AMG reviews are often maligned, but what this one said about the Rich-Little-of-the-tenor-Harry-Allen seems 'spot on' (as Bev might say): "In the liner notes, Allen gives thanks to the jazz fans in Japan, mavens of the carbon copy. When Harry meets his own true voice on his instrument, perhaps then the listener will be the one dancing. Until then this is for specialized tastes..."
As far as the RAP Harry Allen (also 80s and 90s, not the 20s!) "hero" might be overblown, but he's not insignificant in my book. Have to at least empathize with the guy who, as a black music critic and supporter-of-rap at the Village Voice, had his freedom of opinion/expression challenged by Stanley Crouch's fist, which broke Allen's jaw and got Crouch fired. (Allen then spent some time in Public Enemy's entourage, as a publicist and occasionally onstage, cited in "Don't Believe the Hype" as "Harry Allen -- media assassin.")
What does this have to do with blindfold test? Well, I guess my familiarity with 80s rap equates to not having logged enough jazz listening time to be bold enough to participate... (where's the EMBARRASSED smilie?)