Neal Pomea

So many great shows! I fondly remember guest spots by Groucho Marx, Mel Brooks (took over the entire 90 minutes!), Albert Brooks, Don Rickles, and Moe of the Three Stooges.

Club Ska: http://www.reggae-reviews.com/clubska.html Sir Lord Comic "Adam and Eve went up my sleeve and they never came down til Chrismas Eve. tell dem!" Skatalites Guns of Navaronne Intensified Original Ska: 1962-1966 http://www.multikulti.se/rekcd/america/car...ntensified.html More Intensified Original Ska: 1963-1967 http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:w2ja7i58g75r Dr. Kildare Man in the Street Six and Seven Books of Moses Lucky Seven Emergency Call for Dr. Ring Ding The Great Wuga Wuga Dick Tracy Train to Skaville (where you hear that the vowel for the a in ska was not originally pronounced by the musicians themselves as it is now; they themselves pronounced it more like the a in satellite) Great stuff!

Washington Nationals of Ward Five (look for it!)

Here's a link to Hot Jazz Saturday Night's 3 hour tribute New Year's Day to Artie Shaw: http://www.wamu.org/audio/hjsn/05/01/050101.ram Should be up for a week.

I misdoubt that Templeton guy (borrowing from the malaprop/Freudian slip leeway we have from Bush)

I'm sure I see the publisher's point of view/interest. The copyright clause supersedes it though because it is clear we mean works to become part of the public domain for the greater good, (the ever-forgotten point) which you might add as your third point. It is a very important point, stated in the constitution, and even the Supreme Court recognizes it.

Like a reaffirmation in the U.S. that the purpose of copyright is NOT compensation for creators. It's giving creators a limited-time monopoly so that they have incentive to create. And we want them to create so that their work eventually becomes part of the public domain for the sake of the greater good. Without those principles, we are in for a long haul fighting off perpetual copyrights.

Cardinals in 4