keith Jarrett. By the late 1980s he was winning jazz awards. Subsequently he played with Lee Konitz, Dewey Redman, Marc Johnson, Barre Phillips, Steve Swallow, Kenny Wheeler, Pierre Favre and Tony Oxley, among many others. Battaglia has given master-classes at Siena Jazz each summer since 1988, and since 1996 he has led Siena’s Laboratorio Permanente di Ricerca Musicale, a musical research workshop, where he has been able to explore his interests in improvisation, composition and experimentation, in particular the improvisational practices of diverse musical languages. He has been an ECM artist 2003, when the double album Raccolto (Harvest) was recorded.

Sept. 28 1902 - Ed Sullivan born 1938 - Ben E. King born 1946 - Helen Shapiro born 1968 - Dewey Phillips dies 1991 - Miles Davis dies 2015 - Frankie Ford dies

ECM Anouar Brahem Blue Maqams w/ Dave Holland, Jack DeJohnette and Django Bates Anouar Brahem: oud Dave Holland: double bass Jack DeJohnette: drums Django Bates: piano U.S. Release date: October 13, 2017 ECM 2580 B0027340-02 UPC: 6025 576 7265 7 Three brilliant improvisers join Tunisian oud master Anouar Brahem in this album, recorded in New York in May 2017. For Brahem and Dave Holland the album marks a reunion: they first collaborated 20 years ago on the very widely-acclaimed Thimar album, a trio recording with John Surman. Brahem meets Jack DeJohnette for the first time here, but Holland and DeJohnette have, of course, been frequent musical partners over the last half-century, beginning with ground-breaking work with Miles Davis: their collaborations are legendary. British pianist Django Bates also rises superbly to the challenge of Brahem’s compositions. And Anouar in turn is inspired to some of his most outgoing playing. For Anouar Brahem, it’s the work itself that sets a direction. He addresses the question of context and setting only as his music “emerges”: “I simply began in my usual way”, he writes in his liner note for Blue Maqams. “Letting the ideas come in of their own accord, with no tendency one way or another in terms of style, form or instrumentation.” He worked on several sketches in parallel, “and what emerged first and then really began to take shape was my desire to blend the sounds of the oud and the piano once again, soon followed by my wish to associate this delicate instrumental combination with a real jazz rhythm section.” Although he has never harbored ambitions to be a jazz player, Anouar has long felt a sense of solidarity with the music’s practitioners: “I first started listening to jazz when I was a teenager living in Tunis in the 70s. At the time, I was passionately devoted to the traditional Arab music I’d had the good fortune to study under the great master Ali Sriti. Paradoxically, I was [also] full of curiosity about other forms of musical expression. The aesthetics of jazz were very different to those of Arab music, but I was attracted by this music that took me into a completely different world, one I felt close to as well. Undoubtedly there is a kind of spontaneity in Arab music, a way of playing that allows musicians to go deep into their own feelings and take some liberties with the original score through improvisation; and perhaps this somehow echoes what happens in jazz.” Brahem began to play with jazz improvisers in the 1980s, with recorded collaborations beginning the following decade. The album Madar (1992) brought Anouar together with saxophonist Jan Garbarek and tabla player Shaukat Hussain, while Khomsa (1994) found him reworking compositions written for film and theater with improvisers including François Couturier, Palle Danielsson and Jon Christensen. Thimar (1997), with Dave Holland and John Surman, marked a major breakthrough in the space between the traditions, with the participants finding a shared musical language. Blue Maqams takes this notion further. The “maqams” of the title refers to the sophisticated modal system of Arab music, perhaps rendered kind of blue by the participating improvisers. Dave Holland and Jack DeJohnette have played together on a number of ECM recordings including four albums with John Abercrombie in the Gateway trio, Kenny Wheeler’s Gnu High and Deer Wan, and George Adams’s Sound Suggestions. Brahem first encountered this mighty bass and drums team live in Zurich in the early 1990s, when they were performing with Betty Carter and Geri Allen. “This charismatic rhythm section left a very powerful impression.” Playing live with Dave Holland, on tours with the Thimar trio, was an experience Brahem cherished. “I often told Dave that his playing gave me wings as a soloist. And we spoke, too, about doing more recording. It was a matter, though, of waiting for the right material. But once I’d thought about Dave for this new album, it was very natural to think about Jack, too. It’s an immense privilege to have their participation.” Bringing the jazz drum kit and the soft-singing oud together presents specific dynamic challenges: “I was aware, when I saw that the music would need drums, that this would indeed be challenging, but I also felt that if anybody could address this creatively, it would be Jack DeJohnette, who is one of the most sensitive and subtle drummers. He can move as delicately as a cat, with such a graceful and flowing rhythm. “ Finding the right pianist for the project took longer. “For several months, I listened to a considerable number of players and had many long discussions with Manfred about the style I thought this record needed. Finally, he asked me one day to listen to a recording he’d just made with Django Bates…” [This was The Study of Touch, with Bates’s Belovèd trio with Petter Eldh and Peter Bruun, scheduled for release in November.] “I was highly impressed by Django’s mixture of virtuosic musicianship and lyricism. In the recording studio, I discovered several qualities in Django, not only his dazzling piano technique, but also his creative and inventive powers and his outstandingly strong proposals. He does some absolutely magnificent things on this recording that always bring something new and unusual to the score.” Balancing freedom and faithfulness to the score is crucial for Anouar Brahem: “I like each piece to keep its own identity in and through written music. The musician’s role is to fit into this universe and express himself inside the framework of this identity…. It’s important for me to keep the true universe of each piece. An important part of our group work has been about this aspect – working together to find the right balance between composed and improvised music. For even in composed pieces or passages where I leave no room for personal interpretation, I like the music to sound as though it surges forth in an inspired, improvised flow.” The music for Blue Maqams was written between 2011 and 2017, with the exception of two pieces, “Bom Dia Rio” and “Bahia”, both of which were composed in 1990, and revived for this project. Long-term Brahem listeners will be familiar with “Bahia”, a version of which can be heard on Madar. Blue Maqams was recorded at New York’s Avatar Studios and produced by Manfred Eicher. It is issued as CD, vinyl double album, and digital download. Simultaneously, ECM reissues Brahem’s first ECM recording Barzakh (1990) as 180 gram audiophile LP. The Blue Maqams quartet will tour Europe in April 2018 with concerts at major venues in France, Switzerland, Germany, Portugal and Belgium. Dates include: April 8 Paris Philharmonie, April 9 Blagnac Odyssud April 11 Zürich Tonhalle April 12 Basel Musical Theater April 14 Munich Philharmonie April 15 Hamburg Elbphilharmonie April 16 Lisbon Gulbenkian Música April 18 Brussels Palais des Beaux Arts

Larry, my concern is not "holding everything in place" but rather not revealing your drawers or plumber's butt. The extra material makes a big difference for me.

Larry, I'm glad you solved your problem, but I have another suggestion to go with you solution. Buy "tall" t-shirts.

ECM Stefano Battaglia - Pelagos Release date: October 20, 2017 Stefano Battaglia: piano, prepared piano Stefano Battaglia plays both piano and prepared piano (sometimes simultaneously) in a highly attractive double-album program that includes his own compositions and spontaneous improvisations as well as two versions of the Arabic traditional song "Lamma Bada Yatathanna". The melodic and texturally-inventive pieces, some of almost hypnotic allure, were recorded both in concert and in "closed doors" sessions at the Fazioli Concert Hall in Sacile, Italy, in May 2016, and subsequently arranged into what Battaglia describes as "a wonderful new shape with a completely new dramaturgy" by producer Manfred Eicher.

I remember when Shelby Singleton acquired the Sun catalogue (1969?), he did the same thing. He put new photos of Johnny Cash and Jerry Lee Lewis (without all the Brylcreem) on the album covers.

Do any of you Brits remember a '60s show called The Protectors? This is not the Robert Vaughn show from the early '70s, but another series. https://www.amazon.co.uk/dp/B00I5I1PQM/ Its price has dropped 54% to 10.54 GBP. Does anyone recommend this show?

Power Rankings http://3downnation.com/2017/09/25/3down-power-rankings-eskimos-plummet-despite-bye-week/#comments http://www.cbc.ca/sports/football/cfl/cfl-power-rankings-week-15-1.4306828 http://www.sportingnews.com/ca/cfl/news/week-15-cfl-power-rankings-argonauts-and-tiger-cats-on-the-rise/oji0m7sevqt51snea9ic0gk11 http://thegruelingtruth.net/football/cfl/cfl-power-rankings-week-15/ http://www.sportsnet.ca/football/cfl/cfl-power-rankings-week-15-alouettes-floundering-argos-rising/ https://www.cfl.ca/2017/09/26/nissan-titan-power-rankings-ticats-rise/ ***** The Eskimos have cut Chris Getzlaf. http://3downnation.com/2017/09/26/eskimos-release-former-riders-receiver-chris-getlaf/#comments http://www.tsn.ca/esks-release-former-all-star-wr-getzlaf-1.867388 ***** The Riders have signed former Indianapolis running back Trent Richardson. https://www.cfl.ca/2017/09/26/riders-sign-international-rb-trent-richardson/ https://www.cfl.ca/2017/09/26/riders-hoping-richardson-jolts-struggling-ground-game/ http://3downnation.com/2016/09/08/redblacks-add-drop-trent-richardson-neg-list/#comments http://www.3downnation.com/2017/09/26/trent-richardson-finally-agrees-contract-riders/#comments http://3downnation.com/2017/09/26/timing-trent-richardsons-arrival-ideal-riders/#comments http://3downnation.com/2017/09/26/chris-jones-on-bringing-trent-richardson-to-riders/#comments http://3downnation.com/2017/09/26/new-riders-rb-trent-richardson-i-would-love-to-go-out-there-and-run-somebody-over/#comments ***** The Eskimos have signed Swayze Waters. http://3downnation.com/2017/09/25/eskimos-sign-kicker-swayze-waters/#comments https://www.cfl.ca/2017/09/25/esks-bolster-kicking-game-waters-lauther/ ***** early Week 15 picks http://www.sportingnews.com/ca/cfl/news/week-15-cfl-picks-teams-on-bubble-running-out-of-time-to-solidify-a-post-season-berth/spzckmhzwx1i1ikgdmstrplv7

Pianist Deanna Witkowski Presents Trio Arrangements of 14 Hymns on "Makes the Heart to Sing: Jazz Hymns" Set for Nov. 3 Release On Tilapia Records Witkowski Enriches Canon Pioneered by Duke Ellington, Mary Lou Williams, & Others September 21, 2017 Grace, serenity, and rhapsody are on abundant display throughout the 14 songs pianist Deanna Witkowski performs with her trio on Makes the Heart to Sing: Jazz Hymns, set for release November 3 on Tilapia Records. One would expect this to be the case, given that the source material is not the Great American Songbook, but the centuries-old trove of hymnody used in churches around the world. Witkowski succeeds in offering a luminously lyrical piano trio session interpreting a spiritually charged body of music rarely investigated by jazz artists. Some of the tunes -- like "Kings of Orient (We Three Kings)" -- will be immediately recognizable to secular audiences while others will be as familiar to the choirs and congregations of Protestant churches worldwide as the standards of Porter or Gershwin. Her arrangement of "Hymn to Joy (Joyful, Joyful, We Adore Thee)," the popular Beethoven melody from his 9th Symphony, rises with the grandeur of an Ellingtonian theme. Makes the Heart to Sing is part of a larger project that includes the publication of a folio of Witkowski's arrangements. "It's an instrumental jazz trio record, but the mission is to get this music played more widely outside of church," she says, "and to bring these jazz interpretations into circulation inside churches. The album is almost a demo for church music directors, and the arrangements are meant for congregational singing." Witkowski is passionate about the primal, transporting power of group singing, and her trio brings a similar collective ethos to the music on the album. She's played with drummer Scott Latzky since she settled in New York City two decades ago, having moved there with a full-time job as a church music director after earning her degree at Wheaton College in 1993 and working for four years on the Chicago jazz scene. Bassist Daniel Foose is a more recent collaborator. "Scott's playing is so sensitive and responsive to every environment," she says. "Daniel is really soulful and interactive with a groove that's really deep." What's most striking about the project, aside from the sheer beauty of the trio's feel and dynamics, is the seamless way the hymns fit the jazz idiom even as Witkowski pays close attention to the contours and meaning of the text. Most of the tracks clock in under four minutes and focus on the group's irresistibly swinging interpretations of music rather than using the themes as launching pads for extended solos. "Kings of Orient" is set as a waltz whose intensity ebbs and flows and features a Foose bass solo, while "Foundation (How Firm a Foundation)" unfurls with the rolling cadences of a gospel music hit. The aforementioned "Hymn to Joy" adds a taste of laidback funk and soul to the set. The winner of the 2002 Great American Jazz Piano Competition, Deanna Witkowski has released six critically hailed albums over the past two decades, with each new project revealing a steadily evolving sensibility marked by melodic invention and emotional connection. As an accompanist, she's toured with soul-steeped vocalist Lizz Wright and held down the piano chair for ten years in the Jim McNeely-led BMI/New York Jazz Orchestra. Her projects as a leader feature fellow heavyweights like bassist John Patitucci and saxophonist Donny McCaslin. Witkowski's thoughtful and deeply felt work setting traditional hymns in a jazz context has few precedents. In many ways, her creative identity is built on her gift for gracefully bringing together seemingly disparate elements, though Makes the Heart to Sing flows directly from her longtime work in sacred settings. "Music in a lot of churches is one specific thing, traditional hymns done in a traditional way, or contemporary pop that's not necessarily written for group singing," she says. "But there's this 'folk music tradition' -- hymns -- that everybody knows in most Protestant churches. I always draw on my jazz background when I arrange service music, and hymns are an integral part of the repertoire." Witkowski also has a long-standing relationship with Brazil, and her next project promises to be equally compelling. As a recipient of a prestigious residency fellowship from the Sacatar Institute in Bahia, Brazil, a nonprofit foundation that sponsors creative individuals of all disciplines, she will spend April and May 2018 at Sacatar doing research related to her upcoming composition and recording, the Nossa Senhora Suite. Merging elements of Afro-Brazilian ritual chants and text with new music for her quartet plus four vocalists, each movement of the suite will explore a different Brazilian version of the Virgin Mary, including Nossa Senhora Aparecida, patron saint of Brazil, and Iemanjá, goddess of the seas. Deanna Witkowski Itinerary As bandleader: 11/2 Furman University, Greenville, SC (clinic); 11/4 Erskine College, Greenwood, SC (solo); 11/5 a.m. First Baptist Church, Greenville, SC (duo/jazz service); 11/5 p.m. First Baptist Church, Mount Holly, NC (solo); 11/7 NC ArtsMarket, Durham, NC (trio/juried showcase); 11/19First Presbyterian Church, Rahway, NJ (solo/jazz vespers); 1/21/18 St. John's Episcopal Church, Richmond, VA (trio/jazz service); 2/6/18 Juilliard Jazz, NYC (pre-concert panel speaking on Mary Lou Williams's sacred music); 2/23/18 Chopin in the City festival, Chicago (solo/venue TBD) Choral premieres: 12/3 or 1/17/18 (TBD) ChoralArt, Portland, ME (winning piece in New England Carol Contest); 3/11/18 The Colorado Chorale, Denver (newly commissioned work) Residency in Bahia: 4/9-6/4 of 2018 Sacatar Institute, Itaparica, Bahia, Brazil Photography: Erika Kapin "Makes the Heart to Sing: Jazz Hymns" EPK Web Site: deannajazz.com Visit Deanna's Bandcamp pageRead new blog post (w/ author Pam McAllister) about new album's lead track, "Cwm Rhondda"

Calgary 15....Sask 9 https://www.cfl.ca/games/2427/calgary-stampeders-vs-saskatchewan-roughriders/ http://3downnation.com/2017/09/24/riders-covering-fans-work-excuse-note/#comments http://3downnation.com/2017/09/24/hellacious-hit-roosevelt-sparks-debate-penalty-call-player-safety/#comments http://3downnation.com/2017/09/24/kevin-glenn-takes-shot-hand-stays-game/#comments http://3downnation.com/2017/09/24/kevin-glenn-takes-shot-hand-stays-game/#comments http://3downnation.com/2017/09/24/decision-pull-kevin-glenn-not-injury-based-jones/#comments ***** I have added links to my Sept. 16 post.

The Calgary-Sask game is currently on ESPN2.

Happy Birthday 2017 Ron!

Week 14 results Winnipeg 29....Ottawa 9 https://www.cfl.ca/games/2424/ottawa-redblacks-vs-winnipeg-blue-bombers/ http://3downnation.com/2017/09/18/redblacks-qb-drew-tate-week-week-likely-wont-play-friday/#comments http://3downnation.com/2017/09/21/b-c-lions-searching-answers-ahead-key-contest-ticats/#comments http://3downnation.com/2017/09/22/argos-on-trying-for-consecutive-wins-it-should-give-us-an-edge/#comments http://3downnation.com/2017/09/22/alouettes-qb-darian-durant-i-need-to-settle-down/#comments http://3downnation.com/2017/09/22/matt-nichols-throws-two-touchdowns-on-rainy-night-as-bombers-beat-redblacks/#comments http://3downnation.com/2017/09/23/bombers-win-fifth-straight-home-12-thoughts/#comments http://3downnation.com/2017/09/23/redblacks-get-dumped-10-thoughts/#comments ***** Hamilton 24....BC 23 https://www.cfl.ca/games/2425/hamilton-tiger-cats-vs-bc-lions/ http://3downnation.com/2017/09/18/wins-argos-redblacks-put-ticats-playoff-push-jeopardy/#comments http://3downnation.com/2017/09/18/redblacks-qb-drew-tate-week-week-likely-wont-play-friday/#comments http://3downnation.com/2017/09/21/ticats-rb-alex-green-gets-unexpected-second-chance/#comments http://3downnation.com/2017/09/21/ticats-rb-alex-green-gets-unexpected-second-chance/#comments http://3downnation.com/2017/09/21/b-c-lions-searching-answers-ahead-key-contest-ticats/#comments http://3downnation.com/2017/09/22/june-jones-honeymoon-ending-can-ticats-still-win/#comments http://3downnation.com/2017/09/23/west-coast-state-mind-ticats-lions-24-23/#comments http://3downnation.com/2017/09/23/video-ticats-coach-june-jones-kicker-sergio-castillo-win-lions/#comments http://3downnation.com/2017/09/23/learned-ticats-thrilling-last-second-win-lions/#comments http://3downnation.com/2017/09/23/mourning-lessons-learned-lions-latest-loss/#comments ***** Toronto 33....Montreal 19 https://www.cfl.ca/games/2426/montreal-alouettes-vs-toronto-argonauts/ http://3downnation.com/2017/09/20/alouettes-opt-to-avoid-chaos-stick-with-struggling-durant-at-quarterback/#comments http://3downnation.com/2017/09/22/argos-on-trying-for-consecutive-wins-it-should-give-us-an-edge/#comments http://3downnation.com/2017/09/22/alouettes-qb-darian-durant-i-need-to-settle-down/#comments http://3downnation.com/2017/09/23/darian-durant-continues-struggle/#comments http://3downnation.com/2017/09/23/alouettes-receiver-nik-lewis-limps-off-field/#comments

To my surprise, the Hamilton-BC game is currently on ESPN2.