Maybe it's time to take off the kid gloves and name names. No more Mr. Nice guy. I think Kurt Elling's a fine singer with good diction and a great technique, but they played something he did on, I think, a Donald Byrd piece. It started with 4-part harmony, and his solo excursion was rife with hipsterisms. Well done, but it drove me nuts.
And Michael Bourne on WBGO played a recording of a guy who put words to Blue Rondo a la Turk. Don't remember if he vocalized the solos. Made my toes curl.
Then there's the issue of the after-the-fact tacking on of lyrics to jazz standards. I.e.: 'Believe in your people, just speak no evil' (not even a rhyme) to Speak no Evil; or 'Gig on the west coast, man on the east coast, etc. (or some such) to West Coast Blues'. Horrid, and done (performed, not written) by no less a singer than Karrin Allyson.
I think part of the problem is the fact that the lyrics were done at a later date, as opposed to the collaborations of the master ASB teams. It's just hard to make something work after the fact like that IMO.
What do yiz think?