Pete C

It's another one from rateyourmusic, which only the original poster can see, I believe.

In my day it was Peanuts books and facsimiles of the Declaration of Independence.

The one time I saw Crimson (North Sea, 1997, I think) the temperamental difference between the guitarists was so evident: Belew up front, in the spotlight, hamming it up and playing the rock star, Fripp off to the side, in shadow, with a minimum of movement.

Apologies to Horace.

My heart is strong enough for sexual activity as well as the second quintet, but I'm not sure I could handle the excitement of both at the same time.

The Koch brothers and Dick Armey have that covered.

John Yoo Tomas de Torquemada Monty Python

I stick it in the middle of the case. My shelf is solid, so it keeps the booklet from falling to the ground. When it's not on the shelf I keep it in close proximity to the case and never take my eyes off it, lest it should walk off.

He may not have the opportunity when he's 46.

I don't know about mostly live. It was the label for both live and studio sessions by Ella Fitzgerald, Sarah Vaughan, Joe Pass (Granz made Pass huge), Oscar Peterson, Dizzy, Duke and Basie, among others. Pretty much Granz signed his favorite old friends and colleagues going back to the Verve years and from his concert promotions. Plus first releases of archival recordings from tours he promoted when he didn't have a label (like the Coltrane stuff). http://www.jazzdisco.org/pablo-records/discography-1973-1976/

Sidney Fields Mike the Cop Hillary Brooke (hubba hubba) (though I can't for the life of me figure out how Bill's mind works)

I rarely listen to CDs with total attention--always doing something else. With DVDs I'm totally immersed.