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Reese Markewich Quintet - NEW DESIGNS IN JAZZ


JSngry

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markew_rees_newdesign_101b.jpg

Da' Bastids got it (had it): http://www.dustygroove.com/cgi-sys/cgiwrap...la&issearch=yes

I wish DEEP was around to provide some background on this one. All young upstate New Yorkers, it seems, a bunch of college boys who take the Blakey/Silver Messengers as their starting/finishing point, and (seemingly) get hyped up on speed and/or steroids to do so.

Everything is played ARGH!, but it works. Works well in fact. These guys are totally without the nuance and subtext of the best hard bop, but they compensate for it by playing/riding a runaway rollercoaster of SWING. Think of it as an action movie, and its hard to resist. Sound quality is not that great, sounds like it was recorded in and extremely "local" studio, but what the hey?

Hey - I got my guilty pleasures in jazz too, and vintage hard bop that does nothing but take the genre at face value is one of them, at least when everybody buys into the premise as thoroughly as these guys do. One ballad, one or two medium tempi, and the rest is fast and faster. And nobody falters even slightly.

I'm surprised to say this, but... EXCELLENT!

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Looks interesting. Blue Moon. . . some interesting stuff from the "I never heard of dat" category seems to come out of that label two or three times a year!

Hey, send a copy or an email to Danny and you'll probably hear something about it. . . . I can help you with an email address if you need it.

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Reese Markewich, if I recall correctly and I really believe I do, was also somewhat of a jazz scholar and musicologist. A couple of decades ago, he published either a monograph or an actual book that revealed which jazz originals through that time were based on the chord changes of popular tunes, e.g., Bird's "Ornithology" ("How High the Moon"), Konitz's "Subconscious-Lee" ("What is This Thing...."), K.D.'s "Prince Albert" ("All the Things..."), etc. I was never able to secure a copy, and Lord knows, it would require a major update at this point in time, but I'd still love to have it, nevertheless.

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The Markewich date was recorded in 1957. Brignola was 21 by then.

Never ran into that album. Sounds interesting!

Thanks, Brownie.

Its an OK LP-I think there was one other young 'un who got a bit of attention as an adult. I'll have to dig it out later tonite and check.

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Ronnie Zito, the drummer on this album, is brother of Torrie Zito, the arranger (who also contributed many of the tunes here), and has played w/Woody Herman & Bobby Darin, a.o. A Google search truned up a surprising number of hits.

I found out that, as of 1999, Reese was a practicing psychologist who still played jazz. http://cornell-magazine.cornell.edu/Archiv...Notes50-59.html

http://www.allny.com/health/psychiatry.html

The book that Marty mentioned: http://www.amazon.com/exec/obidos/ISBN%3D0...3760112-8591369 http://www.music.indiana.edu/borrowing/browsemn.html

And Jesse Avery, the tenorist/flautist here, was appaerntly a frined/bandmate of Scott LaFaro back in the mid-1950s http://www.geocities.com/chuck_ralston/10slfchr-5055.htm

Interesting buncha folks, these were, it seems.

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