GA Russell

AS PART OF THE INCUNABULA DIGITAL SERIES M.O.D. TECHNOLOGIES PRESENTS Dubopera Masahiro Shimba & Bill Laswell AVAILABLE ONLINE AND THROUGH WWW.MOD-TECHNOLOGIES.COM. THIS IS A DIGITAL-ONLY RELEASE. Masahiro Shimba Vocals Karl Berger Electronic Keyboard Rob Burger Electric Piano, Organ Yukari Fujita Piano Peter Apfelbaum Tenor Saxophone Graham Haynes Cornet Bill Laswell Bass Adam Rudolph Percussion Guy Licata Drums Hideo Yamaki Drums Sly Dunbar Drums Produced & Arranged by Bill Laswell. Material Strings arranged & conducted by Karl Berger. New York - A unique fusion of classic opera mixed with contemporary dub set in a progressive, futuristic, rhythmic environment.Masahiro Shimba is a leading Japanese opera singer, based in Milano and Tokyo. The tenor is the first Japanese artist to receive the "Maria Callas Award" from the International Maria Callas Foundation. He is highly evaluated by the Italian classical/opera world, has performed as a soloist at the Royal Opera Canada, Teramo City Theater, Lincoln Center (NY), Dal Verme Theater (Milano), Verdi Conservatory Puccini Hall (Milano), St. Paul's Outside the Walls (Vatican City/Rome) with Orchestra Sinfonica G. Rossini conducted by Daniele Agiman and more. TRACKS 1. Nessun Dorma dub / Bill Laswell 8:18 2. Moon dub / Bill Laswell 5:01 3. Tonight dub / Bill Laswell 8:03 4. I Pescatori di Perle (The Pearl Fishers) / Georges Bizet / Bill Laswell 5:18 5. Pagliacci (Clowns) / Ruggero Leoncavallo / Bill Laswell 5:24 Dubopera is a cross label project with ESP Disk.

M.O.D. TECHNOLOGIES RELEASES SONNY SHARROCK'S Ask The Ages ENHANCED AND RE-MASTERED FROM THE ORIGINAL RELEASE. AVAILABLE IN STORES & ONLINE AND THROUGH WWW.MOD-TECHNOLOGIES.COM. Sonny Sharrock Electric Guitar Pharoah Sanders Tenor & Soprano Saxophone Elvin Jones Drums Charnett Moffett Acoustic Bass New York, December 17, 2015 - Ask The Ages - The classic definer. Guitarist Sonny Sharrock wasn't just ahead of his time, like a freight train roaring through a darkened station, not just hours but weeks ahead of schedule. Channeling the energy and spirit of John Coltrane...with the support of two undisputed icons of free jazz and the avant-garde, legendary Coltrane-drummer Elvin Jones and saxophonist Pharoah Sanders with Charnett Moffett on bass. Absolutely an exploration of the stratosphere and beyond. Enhanced and re-mastered from the original. Produced by Bill Laswell - who upon emerging from the downtown NYC scene as a producer and bassist to be reckoned with, made it one of his first priorities to find Sharrock who he first heard at age fourteen...Ask The Ages. TRACKS 1. Promises Kept 9:43 2. Who Does She Hope To Be 4:41 3. Little Rock 7:12 4. As We Used To Sing 7:45 5. Many Mansions 9:31 6. Once Upon A Time 6:26 ©1992 Jack Vartoogian, FrontRowPhotos

For Immediate Release Please Free Jazz Icon ROSWELL RUDD Joins Pianist JAMIE SAFT and Colleagues TREVOR DUNN and BALAZS PANDI on Stirring RareNoise Release Strength And Power CD AND MULTIPLE DIGITAL FORMATS AVAILABLE IN STORES AND ONLINE NOW AND THROUGH WWW.RARENOISERECORDS.COM. Roswell Rudd Trombone Jamie Saft Piano Trevor Dunn Acoustic Bass Balazs Pandi Drums ABOUT THE LABEL - RareNoiseRecords was founded in late 2008 by two Italians, guitarist/arranger/ producer Eraldo Bernocchi and all-round music nut Giacomo Bruzzo. Located in London, the label was created to present a platform to musicians and listeners alike who think beyond musical boundaries of genre. For further information and to listen please go to www.rarenoiserecords.com. New York, February 29, 2016 - In a remarkable example of uncanny group-think, pianist-keyboardist and RareNoise regular Jamie Saft (Metallic Taste of Blood, Slobber Pup, Plymouth, The New Standard, Red Hill) joins with longtime collaborators Trevor Dunn on bass and Balazs Pandi on drums and master trombonist Roswell Rudd on the astounding, purely improvised Strength and Power. Recorded live in Saft's home studio near Woodstock, New York, this intergenerational offering features the 44-year-old pianist, 47-year-old bassist, 32-year-old Hungarian drummer and 80-year-old avant-garde pioneer blending organically, telepathically on a set of conversational music running the gamut of dynamics and emotions. As Saft explains, "All the music was completely improvised in the studio. No predetermined compositions at all. No hand signals, no charts: nothing but trust, deepest intuition, and mutual respect." The key to this highly interactive session, says Rudd, was not chops but rather the participants' highly attuned listening skills. "The really important thing, especially with collective improvisation, is that you're playing off of each other. So the music comes as a result of listening to each other and your response to the other players. I really found myself delving deeply on this occasion because the other musicians were not only putting it out there but they were also responding in depth. When you're lucky enough to be in the company of very proficient musicians who not only can play but also can listen deeply, this is what I think I love more than anything else in the performance of music." The revered trombonist, who came up playing Dixieland or trad jazz music while attending Yale University in the mid 1950s and later made his mark in the free jazz world through collaborations with Cecil Taylor, Archie Shepp, John Tchicai and longtime collaborator Steve Lacy, is a formidable presence on this RareNoise recording. Whether it's his lyrical playing on the spacious ballad "Luminescent," his unrestrained blowing on a surging "The Bedroom," his conversational plunger work on "Cobalt Is a Divine" and the title track or his early New Orleans tailgate-styled testifying on "Struttin' for Jah Jah," Rudd's trombone resounds with history, humor and humanity. Dunn provides thick grooves and potent contrapuntal lines throughout (particularly when he is paired in a duet with Rudd on "Dunn's Falls") while Pandi propels the proceedings with kinetic backbeats and swinging momentum. Saft, performing on his 1966 Steinway Model L piano at his home studio, adds spiky comping, cascading call-and-response lines and some exploration inside the piano. "This piano has a unique sound," he says. "It's darker than most modern pianos. Sometimes I will use paper and pen if they are handy as tools to modify the acoustic piano, but mostly it's just real time manipulation of the inside of the piano with these two hands." "The piano is a strange and opulent instrument," adds Saft. "It is a physical object which requires adherence to the basic laws of physics. The greatest pianists understand how to harness the power of gravity and understand the internal mechanisms of the instrument and how they relate to the laws of gravity. I always work to use gravity to my advantage as an instrumentalist. With proper understanding of the way the piano and the human body interact, one can constantly push the instrument into new areas while retaining a deep and rich tone. Whether I'm seated at the piano or working inside the piano, I'm still always dealing with laws of physics. The idea is to let gravity do all the work for you. This gives a deep and crisp tone and maximum technical flexibility." Saft explains that this collaboration with Rudd was partly born out of proximity. "Roswell and I live five miles or so from each other in Kerhonkson, New York. Roswell and Verna Gillis, his brilliant partner, have recorded a number of times at my studio Potterville International Sound. This is how we initially met. It was clear very quickly that we needed to make music together." Rudd says that the Strength And Power session is a continuation of "the pursuit of mystery" that he has tirelessly been on throughout his entire career, from his days as a collegiate Dixielander to the present. "This river that runs through all of my performing and recording from the earliest times, it's essentially what we did over at Jamie's that day. It's a special recording and I look forward to getting back together with the musicians, Balazs, Trevor and Jamie, and doing more, taking it out and playing for audiences somewhere. I'd love to play it for a bunch of people with thirsty ears." Adds Saft, who has also racked up numerous credits on various John Zorn projects over the years, "It's a great privilege to make music with a true legend of improvised music such as Roswell. His compositions are deep and vast, his sound is unmistakably brilliant, and most of all he's a truly beautiful human being. The last point is crucial here: when one improvises with such a beautiful person all is possible. Roswell constantly strives to impart his love of sounds to humanity. His positivity and shining vibe make this clear, obvious, and essential." TRACKS 1. Strength & Power 2. Cobalt is a Divine 3. The Bedroom 4. Luminescent 5. Dunn's Falls 6. Struttin' For Jah Jah

Mine arrived yesterday. I've spent much of today enjoying Disc One.

Thanks for that Groudhogs link, felser! Here's something else that appeals to me: Esther Phillips - OAS - $11.38 + $3.99 http://www.amazon.com/gp/product/B019127L40?psc=1&redirect=true&ref_=oh_aui_detailpage_o00_s00

Happy 40th Birthday Jon!

The Groundhogs - OAS - 9.99 GBP http://www.amazon.co.uk/gp/product/B00QN1AC7Q?redirect=true&ref_=pe_208251_101272101_pe_epc__1p_5_lm ***** Donny Hathaway - OAS - 9.99 GBP http://www.amazon.co.uk/gp/product/B0030Y10ZM?redirect=true&ref_=pe_208251_101272101_pe_epc__1p_6_lm $10.49 + $3.99 http://www.amazon.com/gp/offer-listing/B0030Y10ZM/ref=tmm_acd_new_olp_sr?ie=UTF8&condition=new&qid=1456622887&sr=8-1 ***** Bill Evans - OAS - $11.28 + $3.99 http://www.amazon.com/gp/product/B019127KG4?psc=1&redirect=true&ref_=od_aui_detailpages00

I still like Disc One, and I'm still looking forward to March 21!

Avon Cobourne will coach the Bombers' running backs this year. I didn't know that he was a Riders coach last year. http://3downnation.com/2016/02/23/bombers-tap-avon-cobourne-to-coach-running-backs/#comments http://www.tsn.ca/blue-bombers-hire-cobourne-as-running-backs-coach-1.442217

Jim, isn't that Hal Blaine in the photo with Glen Campbell?

That's a great photo! BTW, may we assume that she enjoys riding motorcycles?

Lowell Ullrich points out that so far this year a record 15 free agents have signed with NFL teams. He believes that this makes the CFL more appealling to American players than having the games on ESPN. http://3downnation.com/2016/02/21/15472/#comments

Happy Birthday 2016 Sandy!

Happy Birthday 2016 Alan!

Happy Birthday 2016 John!

Happy Birthday 2016 Mike!

Congratulations, Lon! Pics or it didn't happen!

That's great, Joel!

Bryan Hall to Toronto. http://3downnation.com/2016/02/19/15462/#comments http://www.tsn.ca/dt-hall-signs-one-year-deal-with-argos-1.440543 http://www.cfl.ca/2016/02/19/hall-set-to-join-rival-argos/ ***** Tristan Okpalaugo to Arizona. http://www.tsn.ca/cardinals-sign-former-argos-lb-okpalaugo-1.440632 ***** Zander Robinson to Edmonton http://www.tsn.ca/eskimos-sign-free-agent-fb-robinson-to-deal-1.440367 ***** Neil King to Edmonton. http://www.cfl.ca/2016/02/17/esks-re-oramasionwu-sign-neil-king/ ***** Ryan Smith to Winnipeg. http://www.cfl.ca/2016/02/19/ryan-smith-feeling-home-bombers/ ***** Here the league staff lists who it thinks are the top 20 free agents still available. http://www.cfl.ca/2016/02/14/best-rest-whats-next-free-agency/

The Als were apparently unable to work out a trade for Henoc Muamba before his big paycheck was due, so they have released him. Here's what an anonymous player has to say about it all. http://3downnation.com/2016/02/19/a-cfl-player-speaks-out-the-league-is-taking-advantage-of-us/#comments http://3downnation.com/2016/02/16/why-the-alouettes-released-henoc-muamba/#comments http://www.tsn.ca/alouettes-release-muamba-after-trade-talks-1.438552 http://www.cfl.ca/2016/02/16/alouettes-release-linebacker-henoc-muamba/ ***** The Ticats traded Tim O'Neill to BC for a pick. http://3downnation.com/2016/02/16/ticats-trade-oneill-to-b-c-lions-and-why/#comments ***** Cleyon Laing has signed with Miami. http://3downnation.com/2016/02/17/canadian-dl-cleyon-laing-signs-with-miami-dolphins/#comments ***** Ryan Hinds to Ottawa. http://3downnation.com/2016/02/18/15442/#comments ***** Aaron Grymes has signed with Philadelphia. http://3downnation.com/2016/02/18/former-esks-db-aaron-grymes-signs-with-eagles/#comments ***** Winnipeg has released Zach Anderson, Paris Cotton and Greg Peach. http://3downnation.com/2016/02/18/bombers-release-cotton-peach/#comments ***** The league has released the 2016 schedule. Opening Day will see Hamilton at Toronto (BMO Field). Three games will be played on the last day of the season, Nov. 5. That's my birthday, so I guess I'm going to be spending my entire birthday taking in the Canadian league! http://3downnation.com/wp-content/uploads/2016/02/2016-CFL-Final-Clean.pdf http://www.cfl.ca/schedule/ http://3downnation.com/2016/02/18/15450/#comments http://www.tsn.ca/talent/cfl-season-opens-with-argos-first-game-at-bmo-field-1.439748

Vijay Iyer & Wadada Leo Smith on tour: March 30-31 - New York, NY - Metropolitan Museum of Art Breuer Building April 1 - Knoxville, TN - Big Ears Festival April 7-8 - Cambridge, MA - Fromm Concert Series at Harvard April 15 – Los Angeles, CA – Occidental College April 16 - Fullerton, CA - Cal State Fullerton Further dates to be announced

For Immediate Release Please Presents LARRY YOUNG IN PARIS: THE ORTF RECORDINGS AVAILABLE MARCH 11, 2016 IN 2-CD AND LIMITED EDITION2-LP SETS NEVER-BEFORE-RELEASED 1964-1965 STUDIO AND LIVE TRACKS BY THE JAZZ ORGANIST AND PIANIST Newly discovered recordings Young made as both sideman and leader predate his mid-1960s Blue Note albums. Includes repertoire later recorded and released on Blue Note. Among the players: trumpeter Woody Shaw, tenor saxophonist Nathan Davis, and notable Parisian artists such as pianist and iconic broadcaster Jack Diéval 68-page booklet features essays by John McLaughlin, Larry Young III, Bill Laswell, Dr. Lonnie Smith and others, along with rare and previously unpublished photographs taken in Paris by Francis Wolff, Jean-Pierre Leloir and others Recordings discovered in the ORTF (Office of French Radio and Television) Archives, which is overseen by France's National Audiovisual Institute (INA). Historic new partnership between INA and Resonance Records; more recordings from the French radio archives to be announced [SCROLL DOWN TO WATCH MINI-DOCUMENTARY] Los Angeles, February 18, 2016 - Resonance Records, in partnership with the National Audiovisual Institute (INA) of France, is pleased to announce the release of Larry Young In Paris/The ORTF Recordings. Featuring groundbreaking performances by the ingenious organist and pianist, thesestudio and live recordings from 1964 and 1965 made for French radio and never before issued on record, will be released on March 11, 2016 in deluxe two-CD and limited-edition two-LP sets. Producer Zev Feldman notes, "It's particularly exciting because none of this music has ever been heard before except on its initial broadcast in France five decades ago. I think that's something to celebrate and a call for us all - as we often do with the archival recordings we at Resonance Records uncover - to revisit and discuss this legendary artist's legacy." Musicians featured on these recordings include trumpet legend Woody Shaw, tenor saxophonist and bandleader Nathan Davis and drummer Billy Brooks. An international cast of supporting players - pianist Jack Diéval, tenor saxophonist Jean-Claude Fohrenbach and bassist Jacques B. Hess; Italian drummer Franco Manzecchi, Jamaican trumpet player Sonny Grey and Guadaloupean percussionist Jacky Bamboo - round out the personnel. This album marks the first new release of Larry Young music in 38 years. This project came about in 2012 when Feldman traveled to France to explore the ORTF (Office of French Radio and Television) archives (the media vaults overseen by the French National Audiovisual Institute (INA) in the hope of finding undiscovered treasures, which he suspected he might find there. Feldman asked INA executives about specific artists and was stunned to learn that the vaults contained recordings documenting some of the greatest American jazz musicians who lived in - or visited - Paris in the 1960s, including Larry Young. Resonance Records presents in this album tapes that had been sitting idly in the vaults for nearly 50 years, scrupulously maintained by INA. Resonance will release other projects from the INA vaults; details to come soon. Feldman states, "It's been a thrill of a lifetime working with Christiane Lemire, Laure Audinot and Pascal Rozat at INA France to find this great music and shepherd this release. No question about it, this project represents jazz through diplomacy and the greater good of a mission. These recordings showcase American artists who found their home and voice in Europe at a time when the American landscape wasn't always as supportive." Feldman continues, "When we started to explore the vaults of the ORTF and search for recordings to release, we had a wish list of various artists we were on the hunt for, but Larry was the one artist whom I personally felt we needed to look extra hard for. I couldn't be more thrilled with what we found and which we are now releasing. I hope we'll all revisit this genius's legacy and appreciate why he mattered so much." These recordings tell the story of a brief but critically important period when Young lived in Paris in the 1960s. The 19-year-old Woody Shaw was supposed to have joined saxophone/flute/bass clarinet legend Eric Dolphy in Dolphy's group in Paris, which was to have been the house band at the legendary Parisian jazz club Le Chat Qui Pêche. Unfortunately, Dolphy died unexpectedly shortly before Shaw was to have arrived. The venue's owner, Madame Ricard, and Dolphy's fiancée, Joyce Mordecai, asked Nathan Davis, who was the club's de facto music director, to put together a band to honor Dolphy and to provide the musical anchor for the club. Dolphy had extolled the young Shaw's virtues to Davis, and so Woody was invited to come to Paris and join Davis's ensemble. After being in Paris for a few weeks, Woody felt homesick and prevailed upon Davis and Madame Ricard to bring his Newark colleagues, Larry Young and Billy Brooks, to join him and Davis in the Nathan Davis Quartet, which became Le Chat Qui Pêche's house band. For several months, Young immersed himself in the flourishing Parisian jazz scene, which had attracted many American jazz players who were able to find steady work playing nightly gigs with both with their American comrades and international artists who had been drawn to the scene. Many American musicians found the atmosphere a welcome escape from economic and social tensions back home. In the '60s, Parisian jazz clubs were filled with legends such as Dolphy, Kenny Clarke, Dexter Gordon, Slide Hampton and Bud Powell. While in France, Young recorded at the ORTF Studios in Paris (now Maison de Radio France) as a sideman with the Nathan Davis Quartet, the Jazz aux Champs-Élysées All-Stars and with his own piano trio, which included bassist Jacques B. Hess drummer and Franco Manzecchi. Larry Young In Paris/The ORTF Recordings includes selections from the original tapes, which were made specifically for broadcast on French radio. As noted, the only time these recordings have been shared with the public were in their original airings on two iconic monthly radio programs: Musique aux Champs-Élysées, hosted by Jack Diéval; and Jazz sur scène, hosted by producer and jazz scholar André Francis. Shortly after the tapes were made, Larry Young returned to New York to record the classic album Unity, his second album for Blue Note as a leader. Larry Young by Francis Wolff Resonance Records has packaged the two-CD version of this album with a 68-page book of essays by Feldman, legendary guitarist John McLaughlin, associate producer/ jazz scholar/INA executive Pascal Rozat, associate producers John Koenig, Larry Young III and Woody Shaw III; and illuminating interviews with Davis (conducted by executive producer Michael Cuscuna), organists Dr. Lonnie Smith and John Medeski (of Medeski, Martin & Wood), bassist/producer Bill Laswell and French broadcasting legend André Francis. The historic package also contains many rare, previously unpublished images from the archives of INA and photographers Francis Wolff and Jean-Pierre Leloir. The limited edition 12" two-LP set contains all of the same material as contained in the CD set in an elegant insert, with collector postcards and a digital download card. The LPs are pressed on 180-gram vinyl at 33-1/3 rpm by Record Technology Incorporated (R.T.I.), mastered by the legendary engineer Bernie Grundman. The packages for both sets represent further brilliant creations by art director Burton Yount in a series of beautiful packages he's done for Resonance Records, this time assisted by art director Gordon H. Jee. Larry Young was only 23 and 24 years old when these recordings were made. He would soon be known as one of the great organ players of his time, and indeed, all time. The son of a professional organist, he played piano and organ from early childhood. Indeed, his first serious piano teacher, after his father, had been a student of Bartók and Dohnanyi at the Franz Liszt Academy in Budapest. The influence of this teacher, Olga Von Till, might explain Young's penchant for harmonic structures based on fourths and his use of pentatonic scales - both characteristic of the strains of Hungarian folk music found in the music of Bartok, Dohnanyi and their compatriot, Kodaly; structures that were unusual in jazz at the time. The only truly notable musician of Young's era who applied these musical elements to his artistry was modern jazz piano icon McCoy Tyner. Although Young grew up playing R&B and jazz in and around Newark, his colleagues always saw him as pushing the boundaries while still respecting the solid jazz traditions of those who came before. Woody Shaw's son, Woody Louis Armstrong Shaw III, writes that the compositions on this album break through the barriers of jazz standards, "all of them bearing idiosyncrasies of a burgeoning style, a new way of speaking to the tradition of jazz, while pushing the limits of the music to new heights." Young's musical journey swept him into fusion music, joining Miles Davis in 1969 for Bitches Brew (Columbia); the same year Young, Tony Williams and John McLaughlin formed the seminal fusion group the Tony Williams Lifetime (which later added Jack Bruce, who had risen to fame as the co-founder, singer and bassist for the British power trio Cream). Young's popularity in the jazz world expanded to other musical genres, from R&B to rock (he would record with Jimi Hendrix and Carlos Santana). His son, Larry Young III, writes in his essay for the album book, "In the decades since his death, more and more people have discovered the magnitude of his contribution to all of the genres of music in which he was a creative and trailblazing force. My father truly lit a fire, which is still burning, although he has been gone for almost four decades. His music is still relevant and fresh." Tracks include an over-20-minute version of "Zoltan" (dedicated to the Hungarian nationalist composer Zoltan Kodály), "Beyond All Limits" (which can also be heard on the Blue Note album Unity), other mid-'60s compositions by Young (including "Talkin' About J.C.," "Luny Tune" and the impromptu "Larry's Blues"), and much more. Feldman notes, "Larry Young might be one of the great all-time unsung heroes in this music. This is very personal for me and I want to awaken a new generation of fans. Young's contemporary, Jimmy Smith, was a pioneer who took the Hammond organ out of the church, but Larry Young took the organ out of this world! I hope this project will allow us the opportunity to go back and celebrate this artist's unheralded legacy." Larry Young died at the tragically young age of 38 in 1978. Larry Young In Paris: The ORTF Recordings is a tribute to his memory and endorsed by the estate of Larry Young. It was produced Zev Feldman with executive producers George Klabin and Michael Cuscuna, with sound restoration by Fran Gala and Klabin. TRACKS Disc One Trane Of Thought (6:46) Talking About JC (14:53) Mean To Me (4:12) La Valse Girls (16:09) Discotheque (10:43) Disc Two Luny Tune (4:36) Beyond All Limits (7:36) Black Nile (13:59) Zoltan (20:31) Larry's Blues (6:13) Pre-order on iTunes and receive 4 tracks instantly: "Trane of Thought," "Mean to Me," "Luny Tune," and "Beyond All Limits." https://itunes.apple.com/us/album/in-paris-the-ortf-recordings/id1079570600 ABOUT THE LABEL Resonance Records continues to bring archival recordings to light. Some historic releases include the critically acclaimed 2015 Grammy Award-winning John Coltrane recording Offering: Live at Temple University (Best Album Notes Grammy, Ashley Kahn), Wes Montgomery's One Night In Indy, In the Beginning and Echoes of Indiana Avenue, Stan Getz & Joao Gilberto's Getz/Gilberto '76, Stan Getz's Moments in Time, Thad Jones/ Mel Lewis Orchestra's All My Yesterdays, Charles Lloyd's Manhattan Stories, and Bill Evans's Live at Art D'Lugoff's Top of the Gate. Located in Beverly Hills, Calif., Resonance Records is a division of the Rising Jazz Stars, Inc., a California 501(c)(3) non-profit corporation that operates the Rising Jazz Stars Foundation, which was created by George Klabin to discover and nurture the next jazz stars. Resonance Records artists include Richard Galliano, Polly Gibbons, Tamir Hendelman, Christian Howes and Donald Vega. For more information on Resonance, its catalog of recordings and its artists, please visit: www.ResonanceRecords.org

Happy Birthday 2016 bFB!

Happy Birthday 2016 Joe!

007: The Pierce Brosnan Collection - $10.00 prime http://www.amazon.com/007-Pierce-Brosnan-Collection/dp/B011KG2LXQ/