paul secor Posted August 27, 2011 Report Posted August 27, 2011 Khan Jamal/Johnny Dyani/Pierre Dorge: Three (Steeplechase) Quote
sidewinder Posted August 27, 2011 Report Posted August 27, 2011 Wayne Shorter - 'Night Dreamer', 'Speak No Evil' and 'The All Seeing Eye' (all BN NY USA, mono) Quote
brownie Posted August 27, 2011 Report Posted August 27, 2011 Kenny Dorham 'Jazz Contemporary' (Time, mono, gatefold cover) Quote
sidewinder Posted August 27, 2011 Report Posted August 27, 2011 Miles Davis 'On The Corner' (UK CBS orig.) Quote
sidewinder Posted August 27, 2011 Report Posted August 27, 2011 (edited) 'Bill Dixon 7-Tette/Archie Shepp NYC5' (Savoy orig, mono) Sounds like it was recorded in the Gents but great music, nevertheless.. Edited August 27, 2011 by sidewinder Quote
Chalupa Posted August 27, 2011 Report Posted August 27, 2011 The Freewheelin' Bob Dylan (Columbia mono) Does your copy have Talkin' John Birch Society Blues?? Quote
Chalupa Posted August 27, 2011 Report Posted August 27, 2011 Serpent Throne - White Summer/Black Winter (Prophase) Pigeons - Si Faustine (Olde English Spelling Bee) The War on Drugs - Wagonwheel Blues (Secretly Canadian) The War on Drugs - Slave Ambient (Secretly Canadian) The War on Drugs - Future Weather (Secretly Canadian) Thurston Moore - Demolished Thoughts (Matador) Purling Hiss - Lounge Lizards (Mexican Summer) Metal Moutains - Golden Trees (Amish Records) Sun Ra Arkestra - The Soul Vibrations of Man (Saturn,RE 180G) Love Cry Want - S/T (Weird Forrest,RE) Quote
Leeway Posted August 27, 2011 Report Posted August 27, 2011 (edited) Nessa LP (of course): Edited August 27, 2011 by Leeway Quote
paul secor Posted August 27, 2011 Report Posted August 27, 2011 The Freewheelin' Bob Dylan (Columbia mono) Does your copy have Talkin' John Birch Society Blues?? No such luck. Quote
Leeway Posted August 27, 2011 Report Posted August 27, 2011 I've been alternating today between Morton Feldman and Roscoe Mitchell. Listening to "L-R-G," it occurred to me that Morton and Roscoe would have understood each other's music. In the liner notes to the album, Roscoe talks about "sound worlds" and "sound collages" how he adapts and uses them (I'm simplifying Roscoe's thoughts of course). In one of Feldman's essays, he talks about his discovery "that sound in itself can be a totally plastic phenomenon, suggesting its own shape, design, and poetic metaphor..." Some parts of "L-R-G" and "S II Examples" would not be out of place in Feldman's music, and vice versa. I would not push that parallel too far, but there do seem to be some interesting parallels. I really like this picture of the "L-R-G" recording session; it's particularly cool in the gatefold LP version. Is that Chuck standing to the back in the blue shirt and white pants? Quote
paul secor Posted August 28, 2011 Report Posted August 28, 2011 Archie Shepp: The Tradition (Horo) Quote
Chalupa Posted August 28, 2011 Report Posted August 28, 2011 I've been alternating today between Morton Feldman and Roscoe Mitchell. Listening to "L-R-G," it occurred to me that Morton and Roscoe would have understood each other's music. In the liner notes to the album, Roscoe talks about "sound worlds" and "sound collages" how he adapts and uses them (I'm simplifying Roscoe's thoughts of course). In one of Feldman's essays, he talks about his discovery "that sound in itself can be a totally plastic phenomenon, suggesting its own shape, design, and poetic metaphor..." Some parts of "L-R-G" and "S II Examples" would not be out of place in Feldman's music, and vice versa. I would not push that parallel too far, but there do seem to be some interesting parallels. I really like this picture of the "L-R-G" recording session; it's particularly cool in the gatefold LP version. Is that Chuck standing to the back in the blue shirt and white pants? Interesting observation. Both of those composer's music were featured in festivals this past April here in Philly. Quote
Chuck Nessa Posted August 28, 2011 Report Posted August 28, 2011 (edited) I am the guy in the back - the pants were beige. The guy in the red shirt is George Favors, Malachi's brother. The guy next to him was the guy who drove the truck of instruments from the Creative Music Studio. Sadly I don't remember his name. Edited August 28, 2011 by Chuck Nessa Quote
Leeway Posted August 28, 2011 Report Posted August 28, 2011 I am the guy in the back - the pants were beige. The guy in the red shirt is George Favors, Malachi's brother. The guy next to him was the guy who drove the truck of instruments from the Creative Music Studio. Sadly I don't remember his name. Thanks for clearing that up Chuck. Sorry about the pants That's an amazing collection/assortment of percussion instruments. That it was got together in the first place, and recorded so well, is fantastic. In that photo is the heart of the AACM, and a staggering group of musician-composers. Quote
kh1958 Posted August 28, 2011 Report Posted August 28, 2011 The Bessie Smith Story, Volume 3 (Columbia, six eyes) Quote
Leeway Posted August 28, 2011 Report Posted August 28, 2011 The new ROVA-Zorn LP, "THE RECEIVING SURFACES." Intense. Quote
paul secor Posted August 28, 2011 Report Posted August 28, 2011 Bill Coleman/Ben Webster: Swingin' in London! (Black Lion) Quote
Teasing the Korean Posted August 28, 2011 Report Posted August 28, 2011 Herbie - Maiden Voyage. I am moving this and "Empyrean Isles" from the jazz to the exotica section: Arthur Lyman - Legend of Plele. This was good until they got to "76 Trombones:" Quote
jeffcrom Posted August 29, 2011 Report Posted August 29, 2011 Mal Waldron with Steve Lacy - One-Upmanship (Inner City) Quote
clifford_thornton Posted August 29, 2011 Report Posted August 29, 2011 Bob Downes - Deep Down Heavy - (MFP) Quote
clifford_thornton Posted August 29, 2011 Report Posted August 29, 2011 Joe Harriott - Jazz for Moderns - (Gearbox) Quote
sidewinder Posted August 29, 2011 Report Posted August 29, 2011 Joe Harriott - Jazz for Moderns - (Gearbox) How is it? Worth the £? Oscar Peterson Trio - 'Bursting Out With The All Star Big Band !' (UK Verve, stereo). With the Ernie Wilkins Orch. Quote
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