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Yes, it is fixed!  I am just about to launch into Elizabeth Taylor's A View of the Harbour.

Recommended.

Enjoying it so far.  I thought her A Game of Hide and Seek was well written from a technical perspective, but not actually particularly compelling, as I had no real interest or sympathy in the main characters.  I like this one better.

Through a weird glitch in the library reserve system, I am about to get 12 books all at once.  The ones highest in demand (and thus that I can't renew) will be read first.  That includes Urquhart's The Night Stages and Bulawayo's We need new names in addition to Neil Smith's Boo and Barbara Comyns' The Juniper Tree.

Posted

Yes, it is fixed!  I am just about to launch into Elizabeth Taylor's A View of the Harbour.

Recommended.

Enjoying it so far.  I thought her A Game of Hide and Seek was well written from a technical perspective, but not actually particularly compelling, as I had no real interest or sympathy in the main characters.  I like this one better.

 

Always something there with Taylor - in her small-scale way.

Posted

Still sailing round the world with the British navy, imposing our will on everyone and nicking anything that comes to hand - just got to the American War of Independence. 

Alongside:

 51Yk94K%2BLQL._SX324_BO1,204,203,200_.jp

Which is fascinating. I'm not sure how it was written but the style gives the impression of Richards yakking and ghost writer James Fox putting it together - I might be doing Richards a disservice there. Very good on the childhood years - the strength of family and the disappointments at school (some astonishing successes as a choir boy and boy scout patrol leader!!!!). Captures the change from the 50s into to the 60s very well. Have just got to 1963 + and the point where the madness kicked in.   

Posted

Still sailing round the world with the British navy, imposing our will on everyone and nicking anything that comes to hand - just got to the American War of Independence. 

Alongside:

 51Yk94K%2BLQL._SX324_BO1,204,203,200_.jp

Which is fascinating. I'm not sure how it was written but the style gives the impression of Richards yakking and ghost writer James Fox putting it together - I might be doing Richards a disservice there. Very good on the childhood years - the strength of family and the disappointments at school (some astonishing successes as a choir boy and boy scout patrol leader!!!!). Captures the change from the 50s into to the 60s very well. Have just got to 1963 + and the point where the madness kicked in.   

I liked it too. :tup

Posted

The Brothers: John Foster Dulles, Allen Dulles, and Their Secret World War by Stephen Kinzer.  Interesting read, and a despicable history of crimes committed in the name of freedom.

The-Brothers-668x501.jpg

 The story of the Dulles brothers, the Congo, and Patrice Lumumba is about as low as you can get...

Posted

I read loads of William Trevor about 30 years ago during my 'Irish' phase. Excellent short stories - and I'm not a big one for short stories. Someone I've lost touch with. 

Remember reading a lot of Sean O'Faolain around that time too; from an earlier generation but very fragile short stories of disappointment and lost chances. 

Posted

Yes, it is fixed!  I am just about to launch into Elizabeth Taylor's A View of the Harbour.

Recommended.

Enjoying it so far.  I thought her A Game of Hide and Seek was well written from a technical perspective, but not actually particularly compelling, as I had no real interest or sympathy in the main characters.  I like this one better.

Through a weird glitch in the library reserve system, I am about to get 12 books all at once.  The ones highest in demand (and thus that I can't renew) will be read first.  That includes Urquhart's The Night Stages and Bulawayo's We need new names in addition to Neil Smith's Boo and Barbara Comyns' The Juniper Tree.

I did enjoy the Taylor, though it is still hard to get over these quickie marriages.  I think there was one in Bowen's To the North as well, though I am probably confusing it with another book.  I would say Taylor is better in capturing wry ironies than deep passions...  (Definitely more influenced by Austen than Bronte, whereas some critics felt that Bowen more successfully fused these two threads.)

I also finished Comyns's The Juniper Tree.  Quite interesting.  Probably her least characteristic book.  I don't think there was a single feckless character in the novel, perhaps because we met a handful of art dealers, but no artists...  A lot of sadness throughout, but also some hopeful renewal here and there.  I think this and The Skin Chairs have the happiest endings of all her books, if I am remembering correctly (well, perhaps The House of Dolls, though that is more of a farcical ending).

Just starting Urquhart's The Night Stages.  I've generally heard good things about it.  Here's hoping.

Posted (edited)

0704326191#immersive-view_14412413393590704326191#immersive-view_1441241339359John Burdett: The Bangkok Asset

I've recently gotten interested in this series and hope to soon pick up the first couple of books in it. Right now I'm reading Shirley Jackson's We Have Always Lived In The Castle, as well as this: 447664.jpg

Edited by ghost of miles
Posted

 

Just starting Urquhart's The Night Stages.  I've generally heard good things about it.  Here's hoping.

Actually I'm not really digging The Night Stages.  I just can't quite understand the logic behind the book.  It is mostly about this woman who gets fogged in at the airport, so she has lots of time to think over her childhood.  But then the narrative keeps shifting to her lover's younger brother, when there is no reason for either the woman or her lover to be able to get into his mind (he vanished without a trace years ago, but here we go working through his childhood as well).  And then we find out about the painter who painted the mural at the airport.

There doesn't seem to be any logical correspondence between them.  I'm finding it like watching one of those jugglers who juggles an apple, a wrench and a chainsaw.  Ok, you can do it, awkwardly enough, but it's actually not as graceful or compelling as watching someone juggle 5 or 6 balls effortlessly.  (It probably doesn't help that I am not a fan of novels that are almost entirely composed of flashbacks.)

I'm kind of surprised at how positive the early reviews have been, though I will press on for a bit longer.

Posted

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I know this one it controversial here; but I liked his interpretation of how 'The Blues' were constructed out of a selective survey of the past. Interesting to read it alongside the Keith Richards bio where the latter is very much part of the process of popularising some of the mythology.  

Posted

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It was good to take up another Murdoch after a while. THE SEA, THE SEA won the Booker Prize in 1978. The literary, philosophical and art allusions are as rich as ever, and the humor is as mordant, but there is also a tendency to prolixity. I thought Murdoch muddled the ending by adding a postscript that adds little. 

Posted

imag0148.jpg?w=223&h=300

It was good to take up another Murdoch after a while. THE SEA, THE SEA won the Booker Prize in 1978. The literary, philosophical and art allusions are as rich as ever, and the humor is as mordant, but there is also a tendency to prolixity. I thought Murdoch muddled the ending by adding a postscript that adds little. 

Though not a fan of the later Murdoch, I found this very readable.

Posted

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A short set of interviews. Found in this wonderful second hand bookshop in Cromford near Matlock:

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Also found three of the excellent BBC Music Guides for £1.50 each. Long out of print.

Now I've finished sailing the seas over the centuries with the British navy I'm on to:

51d8jXZAbvL._SY344_BO1,204,203,200_.jpg

Napoleon's just crossed the frontier and headed for the Prussians. A really good read - detailed but so far hasn't got bogged down in the minutiae of regiments etc. 

Posted (edited)

There is some fine writing in Urquhart's The Night Stages, and some people will like it very much, but I did not like the book for a number of reasons.

I've just started Neil Smith's Boo.  It is quite interesting.  I can't quite tell if the audience is actually YA or adult (it's about an afterlife devoted solely to 13 year olds from the US!).  I am finding it to read very much like a mix of Haddon's The Curious Incident of the Dog in the Night-Time and Brockmeier's The Brief History of the Dead.  I have a general sense of how it will turn out, but I definitely want to read this first to decide if it is appropriate for my son (and if not this year, then at what age level).

 

As an extra bonus, Smith counts as a Canadian author, so I can add him to my pile to be reviewed for the 9th Canadian Challenge.

Edited by ejp626
Posted

just finished:

Ta-Nehisi Coates - Between the World and Me: most impressive, and rather shocking, though much of it isn't really all that new ... it's been quite a while that a book has so deeply moved me.

David H. Rosenthal - Hard Bop: more an extended essay than a proper study, but not bad at all ... I like how he defines hard bop quite widely (incorporating Monk, Mingus, Andrew Hill, and to some extent even Ornette - his influence on "Blue Note avantgarde" etc.)

 

in progress:

Tom Perchard - After Django: extremely interesting and enriching indeed! And quite a shock, as it's positively the first book (text in general) on jazz I read that uses such scholarly language - which per se is nothing that would shock me, just never had the connection with jazz so far, was mostly busy reading on other topics in the past two decades, catching up some reading on jazz now ... and please don't take this as a negative critique - not at all, it's actually rather refreshing a read, and the language helps to keep it precise indeed ... and it's thought-provoking, that's for sure!

Garth W. Caylor - Nineteen +: very, very good! Not all chapters/interviews/portraits are on the same level, but the best indeed add a lot to the picture!

R. J. Smith - The One: The Life and Music of James Brown: started reading this quite a while ago (two years?) but got to pick it up again now ... didn't get too far yet, but found it very, very good.

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