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Posted

My son hipped me to this woman, who does on accoustic what Stanley Jordan did on electric, only at a higher (and extended) level, I think. Maybe there's precedence for this type of thing outside of the jazz world, but I'm unaware of it if there is (and would welcome edification thereof).

Is it "jazz"? Well, my son just showed me two video clips from her website, and I'd have to say "Yes, no, maybe, maybe not, WHO CARES?" The woman's definitely got a thing happening, and it's MUSICAL, so there. Labels are for soup cans, right?

Check it out: http://www.kakiking.com/

This ain't no Shooby Taylor freakishness, either. This is some seriously serious shit!

Thank you, Charlie. You're keeping me young.

Sometimes... ;)

Posted

I first encountered this gal from an audio board I frequent, someone was recommending her.

VERY talented. And very gorgeous if you ask me.

Ultimately, like Jordan, a little dab really does it for me. . . . I wish her b i g success.

Posted

Yeah, I can't say that I'd buy all of her CDs (or even one), but what she's doing certainly seems like a step forward in guitar technique and stuff like that. I mean, she's doing the tapping thing AND percussion AND all this other stuff with just a guitar.

Truly fascinating, if only for the process...

Posted

I don't know, I have an Ovation Breadwinner ('seventies solid body electric guitar, sort of "Explorer" like) and it's one FINE guitar!

I was thinking of the "acoustic" guitars.

Posted

Interestingly I have been doing some reading on materials made in sound production. There is some scientific findings that the material does not make as much difference as the design. . . . One guy for example built trumpets out of PVC and as long as the valve structure, tubing thickness, length, coil, etc. were identical the sound was supposedly identical. Quite interesting stuff. . . . It would be interesting if Ovation made fiberglass guitars that were identical in structure and design to a Gibson Hummingbird for instance and one could compare the two!

  • 3 weeks later...
Posted

Interestingly I have been doing some reading on materials made in sound production. There is some scientific findings that the material does not make as much difference as the design. . . . One guy for example built trumpets out of PVC and as long as the valve structure, tubing thickness, length, coil, etc. were identical the sound was supposedly identical. Quite interesting stuff. . . . It would be interesting if Ovation made fiberglass guitars that were identical in structure and design to a Gibson Hummingbird for instance and one could compare the two!

I think that study is flawed because I know saxophones will respond with different tonal quality with say, no laquer, or silver plate, or gold plate, rather than standard laquer.

Posted

Hey it wasn't my study!

^_^

Maybe the different lacquers change the way the pad and the body meet? I dunno. It could be bullshit. You have to step carefully to avoid cowpaddies everywhere.

Posted

Maybe the different lacquers change the way the pad and the body meet?

Nope. The lacquer slightly affects the vibration (that is to say, the resonace) of the metal. Some people strip the lacquer off completey, others let it age (if it's good to begin with).

But only very brave souls (or fools...) relacquer a horn. That's tempting fate to be cruel.

  • 1 month later...
Posted

up...

g47312l1y2q.jpg

I picked up her album cheap in a used store, mainly based on remembering this thread. She has some very impressive technique, and there's a sound or a warmth or something that seems to shine through for me. I'm really enjoying this, check it out if you run across it anywhere.

Another thanks to Jim for bringing this to our attention...

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