Hardbopjazz

Hi Tom, I can't believe I didn't think of Lonnie Smith! : banghead: Not one correct, this time. I sing "The way you look..." so it's odd I couldn't come up with the title even. Did you record that private recording yourself? I agree with Spontaneous about the live tracks, those were really great. Just to tell you, I did start my haunt early in the month, but then there were things happening which made me not feeling at ease to take my time to thoroughly search. A bit restless times and now my cat has turned out to have something serious and needs medication for the rest of her life. Sorry, I've been kind of distracted. Don't want you to think I didn't want to make an effort and posted late because of that. Kind regards, page # 12 is also a private recording.

Really? There have been many winderful concerts over the years at JALC that I've seen. For example, Ahmad Jamal Quartet. Chick Corea Trio. The music of Tadd Dameron with Charlie Rouse and Tommy Flanagan just to name shows I've attended.

R.I.P., Eddy

There has to be many gems in the vaults. We're excited to announce the launch of Jazz at Lincoln Center's newest initiative: Blue Engine Records. 
 As today's New York Times article attests, this record label has been a long time coming. It started as an idea way back when Jazz at Lincoln Center came steaming out of the station with our first concerts some 28 years ago. Blue Engine helps us fulfill an integral part of our mission: entertaining, enriching and expanding a global community for jazz. Blue Engine’s albums will allow jazz fans worldwide to enjoy music—wherever they are and whenever they want—from Jazz at Lincoln Center’s vast archive of live and studio recordings. NY Times article

Here are the answers. CD The Doctor Is in Crash 01. Nick's Kick Jerry Cook (ts); Cory Weeds (as); Dr. Lonnie Smith (org); Dave Sikula (g); Mark Humeniuk (b); Bernie Arai (d). ______________________________________________________________________________________ Private recording Celebrating The Incredible Jazz Guitar of Wes Montgomery Dizzy's Club Coca Cola, NYC 2015-03-08 02. The Way You Look Tonight Yotam Silberstein (g); Brian Charette (org); Jordan Young (d). ____________________________________________________________________________________ CD Goes Blues Ximo Tebar 03. Goes Blues Ximo Tebar (g); Dr. Lonnie Smith (org); Idris Muhammad (d). _______________________________________________________________________________________ CD Organic Grooves Essence All Stars - 04. Luny Tune Joey DeFrancesco- b3 Kenny Garrett- as, Tony Purrone- g, Lenny White- d. ________________________________________________________________________________________ CD When It Haynes It Pours Roy Haynes Quartet 05. Easy Living Roy Hanyes (d); Craig Handy (ts); David Kikoski (p) Ed Howard (b). _________________________________________________________________________________________ CD Take Your Pick Hoaward Alden 06 Warm Valley Howard Alden (g); Renee Rosnes (p); Michael Moore (b); Bill Goodwin (d). __________________________________________________________________________________________ Album rip A Pair To Draw To Ross Tompkins and Herb Ellis 07. You And The Night And The Music Herb Ellis- g Ross Tompkins- p __________________________________________________________________________________________ Private recording Live at Dizzy's Club Coca Cola, NYC 08. Try To Put A Bass Aboard A Plane Jay Leonhart (b, voc). ___________________________________________________________________________________________ Lewis Nash Septet Rhythm Is My Business 09. Celtic medley- Eleanor Plunkett, Planxty Burke Lewis Nash- d, Renee Rosnes- p, Jeremy Pelt- tp, Steve Wilson- as, Jimmy Greene- ts, fl, Peter Washington- b, Steve Kroon- perc. ___________________________________________________________________________________________ Jimmy Heath Prelude to a Kiss 10. There Will Never Be Another You Jimmy Heath- ts, Mulgrew Miller- p, Chris Thomas- b, Clarence Penn- d. _____________________________________________________________________________________________ Charlie Rouse The Music Of Tadd Dameron 11. The Chase Charlie Rouse- ts, Tommy Flanagan- p, George Mraz- b, Kenny Washington- d ________________________________________________________________________________________________ Wayne Shorter and the Jazz At Lincoln Center Orchestra 12. Contemplation Wayne Shorter- ts, ss, Wynton Marsalis- tp, Ryan Kisor- tp, Kenny Rampton- tp, Marcus Printup- tp, Vincent Gardner- tb, Chris Crenshaw- tb, Ekkiot Mason- tb, Sherman Irbu- as, fl, Ted Nash- as Victpr Goines- ts Walter Blanding- ts Paul Nedzela- bs, Dan Nimmer- p, Carlos Hrntiquez- b, Ali Jackson- d. _________________________________________________________________________________________________ Von Freeman Quartet + Johnny Griffin Blowin' in from Chicago 13. Now's The Time Von Freeman- ts, John Young- p, Ron Carter- b, Billy Higgins- d Johnny Griffin- ts

I've searched for something but could not locate it anymore.

Happy Birthday.

Thanks for listening Page. I post the answers in the morning.

I want to say it is Lydian mode.

I forgot most of my music theory. If you are in the key of G and start on C, what mode is this?

Thanks. #9 I don't think anyone will guess. Some well known musicians.

Happy Birthday.

Chicken Grease by D'Angelo.

Happy Birthday.

Interesting article. In 1971 Columbia Records signed four of modern jazz's greatest artists. Within two years all four were gone. What happened? In 1971 Columbia Records, a storied label for jazz artists such as Billie Holiday, Dave Brubeck, and Duke Ellington, brought four more notable musicians aboard: free-jazz pioneer Ornette Coleman, bassist Charles Mingus, and two pianists, one established, the other up-and-coming–Bill Evans and Keith Jarrett. Columbia executive Clive Davis had been taking the label in a more aggressively youth-and-rock-oriented direction, and a number of its early 70s jazz acts such as Weather Report and Mahavishnu Orchestra were or would be rooted in the ascending jazz-rock sound of fusion, which label mainstay Miles Davis had embraced as well. Coleman, Mingus, Jarrett, and Evans did not fit that marketing mold. Their stay would be brief, but it would yield a trove of compelling and expansive music. The rest of the article can be found here. http://indianapublicmedia.org/nightlights/great-columbia-jazz-purge-coleman-evans-jarrett-mingus/

Sonny Rollins attending Ornette's services today.

Yeah, but to be a part of some of the greatest recordings made in jazz should have made him come to love the music.

Does anyone know if Prestige released anything in their vaults for the 65th anniversary?

I sure he loved the music as it was being created.

Rudy earlier this year at Dizzy's Club Coca Cola celebrating Prestige Record's 65th Anniversary.